Hoho Lin’s Work Attempts To Find More Possibilities For Optics, Utilizing A Special Mirror-Surface Installation. First He Takes A Redesigned Folding Camera And A Tilt-Shift Lens And Changes The Depth Of The Field Focus Setting. He Then Takes The Building Sites, Bus Stops, Ballparks, Houses, Pedestrians We See In Real Life And Transforms Them Into A Model World On Which He Spies. The Picture Is Filled With Layer Upon Layer Of Landscape As If The City Were Artificial. In This Shrunken Visual World, The Direct Way To View Objects Becomes Spying On A Model World. Add To That The Artist’s Post Production Work And The Scene Is Turned Becomes A Real Imaginary World, Changing Our Sense Of The External Flow Of Time, Silently Waiting For Attention To Detail And Change.