Like Augustin Hirschvogel, Hanns Lautensack populated his images with traces of human activity that serve to characterize the features of the land rather than suggest a narrative. In several of his etchings, Lautensack used a vertical, rather than horizontal, format, emphasizing the strong verticals of mountainous terrain. This verticality was a
particular feature of artists working in the Danube River valley and not often repeated by landscape artists in later centuries.