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Luciana Lamothe

Fundación Itaú Argentina

Fundación Itaú Argentina
Buenos Aires, Argentina

The six photographs that compose this work register very specific moments: the undoubtedly fleeting moment when a reflection dazzles a person that walks carelessly on the street. The six people (including a policeman) react closing their eyes or covering their face with their hands. Everything around that bright spot is recognizable: the urban landscape and the passers-by near the protagonist. Is this reflection incidental? Was the artist right there at the moment when the light impacted on the people's faces? Everything leads us to think that it is the artist who is producing that reflection and pressing the shutter button at the same time. the people lit are undoubtedly anonymous characters, highlighted among the crowd by that reflection. Yet at the same time, that light prevents us from seeing their faces, not only because they try to cover their eyes with their hands, but also because the reflection produces an overexposure of the film, burning it right where the proof of the identity of the characters is. This game of affirmation and denial is the central element of this work, which is also reflected in the title through a simple rhyme: the lighting of the icon and its simultaneous hiding. First Itaú Cultural Visual Arts Award 2010-2011. Source: Itaú Cultural Visual Arts Award 2010-2011.

Photographic Series

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  • Title: No icon
  • Creator: Luciana Lamothe
  • Date Created: 2010
  • Date Published: 2011
  • Location Created: -----
  • Physical Dimensions: 124,5 x 106 cm
  • Original Language: Español
  • Provenance: Itaú Visual Art Award Collection
  • Type: Photograph
  • Publisher: Itaú Foundation Argentina
  • Medium: Photograph
  • Bio: Luciana Lamothe (1975). Lives and works in Buenos Aires, Argentina. She received her degree of Professor in Fine Arts, specialization in Sculpture, in the year 1999 at the National School of Fine Arts Prilidiano Pueyrredon, Buenos Aires. Between 2010 and 2011 Lamothe participated in the Kuitca Scholarship at Universidad Torcuato Di Tella, Buenos Aires, directed by the artist Guillermo Kuitca. In 2013 she was invited to take part in the residence Air Antwerp in Antwerp, where she developed a site-specific project. In 2007 she was artist-in-residence at Skowhegan, Maine, where she produced a body of work linked to the context of Skowhegan. In 2016 she was artist-in- residence at MANA Wynwood. During March 2019 she took part of the Artist-in-Residence program of Art Dubai, UAE. She has exhibited in numerous shows worldwide including: Persisting Realities, Kunstraum Kreuzberg/ Bethanien (2019) Galerie Alberta Pane, Paris (2019); Extended Architectures (2018); Place: Contingencies of Use, CGAC, Santiago de Compostela (2017); Free function, Steve Turner LA, Los Angeles (2016); My Buenos Aires, La Maison Rouge-Fondation Antoine de Galbert, Paris (2015); Nouvelles Vagues, Palais de Tokyo-Galerie Alberta Pane, Paris (2013); Doble penetración, Torcuato Di Tella University, Buenos Aires (2011); Fluiten in het donker, De Appel Arts Centre, Amsterdam (2011); Arte in Loco, Da Maré Museum, Rio de Janeiro (2010); Vertical hole, Punch Gallery, Seattle; Violencias, Museo del Barrio, New York (2008). She also took part in Une terrible beaute est née, 11th Lyon Biennial, Lyon; When things cast no shadows, 5th Berlin Biennial, Berlin; 3rd Montevideo Biennial, Montevideo: El Espejo Enterrado and in a satellite exhibition on the occasion of the 7th edition of Göteborg International Biennial for Contemporary Art, Göteborg and will participate of the upcoming edition of the Vancouver Biennial. Recent solo exhibitions include: I’m burning here, Steve Turner LA, Los Angeles (2019); Mutation, Galerie Alberta Pane, Paris (2018); Ensayos de Abertura, Ruth Benzacar Gallery, Buenos Aires (2018); Metasbilad, Prisma KH, Buenos Aires (2016); Patio de la fuente, Centro Cultural Recoleta, Buenos Aires (2016); Bidimensional Bisagra at Haroldo Conti Center, Buenos Aires (2015); Prueba de tensión, Ruth Benzacar Gallery, Buenos Aires; The Function of Form, Galerie Alberta Pane, Paris, both in 2014 and Contacto at The Museum of Modern Art, Buenos Aires, in 2013. She participated of the Basel Cities Public Art Program in Buenos Aires curated by Cecilia Alemani in September 2018 and of the large-scale projects sector Meridian, curated by Magalí Arriola, in the 2019 edition of Art Basel. Lamothe was awarded with the First Prize of the Lichter Art Award, Frankfurt; and the First Prize of the Itaú Cultural Award, Buenos Aires. And was a recipient of The Pollock-Krasner Grant for Artists by the Pollock-Krasner Foundation, New York, in the year 2019.
Fundación Itaú Argentina

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