Chen Jun-Hau specializes in using industrial mass produced push pins as the medium for his installation works. The structures are put together with dots, lines, surfaces, and masses, and through the inspecting perspectives and optical concepts in the transformation of brightness and darkness, the observer can experience a visual transformation with the changing light waves. The experience provides a poetic philosophical contemplation, and the focal point transfixes and is also powerfully attracted by the work.
For the project this time, Chen once again uses push pins, and attempts to develop a three dimensional work from his past two dimensional work. By layering and using multiple combinations, a hypnotizing group of cacti seems to have emerged from the illusive desert, and the shimmer from the push pins gives a mirage-like temporary optical illusion, and an alternative visual experience is presented.