Dastkari Haat Samiti
Dastkari Haat Samiti
Stories and Signatures
From the charm of a tiny ant surrounded by tall grass, to a resplendent deer with antlers that become a flowering tree with birds sitting on it, to horses flying "as they did in old times" (says Bhajju Shyam confidently), Gond artists allow themselves the freedom to depict anything their fertile imagination creates. This image shows an illustrated book, which is part-song, part-poetry and part-storytelling, titled 'Finding My Way' (Juggernaut 2016).
Crafts Maps of India - Madhya Pradesh - Front (1993-2010) by Anand Singh Shyam, Kala Bai ShyamDastkari Haat Samiti
This video shows how the artisans create this form of art.
Gond Art: Bharat Bhavan (2014) by Bhajju ShyamDastkari Haat Samiti
The subject matter can be anything the artist wishes. A Gond artist is like an individual contemporary artist in the world.
Often, the work is based on folklore or a tribal customs. There may be a seed of reality visible or the work could be abstract. It could even be a combination of the two.
Gond Art: Dharti Ma (2010) by Bhajju ShyamDastkari Haat Samiti
This painting, depicting prayers to Dharti Mata or Mother Earth, is based on a tribal custom. Before the seed is sown in the fields, it is offered to the Earth.
Gond Art: Dharti Ma (2010) by Bhajju ShyamDastkari Haat Samiti
The many footprints symbolise the whole village, on behalf of whom the priest conducts the prayers and makes the offerings, which is symbolised by the bird.
Gond Art: Dharti Ma (2010) by Bhajju ShyamDastkari Haat Samiti
The sowing of the fields is like a festival, with every one participating in it.
Gond Art: Dharti Ma (2010) by Bhajju ShyamDastkari Haat Samiti
The birds in the trees and the animals show the relationship of man with other creatures, and represent life in its different forms.
Gond Art: Every artist has his or her signature detailing (2017) by Bhajju ShyamDastkari Haat Samiti
The detailing in a Gond artwork makes it distinctive. Each artist has his or her own individual recognisable detailing style.
Gond Art: Every artist has his or her signature detailing (2014) by Bhajju ShyamDastkari Haat Samiti
The most interesting aspect of the Gonds practically ‘inventing’ their ‘tradition’ in the 20th century is that while they have adopted a signature style recognisable as the genre of Gond art, they have also given themselves individual signatures within signatures.
Gond Art: The Fruit Bearing Tree (2014) by Bhajju ShyamDastkari Haat Samiti
These consist of repetitive lines, minuscule dots, diagonals, chains, tiny circles, crosses or any other form of stroke that can be repeated thousands of times over.
Gond Art: Work in process (2017)Dastkari Haat Samiti
Such signature embellishments creating textures, tones and sections within a painting make for Gond art.
Detailing the stories
All artworks begin with the artist sketching the outline of the work. Gond artists do not need any initial pencil or rough drawing. Once the outline is complete, individual areas are filled in. The eyes are always filled in last – as it is believed that giving sight breathes life into the work.
Gond Art: Work in process (2017) by Bhajju ShyamDastkari Haat Samiti
The artist sketches the outline of the work, without initial pencil or rough drawing.
Gond Art: The artist at work (2017) by Bhajju ShyamDastkari Haat Samiti
Individual areas are then filled in.
Gond Art: The artist at work (2017) by Bhajju ShyamDastkari Haat Samiti
For a large canvas, this process can take several weeks.
The artist at work (2017) by Bhajju ShyamDastkari Haat Samiti
The video shows a Gond artist filling in the details.
Gond Art: Artwork for the book Creation (2015) by Bhajju ShyamDastkari Haat Samiti
Read more about Gond Painting here:
- Ancient and Contemporary Fountainheads
- Bhajju Shyam
Text: Aloka Hiremath and Jaya Jaitly
Photography: Suleiman Merchant
Artisans: Bhajju Shyam, Deepa Shyam, Roshni Vayam, Dhavat Uike, Suresh Dhurve
Ground Facilitator: Aloka Hiremath
Curation: Ruchira Verma