It is an installation that evokes the absurd and the symbolic as a geometric entity. He proposed an ironic and thoughtful look at religion and the current historical moment, using the principles of analog and visual technology to construct a large structure of geometric format. The structure was constructed in such a way that during the day it reflected or provoked a refraction of the natural light and, at night, illuminated, allowed the interaction with the public. Resin dolls or mannequins were fixed on the stairs that gave access to the work, encouraging the flow of people.
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