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Landscape with Herdsmen

Aelbert Cuypmid-1650s

National Gallery of Art, Washington DC

National Gallery of Art, Washington DC
Washington, DC, United States

This bucolic landscape depicts two horsemen who have stopped on a small rise overlooking a broad river valley to ask local herdsmen for directions. With figures and cattle silhouetted against an expansive sky and late afternoon light bathing the scene in a golden glow, the painting conveys the sense of peace and tranquility that pervaded the Netherlands after the signing of the Treaty of Münster in 1648 that ended the war against Spain and finally established the Dutch Republic.


This highly evocative landscape is based on a real place: the valley of the Rhine River near the towns of Cleves and Calcar, not far from the Dutch border. Cuyp had visited this broad river valley in the early 1640s and recorded his impressions of its towns, churches, and windmills in a series of panoramic drawings that were once part of a sketchbook. When Cuyp painted this work, he referred to one of his drawings of the town of Calcar, which housed the ruins of the castle of the dukes of Cleves, seen here in the far distance behind the haze. Nevertheless, atmosphere, not topography, was Cuyp’s primary concern, and the result is this quiet, reflective image of an Arcadian Dutch countryside.

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  • Title: Landscape with Herdsmen
  • Creator: Aelbert Cuyp
  • Date Created: mid-1650s
  • Physical Dimensions: overall: 47.7 × 81.5 cm (18 3/4 × 32 1/16 in.) framed: 76.84 × 110.81 × 12.7 cm (30 1/4 × 43 5/8 × 5 in.)
  • Provenance: Probably (sale, by J. A. Jolles and H. de Winter, Amsterdam, 23 May 1764, no. 41, bought in). C. Price, London; Frederick Howard, 5th earl of Carlisle [1748-1825], London, and Castle Howard, Yorkshire, by 1771;[1] by descent in the Howard family to George James Howard, 9th earl of Carlisle [1843-1911], London, and Castle Howard; purchased September 1907 by (P. & D. Colnaghi, London), half share with (M. Knoedler & Co., London and New York);[2] sold July 1909 to William Andrews Clark [1839-1925], New York; bequest 1926 to the Corcoran Gallery of Art, Washington; acquired 2014 by the National Gallery of Art. [1] According to Alan Chong (“Aelbert Cuyp and the Meaning of Landscape,” Ph.D. dissertation, New York University, 1992: 374, 375 n. 1), the painting was sold by Price to Howard in 1771 or shortly before. This information comes from an 1865 inventory in the Castle Howard archives of the Earl of Carlisle’s house on Grosvenor Place in London, in which the painting is listed as number 92. The earl in 1865 would have been the Reverend William George Howard, 8th earl of Carlisle (1808-1889), who succeeded to the title in December of the previous year. [2] The painting is stock number 11463 in the M. Knoedler & Co. Records, accession number 2012.M.54, Research Library, Getty Research Institute, Los Angeles: Painting Stockbook 5, 8800-12652, 1899 April -1911 December, p. 149; copy in NGA curatorial files.
  • Rights: CC0
  • Medium: oil on panel
National Gallery of Art, Washington DC

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