In A resistência do corpo (The Body’s Resistance), Letícia simulates a controlled environment to test the reaction of bodies to what happens during street demonstrations. Cameras, puppets and mannequins mimic the visual repertoire of scientific studies in photos of thrown objects, communication by mobile phones in social networks, and the impact of water jets.
The fragmented bodies, the mechanical devices, the dark background with dots of light, all establish a calculated and mysterious atmosphere, as if we were immersed in a robotic or space experience. The use of photography gives veracity to the work and gives even an unlikely situation a documentary feel when photo¬graphed.