The work takes part of the Constelaciones project, which questions how art histories are built -how we build, reproduce, and problematize them-. I work copying images that I previously register, trying to be as faithful as possible (and impossible) to the historical document. That is how I think of drawing as a mean to configure (and unconfigure) stories which slow timeliness differs from the time of the images. This selection shows five art experiences that involve different artists: performances, readings, dialogues, and encounters: Actions where I was present, that lasted a limited time, and I chose to draw/register. In this project, I attempt to leave the traces of an itinerary, a map that creates links and makes affections transparent. I am interested in thinking about how the contextual character that has a group can be modified and expand in its interpretation towards other possible developments.
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