During his lifetime, Ruisdael already had an excellent reputation as a landscape painter, as well as having graduated Doctor of Medicine.
Since he had never visited Scandinavia, he probably adopted the motif from a colleague. The lofty fortress towering into the clouds recurs frequently in Ruisdael's paintings. The rushing water, carrying with it whole oak-trunks, may be seen as a symbol of the transience of earthly life.
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