With the appointment of Wendy Dagworthy as Professor, the Fashion School came under the direction of its most qualified and experienced director. The course attracted high-calibre applicants from around the world, and the intimacy and focus of its tuition allowed talent including Erdem and Holly Fulton to thrive.
Text and selection:
Neil Parkinson, Archives & Collections Manager, Royal College of Art
Royal College of Art Special Collections
Nick Frayling, Henrietta Goodden, Virginia Ironside, Cathy Johns, Octavia Reeve, Simon Taylor
Cohen, Lisa, ‘Velvet is Very Important’, in: All We Know: Three Lives (New York: Farrar, Strauss & Giroux, 2012).
Frayling, Christopher, The Royal College of Art: One Hundred and Fifty Years of Art and Design (London: Barrie & Jenkins, 1987).
Handley, Susannah. ‘Home Furnishers, Fashion Makers and Image Creators’, in: Christopher Frayling and Clare Catterall (eds.) Design of the Times: One Hundred Years of the Royal College of Art (London: Richard Dennis Publications/Royal College of Art, 1996).
McDowell, Colin, ‘Material Differences at the RCA’, in Octavia Reeve (ed.), The Perfect Place to Grow: 175 Years of the Royal College of Art (London: Royal College of Art, 2012).