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Portrait of a Gentleman

Frans Hals1650/1652

National Gallery of Art, Washington DC

National Gallery of Art, Washington DC
Washington, DC, United States

Frans Hals was the preeminent portrait painter in Haarlem, the most important artistic center of Holland in the early part of the seventeenth century. He was famous for his uncanny ability to portray his subjects with relatively few bold brushstrokes, and often used informal poses to enliven his portraits.


Hals portrayed this gentleman with his right shoulder turned slightly toward the viewer and his left arm akimbo. His shoulder-length, wavy brown hair falls on either side of his face from under a black hat with a moderately wide brim. With his right hand, he gently pulls his black cape forward, while his left hand holds one of his gloves. The man’s identity is not known, but his fashionable attire and dignified bearing indicate that he was a person of means. The three-quarter-length pose adds to the dignity of this debonair man.


The bold and sure brushwork of this portrait are consistent with similar works executed by the mature master in the early 1650s. The sketchy contours around the hat and cape reveal that Hals improvised and adjusted his design as he worked.

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  • Title: Portrait of a Gentleman
  • Creator: Frans Hals
  • Date Created: 1650/1652
  • Physical Dimensions: overall: 114 x 85 cm (44 7/8 x 33 7/16 in.)
  • Provenance: Probably bequeathed by Lord Frederick Campbell [1729-1816] to William Pitt Amherst, 1st earl Amherst of Arracan [1773-1857], Montreal, Sevenoaks, Kent;[1] by inheritance to his son, William Pitt Amherst, 2nd earl Amherst of Arracan [1805-1886]; by inheritance to his son, William Archer Amherst, 3rd earl Amherst of Arracan [1836-1910]; by inheritance to his brother, Hugh Amherst, 4th earl Amherst of Arracan [1856-1927];[2] (Sedelmeyer Gallery, Paris); sold 13 January 1911 to Peter A.B. Widener, Lynnewood Hall, Elkins Park, Pennsylvania; inheritance from Estate of Peter A.B. Widener by gift through power of appointment of Joseph E. Widener, Elkins Park, Pennsylvania; gift 1942 to NGA. [1] According to Cornelis Hofstede de Groot, _A Catalogue Raisonné of the Works of the Most Eminent Dutch Painters of the Seventeenth Century..._, 8 vols., trans. from the German edition, London, 1907-1927, 3: 294, the painting was bequeathed by Lord Frederick Campbell to an ancestor of Earl Amherst. According to notes of Edith Standen, Widener's secretary for art, in NGA curatorial files, the painting was bequeathed about 1820 by Lord Frederick Campbell to Lord Amherst. The Getty Provenance Index identified this ancestor of Earl Amherst as William Pitt. [2] Charles Sedelmeyer, _Illustrated Catalogue of the Eleventh Series of 100 Paintings by Old Masters_, Paris, 1911, no. 11, lists the work as "from the collection of Lord Amherst, in whose family it had been for nearly one hundred years," and the transcript of the bill of sale from Sedelmeyer Gallery to Widener (in NGA curatorial files) repeats this information. "The Earl Amherst" lent the painting to exhibitions in London in 1894 and 1910.
  • Medium: oil on canvas
National Gallery of Art, Washington DC

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