The Hall of Movement and Fury

The results adopted by Crocetti in the tests dedicated to tragic figuration were impetuous.

In Crocetti, the fascination with motion translates into sculptural tests dedicated to pain, to ancient crying as can be seen in Rats, Earthquakes and throughout the whole corpus of the Magdalene.

The groups of animals have always aroused the interest of the artist: in the act of breathing or dropping, crumpled and nervous, while fighting or eating a prey.