May 8, 2015 - Nov 22, 2015

ARSENALE Corderie/Artiglierie 

la Biennale di Venezia - Biennale Arte 2015

PAOLO BARATTA - President of la Biennale di Venezia
We celebrate this year the 120th anniversary of the first Art Exhibition (1895). The International Exhibition curated by Okwui Enwezor expands from the Central Pavilion at the Giardini to the Arsenale, and to external areas. 89 partecipating countries (58 un 1997), 29 in the historic pavilions in the Giardini, 31 in the spaces dedicated to the countries within the Arsenale (where restoration work continues on 16th century buildings), and the rest in other buildings in Venice. 44 Collateral Events presented by non-profit organisations and admitted by our curator. The Biennale moves forward and builds on its own history, which is formed of many memories but, in particular, a long succession of different perspectives from which to observe the phenomenon of contemporary artistic creation. Curiger, Gioni, Enwezor: three chapters in a research process engaged by la Biennale to explore the benchmarks that can help us formulate aesthetic judgments on contemporary art, a critical question following the demise of the avant-gardes and non-art. Okwui does not claim to pass judgment, his wish is to bring together arts and artists from throughout the world and from different disciplines, to instate a Parliament of Forms, as it were. 136 artists, of which 89 for the first time, from 53 countries, many of them from geographical areas that we paradoxically insist on defining as peripheral. 159 works on display are expressly realized for this year edition. In the more intimate Biennales as in the ones that more dramatically draw in history, what is important is that the Exhibition must always be seen as a venue for free and indipendent dialogue.
OKWUI ENWEZOR - Curator of the 56th International Art Exhibition
Rather than one overarching theme that gathers and encapsulates diverse forms and pratices into one unified field of vision, All the World's Futures is informed by a layer of three intersecting Filters, namely; Garden of Disorder, Liveness: On Epic Duration, and Reading Capital. Questi The three Filters represent a constellation of parameters, which will be touched upon in order to imagine and realize a diversity of pratices. In 2015, the 56th International Art Exhibition, La Biennale di Venezia will employ the historical trajectory of the Biennale itself, one that I have so far sketched out as a Filter through which to scan the latent historical body of the event. The goal of three Filters is to describe both the current state of things and the appearance of things. With each Filter superimposed on the other, the 56th International Art Exhibition will delve into the contemporary global reality as one of the constant realignment, adjustment, recalibration, motility, and shape-shifting. It will play host to what could be described as a Parliament of Forms whose orchestration and episodic unfolding will be broadly global in scope. At the core of the project is the notion of the exhibition as stage where historical and counter-historical projects will be explored. These projects, works, and voices, like an orchestra will occupy the spaces of the Biennale and pre-occupy the time and thinking of the public.
Room 1

Bruce Nauman
American Violence, 1981-1982 (refabricated exhibition copy)
neon tubing with clear glass tubing suspension frame

Bruce Nauman
Human Nature / Life Death / Knows Doesn’t Know, 1983 (refabricated exhibition copy, 2015)
neon

Bruce Nauman
Life, Death, Love, Hate, Pleasure, Pain, 1983
neon (exhibition copy)

Adel Abdessemed
Nymphéas, 2015
grouping of knives

Adel Abdessemed
Nymphéas, 2015
grouping of knives

Rooms 2-8 Philippe Parreno
56 Flickering Lights, 2013 - programmed light fixtures
Room 2 - Jennifer Allora & Guillermo Calzadilla
In the Midst of Things, 2015 - performance by a vocal octet (30’)

Jennifer Allora & Guillermo Calzadilla
In the Midst of Things, 2015
performance by a vocal octet

Daniel Boyd
Untitled (TI1), 2015
oil, charcoal and archival glue on polyester

Untitled (TI2), 2015
oil, charcoal and archival glue on polyester

Daniel Boyd
Untitled (TI1), 2015
oil, charcoal and archival glue on polyester

Daniel Boyd
Untitled (TI2), 2015
oil, charcoal and archival glue on polyester

Terry Adkins
Divine Mute, 1998
aluminum, brass, nickel, wood

The Last Trumpet, 1995
four brass Akrhaphones

Terry Adkins
Muffled Drums, 2003
bass drums and mufflers

Terry Adkins
Muffled Drums, 2003
bass drums and mufflers

Terry Adkins
Muffled Drums, 2003
bass drums and mufflers

Terry Adkins
Muffled Drums, 2003
bass drums and mufflers

Terry Adkins
Matinée, 2007-2013
bronze, steel, hangers, burnt cork

Melvin Edwards
installation view, 1964-2012
welded steel

Melvin Edwards
installation view, 1964-2012
welded steel

Melvin Edwards
Amanda, 1981
welded steel

Melvin Edwards
Ida W.B., 1990
welded steel

Monica Bonvicini
Latent Combustion, #1, #2, #3, #4, #5, 2015
chainsaws, wood axe, black polyurethane, matt finish, steel chains

Monica Bonvicini
Latent Combustion, #1, #2, #3, #4, #5, 2015
chainsaws, wood axe, black polyurethane, matt finish, steel chains

Qiu Zhijie
JingLing Chronicle Theater Project, 2010-2015
mixed media installation

Qiu Zhijie
JingLing Chronicle Theater Project, 2010-2015
mixed media installation

Antje Ehmann & Harun Farocki
Labour in a Single Shot, 2011-2014
5-screen video installation, color, sound, approx. 450 films (approx. 1–2’ each)

Raha Raissnia
Longing, 2014
16mm film, color, b&w, optical sound (20’)

Abu Bakarr Mansaray
installation view, 1997
pencil and black and red ink on paper

Abu Bakarr Mansaray
Nuclear Telephone Discovered in Hell, 2003
graphite and coloured pencil on paper

Abu Bakarr Mansaray
Lethal Purpose, 1997
pencil and black and red ink on paper

Abu Bakarr Mansaray
installation view, 1997
pencil and black and red ink on paper

Thea Djordjadze
that is the last item on this list: a glass of anger, 2015
various materials

Thea Djordjadze
that is the last item on this list: a glass of anger, 2015
various materials

Pino Pascali
Cannone Semovente, 1965
wood, scrap metal, wheels

Pino Pascali
Cannone Semovente, 1965
wood, scrap metal, wheels

Taryn Simon
Paperwork, and the Will of Capital, 2015
pigmented concrete press, dried plant specimens, archival inkjet prints, text on herbarium paper, and steel brace

Taryn Simon
Paperwork, and the Will of Capital, 2015
pigmented concrete press, dried plant specimens, archival inkjet prints, text on herbarium paper, and steel brace

Adel Abdessemed
Also sprach Allah, 2008
black stone on carpet and video, color, sound

Peter Friedl
The Diaries, 1981-2015
three hundred and twenty-eight notebooks, three vitrines of oak, oak veneer on chipboard, and glass

Joana Hadjithomas & Khalil Joreige
Latent Images, Diary of a Photographer, 2009-2015
177 days of performances, 354 books, timeline shelves
A daily performance is held in the ARENA, where actors read the entire book. In the exhibition in the Arsenale, another book is available to the visitors

Joana Hadjithomas & Khalil Joreige
Latent Images, Diary of a Photographer, 2009-2015
177 days of performances, 354 books, timeline shelves
A daily performance is held in the ARENA, where actors read the entire book. In the exhibition in the Arsenale, another book is available to the visitors

Room 3

Katharina Grosse
Untitled Trumpet, 2015
acrylic on fabric, soil and aluminum debris

Room 4

Lili Reynaud Dewar
My Epidemic (Small Bad Blood Opera), 2015
installation: fabric, ink, paint, metal, speakers, amplifiers, videos, LED screens, audio track 29'58''

Lili Reynaud Dewar
My Epidemic (Small Bad Blood Opera), 2015
installation: fabric, ink, paint, metal, speakers, amplifiers, videos, LED screens, audio track 29'58''

Karo Akpokiere
Zwischen Lagos und Berlin, 2015
fifty drawings, gouache, pen and pencil on paper

Karo Akpokiere
Zwischen Lagos und Berlin, 2015
fifty drawings, gouache, pen and pencil on paper

Karo Akpokiere
Zwischen Lagos und Berlin, 2015
fifty drawings, gouache, pen and pencil on paper

Karo Akpokiere
Zwischen Lagos und Berlin, 2015
fifty drawings, gouache, pen and pencil on paper

Olga Chernysheva
Graphic Performatives, 2014-2015
charcoal on paper

Olga Chernysheva
Graphic Performatives, 2014-2015
charcoal on paper

Olga Chernysheva
Graphic Performatives, 2014-2015
charcoal on paper

Olga Chernysheva
Graphic Performatives, 2014-2015
charcoal on paper

Olga Chernysheva
Untitled (Good Morning...), 2015
charcoal on paper

Samson Kambalu
Sanguinetti Breakout Area, 2015
detourned Sanguinetti papers, photographs and publications sourced at Yale University’s Beinecke Library; breakout area furniture (based on Guy Debord’s ‘A Game of War’); a display vitrine; and a mural of a letter from Bill Brown to Sanguinetti

Samson Kambalu
Sanguinetti Breakout Area, 2015
detourned Sanguinetti papers, photographs and publications sourced at Yale University’s Beinecke Library; breakout area furniture (based on Guy Debord’s ‘A Game of War’); a display vitrine; and a mural of a letter from Bill Brown to Sanguinetti

Petra Bauer
A Morning Breeze, 2015
mixed media installation, posters, digital slide projection on table

Liisa Roberts
Petersburg Underground, 2015
thirteen color photographs mounted on ragboard, C-prints hand printed from large format negatives

Liisa Roberts
Petersburg Underground, 2015
thirteen color photographs mounted on ragboard, C-prints hand printed from large format negatives

Liisa Roberts
Petersburg Underground, 2015
thirteen color photographs mounted on ragboard, C-prints hand printed from large format negatives

Ayoung Kim
Zepheth, Whale Oil from the Hanging Gardens to You, Shell 3, 2015
Performance

Ayoung Kim
Zepheth, Whale Oil from the Hanging Gardens to You, Shell 3, 2015
Performance

Ayoung Kim
Zepheth, Whale Oil from the Hanging Gardens to You, Shell 3, 2015
six-channel sound installation, wall diagram

Saâdane Afif
The Laguna’s Tribute (A Corner Speaker in Venice), 2015
street performance at sunset, posters, flyers, soapbox cast in bronze

Qiu Zhijie
Qiu Notes on the colorful Lantern Scrolls, 2010-2015
ink on paper

Qiu Zhijie
Qiu Notes on the colorful Lantern Scrolls, 2010-2015
ink on paper

Qiu Zhijie
Qiu Notes on the colorful Lantern Scrolls, 2010-2015
ink on paper

Qiu Zhijie
Qiu Notes on the colorful Lantern Scrolls, 2010-2015
ink on paper

Qiu Zhijie
Qiu Notes on the colorful Lantern Scrolls, 2010-2015
ink on paper

Theaster Gates
Gone Are the Days of Shelter and Martyr, 2014
wood, wind, concrete, slate, metal, video

Theaster Gates
Gone Are the Days of Shelter and Martyr, 2014
wood, wind, concrete, slate, metal, video

Theaster Gates
Gone Are the Days of Shelter and Martyr, 2014
wood, wind, concrete, slate, metal, video

Theaster Gates
Gone Are the Days of Shelter and Martyr, 2014
wood, wind, concrete, slate, metal, video

Sonia Leber & David Chesworth
Zaum Tractor, 2013
two-channel HD video, stereo sound (26’)

Sonia Leber & David Chesworth
Zaum Tractor, 2013
two-channel HD video, stereo sound (26’)

Sonia Boyce
Exquisite Cacophony, 2015
single channel HD video, color, sound (35’)

Carsten Höller & Måns Månsson
Fara Fara, 2014
two-channel video installation, digitized 35mm film and archive VHS material, color, sound (13’)

Nidhal Chamekh
The Anti-Clock Project, 2015
white plastic and resin 3D print model, drawings, text, photographic print

Nidhal Chamekh
The Anti-Clock Project, 2015
white plastic and resin 3D print model, drawings, text, photographic print

Madhusudhanan
Penal Colony, 2014-2015
thirty five charcoal drawings on paper

Room 5 - Eduardo Basualdo
Amenaza (2015) and Alba (2015) - plastic, graphite, metal, wood / metal, wood

Eduardo Basualdo
Cómo volver a casa, 2015
graphite on paper on metal and wooden table

Eduardo Basualdo
Grito, 2015
graphite on paper, metal

Boris Achour
Games Whose Rules I Ignore, 2015
mixed media sculpture, video, color, sound

Boris Achour
Games Whose Rules I Ignore, 2015
mixed media sculpture, video, color, sound

Hiwa K
The Bell, 2014-2015
war waste metal sculpture, two-channel HD video, color, sound (19’ 39”, 5’ 52”, approx. 20’)

Sammy Baloji
The Other Memorial, 2015
copper

Room 6 - Christian Boltanski
Animitas, 2014 - full HD video, color, sound (24 hours)

Chantal Akerman
Now, 2015
multiple channel HD video installation, color, five sound tracks mono and stereo

Chantal Akerman
Now, 2015
multiple channel HD video installation, color, five sound tracks mono and stereo - still

Ji Dachun
installation view
acrilic on canvas

Ji Dachun
Black is Rectangular, 2013
acrilic on canvas

One Day Two Moments, 2015
acrilic on canvas

Ji Dachun
Murmur, 2015
acrilic on canvas

Ricardo Brey
veduta dell'installazione
mixed media

Ricardo Brey
veduta dell'installazione
mixed media

Ricardo Brey
Oblivion, 2010-2012
fabric, ceramics, metal, stone, lead, two boxes, glass, chalk

Nevel (Fog), 2010
metallic paint, silver and aged silver metallic papers, metal, chocolate fish mould, lead, mica, wire, lion’s fang, battery, metal beads, earring buttons, glass, bird’s skull, glasses, tiger teeth, chain, one leporello book, one notebook

Meriç Algün Ringborg
Souvenirs for the Landlocked, 2015
mixed media installation

Ernesto Ballesteros
Indoor Flights, 2015
performance

Ernesto Ballesteros
Indoor Flights, 2015
performance

The Propeller Group
The AK-47 vs The M16, 2015
fused AK-47 and M-16 projectiles encased in ballistics gel with metal stand and LED light fixture, single channel HD video, color, silent, approx. 12’

Room 7 - Helen Marten
Lunar nibs, 2015 and On aerial greens (haymakers), 2015

Helen Marten
On aerial greens (haymakers), 2015
part 1: lacquered hardwood, steel, shoe soles, rubber, cast rubber, cast resin, stitched fabric, pipe tubing, galvanized cardboard, string, stamped baking paper, limes, marbles, embroidered fabric
part 2: screen printed suede, leather and PVC, hard thrown glazed ceramic, lacquered hardwood, Formica, cast resin, cast rubber, woven straw

Helen Marten
Night-blooming genera, 2015
spun aluminium, airbrushed steel, welded steel, lacquered hardwoods, stitched fabric, hand-thrown glazed ceramic, leather, glass, feathers, acid etched concrete

Keith Calhoun & Chandra McCormick
Slavery, The Prison Industrial Complex, 1981-2013
photographs, archival pigment prints

Keith Calhoun & Chandra McCormick
Slavery, The Prison Industrial Complex, 1981-2013
photographs, archival pigment prints

Joachim Schönfeldt
Factory Drawing Drawn In Situ, 2010-2015
B1 and B2 pencil on Cartridge, Sketch paper 180gm

Chris Marker
Crush Art, 2003-2008
sixteen B&W photographs mounted on white Sintra

Chris Marker
Crush Art, 2003-2008
sixteen B&W photographs mounted on white Sintra

Chris Marker
Crush Art, 2003-2008
sixteen B&W photographs mounted on white Sintra

Gedy Sibony
installation view
aluminum semi-trailer

Gedy Sibony
Trident, 2015
aluminum semi-trailer

Kay Hassan
Untitled, 2015
paper construction

Kay Hassan
Empire Medley, 2015
two prints on aluminum plate, two pianos, score (16’)

Kay Hassan
Empire Medley, 2015
two prints on aluminum plate, two pianos, score (16’)

Mykola Ridnyi
Blind Spot, 2014-2015
acrylic spray on C-print, pen on paper

Marco Fusinato
From the Horde to the Bee, 2015
10.496 page printed documents, tables, banknotes, time-lapse camera

Marco Fusinato
From the Horde to the Bee, 2015
10.496 page printed documents, tables, banknotes, time-lapse camera

Marco Fusinato
From the Horde to the Bee, 2015
10.496 page printed documents, tables, banknotes, time-lapse camera

Marco Fusinato
From the Horde to the Bee, 2015
10.496 page printed documents, tables, banknotes, time-lapse camera

Huma Bhabha
Untitled, 2014
Untitled, 2014
ink and collage on color photograph

Huma Bhabha
Untitled, 2014
Untitled, 2014
ink and collage on color photograph

Gulf Labor Coalition
Who is building the Guggenheim Abu Dhabi, 2015
banner

Jason Moran
STAGED: Savoy Ballroom 1, 2015
mixed media installation, sound

Jason Moran
STAGED: Three Deuces, 2015
mixed media installation, recorded sound

Gonçalo Mabunda
The Throne of Non Slavery, 2014
decommissioned welded arms

Gonçalo Mabunda
The Throne of Non Slavery, 2014
decommissioned welded arms

Gonçalo Mabunda
The Knowledge Throne, 2014
decommissioned welded arms

Gonçalo Mabunda
The Throne That Never Stops In Time,, 2014
decommissioned welded arms

Gonçalo Mabunda
The Throne That Never Stops In Time,, 2014
decommissioned welded arms

Gonçalo Mabunda
The Throne That Never Stops In Time,, 2014
decommissioned welded arms

Tiffany Chung
The Syrian Project, 2012-2015
ink and oil on vellum and paper

Room 8 - David Maljkovic
New Reproduction, 2013–2015 - powder-coated aluminum, MDF, wallpaper

David Maljkovic
New Reproduction, 2013-2015
powder-coated aluminum, MDF, wallpaper

All the World’s Futures presents Atlas of Harun Farocki’s Filmography, an anthology of the work of the late artist and filmmaker Harun Farocki. The presentation comprises Farocki’s complete films, which have been restored and are presented in chronological order on separate screens; black screens signify films that have been lost or not yet digitized. Over the course of the exhibition, newly discovered and converted films will be added to the presentation. Every day, a different film from Farocki’s distinguished body of work is continuously screened in the screening space. The daily films follow each other in chronological sequence. The screenings recommence with the first film each time the complete films have been presented. In addition to the complete films, the anthology includes Farocki’s notebooks and issues of the magazine Filmkritik, of which he was the editor from 1974 until 1984.

Mykola Ridnyi
Regular Places, 2014
single channel HD video, color, sound (14’ 6”)

Cao Fei
La Town, 2014
HD video, color, sound, (42’)

Cao Fei
La Town, 2014
model

Cao Fei
La Town, 2014
model

Rupali Gupte & Prasad Shetty
Transactional Objects, 2015
various materials

Maja Bajevic
Arts, Crafts and Facts, 2015
mixed media installation, carpet, eleven embroideries

Mika Rottenberg
NoNoseKnows, 2015
mixed media installation, video, color, sound (approx. 22’)

Mika Rottenberg
NoNoseKnows, 2015
mixed media installation, video, color, sound (approx. 22’)

Barthélémy Toguo
Urban Requiem, 2015
installation with steel ladders, Iroko wooden stamps, ink prints on paper

Barthélémy Toguo
Urban Requiem, 2015
installation with steel ladders, Iroko wooden stamps, ink prints on paper

Mariam Suhail
Error in Grid, 2015
four drawings in pencil on printed paper

Massinissa Selmani
A-t-on besoin des ombres pour se souvenir?, 2015
graphite on paper

Massinissa Selmani
A-t-on besoin des ombres pour se souvenir? N°3, 2013
graphite on paper

Massinissa Selmani
1000 villages, 2015
drawings on notebook pages and cover, graphite, marker and transfers on paper and tracing paper

GLUKLYA / Natalia Pershina Yakimanskaya
Clothes for the demonstration against false election of Vladimir Putin, 2011-2015
textile, hand writing, wood

GLUKLYA / Natalia Pershina Yakimanskaya
Clothes for the demonstration against false election of Vladimir Putin, 2011-2015
textile, hand writing, wood

GLUKLYA / Natalia Pershina Yakimanskaya
Clothes for the demonstration against false election of Vladimir Putin, 2011-2015
textile, hand writing, wood

GLUKLYA / Natalia Pershina Yakimanskaya
Clothes for the demonstration against false election of Vladimir Putin, 2011-2015
textile, hand writing, wood

Hwayeon Nam
The Botany of Desire, 2014-2015
two-channel HD video, color, sound (8’ 23”)

Hwayeon Nam
The Botany of Desire, 2014-2015
two-channel HD video, color, sound

Hwayeon Nam
The Botany of Desire, 2014-2015
two-channel HD video, color, sound

Ala Younis
Plan for Greater Baghdad, 2015
two and three dimensional prints, archival materials and model

Mikhael Subotzky
Pixel Interface II, 2015
three looped digital videos of varying lengths with sound, polycarbonate screen, three projectors, three custom steel tables, three LCD screens, three custom-made microscopes with objectives, three digital HD microscope cameras, cables

Mikhael Subotzky
Pixel Interface II, 2015
three looped digital videos of varying lengths with sound, polycarbonate screen, three projectors, three custom steel tables, three LCD screens, three custom-made microscopes with objectives, three digital HD microscope cameras, cables

Georg Baselitz
installation view, 2014
oil on canvas

Georg Baselitz
installation view, 2014
oil on canvas

Invisible Borders Trans-African Project
A Trans-African Worldspace, 2015
mixed media installation, four digital slide projections, photographic prints, video, color, sound

Invisible Borders Trans-African Project
A Trans-African Worldspace, 2015
mixed media installation, four digital slide projections, photographic prints, video, color, sound

Invisible Borders Trans-African Project
A Trans-African Worldspace, 2015
mixed media installation, four digital slide projections, photographic prints, video, color, sound

Invisible Borders Trans-African Project
A Trans-African Worldspace, 2015
mixed media installation, four digital slide projections, photographic prints, video, color, sound

Invisible Borders Trans-African Project
A Trans-African Worldspace, 2015
mixed media installation, four digital slide projections, photographic prints, video, color, sound

Room 9 - Im Heung-soon
Factory Complex, 2014–2015 - video, color, sound (95’)

Im Heung-soon
Factory Complex, 2014-2015
still from video (95’)

Im Heung-soon
Factory Complex, 2014-2015
still from video (95’)

Im Heung-soon
Factory Complex, 2014-2015
still from video (95’)

Im Heung-soon
Factory Complex, 2014-2015
still from video (95’)

Im Heung-soon
Factory Complex, 2014-2015
still from video (95’)

Im Heung-soon
Factory Complex, 2014-2015
still from video (95’)

Im Heung-soon
Factory Complex, 2014-2015
still from video (95’)

Rupali Gupte & Prasad Shetty
Transactional Objects, Object 1: Poky Shop, 2015
wood

Rupali Gupte & Prasad Shetty
Transactional Objects, Object 6: Astrologer’s Chair, 2015
wood, plywood

Rupali Gupte & Prasad Shetty
Transactional Objects, Object 7: Shop Under Staircase, 2015
wood, rope, brass, paint

Rupali Gupte & Prasad Shetty
Transactional Objects, Object 9: One-foot Shop, 2015
plywood, brass

Room 10

Kutluğ Ataman
THE PORTRAIT OF SAKIP SABANCI, 2014
9,216 LCD panels configured in 144 modules of 64 LCD panels each

Kutluğ Ataman
THE PORTRAIT OF SAKIP SABANCI, 2014
9,216 LCD panels configured in 144 modules of 64 LCD panels each

Chris Marker
Passengers, 2011
selection of 134 color photographs from a series of 203 mounted on white Sintra

Chris Marker
Passengers, 2011
selection of 134 color photographs from a series of 203 mounted on white Sintra

Chris Marker
Passengers, 2011
selection of 134 color photographs from a series of 203 mounted on white Sintra

Chris Marker
Passengers, 2011
selection of 134 color photographs from a series of 203 mounted on white Sintra

Room 11

Maria Eichhorn
Toile/Pinceau/Peinture, Leinwand/Pinsel/Farbe, Tela/Pennello/Colore (Canvas/Brush/Painting), 1992/1994/2015
oil paint applied to canvases, 177 primed canvases, 177 oil paints, 177 brushes, oil painting medium, daily schedule, work table, chair, publication Scent and Chemistry. The Molecular World of Odors, olfactory perception of oil paint

Maria Eichhorn
Toile/Pinceau/Peinture, Leinwand/Pinsel/Farbe, Tela/Pennello/Colore (Canvas/Brush/Painting), 1992/1994/2015
oil paint applied to canvases, 177 primed canvases, 177 oil paints, 177 brushes, oil painting medium, daily schedule, work table, chair, publication Scent and Chemistry. The Molecular World of Odors, olfactory perception of oil paint

Maria Eichhorn
Toile/Pinceau/Peinture, Leinwand/Pinsel/Farbe, Tela/Pennello/Colore (Canvas/Brush/Painting), 1992/1994/2015
oil paint applied to canvases, 177 primed canvases, 177 oil paints, 177 brushes, oil painting medium, daily schedule, work table, chair, publication Scent and Chemistry. The Molecular World of Odors, olfactory perception of oil paint

Cheikh Ndiaye
Blancheur rigide dérisoire en opposition au ciel, 2015
mixed media site specific installation

Rirkrit Tiravanija
Untitled 2015 (14,086 unfired), 2015
raw bricks, wooden stamps, tools

Rirkrit Tiravanija
Untitled 2015 (14,086 unfired), 2015
raw bricks, wooden stamps, tools

Gary Simmons
A House Divided, 2015
mixed media site specific installation, MDF, plywood, fir, oil based paint

Gary Simmons
A House Divided, 2015
mixed media site specific installation, MDF, plywood, fir, oil based paint

Dora García
The Sinthome Score, 2014-2015
installation and performance

Dora García
The Sinthome Score, 2014-2015
installation and performance

Biennale Arte 2015
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