The world of handcrafts, manual and sensitive work contrasts with designs inspired in pipe connections and other industrial items massively produced. The organic material from local origin takes alien forms of anonymous and impersonal production. Thus, circuits that may be under the sink or bathroom fixtures are presented in fragments, alienated both by scale and their material, which is related to an ancestral activity mainly carried out by women: basketmaking. Dos Fuelles con codo 90° takes part of the Criollo fittings series, in which I present new entities that may amalgamate two productive spheres with different visions of the world. Source: Itaú Cultural Visual Arts Award 2019-2020 Catalogue