By Musica Brasilis
Brazilian iconography related to music from the XVIth to the XXth centuries
Music images by Musica BrasilisMusica Brasilis
Images showing musical practices since the 16th century
Potion preparation (1592/1592) by Bry, Theodor de (1528 - 1598)Musica Brasilis
Indians
Indian practices, including music and dance, were a favorite subject of foreign visitors.
Potion preparation
Wind and percussion instruments like the flute and the "maraca" were played during the potion preparation ritual
Tupinamba dance (1592/1592) by Bry, Theodor de (1528 - 1598)Musica Brasilis
Blowing the force spirit over the tupinambas.
Blowing the force spirit over the tupinambas
Sorcerers blowing the force spirit over the Tupinambas (1816/1890) by Taunay, Hippolyte & Denis, Jean Ferdinand (1793 - 1864) (1798 - 1890)Musica Brasilis
Blowing the force spirit over the tupinambas
Native Brazilian Indian dance at the Saint Joseph Mission (1820/1830) by Debret, Jean-Baptiste (1768 - 1848)Musica Brasilis
Percussion instruments were used in native dances
Divination ceremony and dance (1634/1668) by Wagener, Zacharias (1614 - 1668)Musica Brasilis
African slaves
African brought their instruments, ritual and musical practices, which greatly influenced Brazilian music.
Percussion instruments used in ritual dances
Invocation of spirits in ritual dances
Lundu dance (1821/1825) by Rugendas, Johann Moritz (1802 - 1858)Musica Brasilis
A guitar is used on the lundu dance
The man uses castanets while dancing the lundu, an "umbigada dance", which means dancing facing one bellybutton to the other
Danse Batuca (1821/1858) by Rugendas, Johann Moritz (1802 - 1858)Musica Brasilis
Body percussion, like clapping hands, was used in dances like the "batuque"
Shrovetide day (1823/1823) by Debret, Jean-Baptiste (1768 - 1848)Musica Brasilis
The "entrudo" was a playful practice which occured in carnival. It consisted of spilling water and smashing flower on people's faces
The old african orpheus (oricongo) (1826/1826) by Debret, Jean-Baptiste (1768 - 1848)Musica Brasilis
The old man plays the berimbau, a percussion instrument
Marimba. Walk on a Sunday afternoon (1826/1826) by Debret, Jean-Baptiste (1768 - 1848)Musica Brasilis
Described as a "marimba" by Debret, this instrument is known as a thumb kalimba
Percussion instrument called "reco-reco"
Hawker playing berimbau (percussion instrument) (1787/1859) by Guillobel, Joaquim Cândido (1787 - 1859)Musica Brasilis
Berimbau, a percussion instrument
The house of a sick person prepared to receive a sacrament (1826/1826) by Debret, Jean-Baptiste (1768 - 1848)Musica Brasilis
Trumpets and drums played in the sacrament ceremony of a sick person
Black queen's procession (1740/1811) by Julião, Carlos (1740 - 1811)Musica Brasilis
Processions and music bands
Music played on the streets required loud wind and percussion instruments
The black queen and her escorts. A ganzá (percussion instrument) and a french horn are being played on her right side
Percussion instruments and a guitar or plucked viola are played in the black queen's procession
Coronation of a black queen (1776/1776) by Julião, Carlos (1740 - 1811)Musica Brasilis
A drum and a reco-reco, percussion instruments, are played on the black queen's coronation
Coronation of a black king (1776/1776) by Julião, Carlos (1740 - 1811)Musica Brasilis
A guitar or plucked viola, and percussion instruments are played on the black king's procession
Begging for the Holy Ghost (1845/1845) by Ludwig & Briggs(1816 - ?) (1813 - 1870)Musica Brasilis
A cymbal, a drum, a saxophone, a trombone and a piccolo integrate the band celebrating the Holy Ghost Festivity
Musicians at the Holy Ghost Festivity (Folia do Divino) (1787/1859) by Guillobel, Joaquim Cândido (1787 - 1859)Musica Brasilis
A drum, two pandeiros and two guitars or plucked violas integrate the band celebrating the Holy Ghost festivity. The dove on the flag symbolizes the Holy Ghost.
Collecting of contributions to the Holy Divine Spirit Festivity (1826/1826) by Debret, Jean-Baptiste (1768 - 1848)Musica Brasilis
Children play percussion instruments on the Holy Ghost Festivity
Statue of St. George and his procession preceding the Holy Ghost Festivity (1834/1839) by Debret, Jean-Baptiste (1768 - 1848)Musica Brasilis
A flute, a french horn and a trumpet integrate the band playing in honor of Saint George
The Bando (Municipal Proclamation) (1816/1848) by Debret, Jean-Baptiste (1768 - 1848)Musica Brasilis
Wind instruments played by cavaliers at the Municipal Proclamation
Music at frigate Austria (1793/1875) by Ender, Thomas (1793 - 1875)Musica Brasilis
From left to right, a serpent, an ancient instrument that first appeared in the 16th century, a requinto (small clarinet), and two clarinets integrate the frigate Austria's band
A french horn and a drum also integrate the frigate Austria's band
Guitars
an instrument brought to Brazil by the Portuguese - one of the most practiced since the XIXth century
Manners of Rio de Janeiro (1827/1827) by Rugendas, Johann Moritz (1802 - 1858)Musica Brasilis
A lute or portuguese guitar seen resting on the balcony floor while the enamoured couple gaze at each other depicts the habit of playing music at home present in the XIX century Rio de Janeiro culture
A lute or portuguese guitar
Manners of São Paulo (1821/1858) by Rugendas, Johann Moritz (1802 - 1858)Musica Brasilis
A portuguese guitar played outdoors creates a romantic ambiance depicting a habit of São Paulo culture in the 19th century
A lute or portuguese guitar player
A summer afternoon (1826/1826) by Debret, Jean-Baptiste (1768 - 1848)Musica Brasilis
Two musicians play the flute and a lute, or portuguese guitar, or a mandolin on a calm summer afternoon
Possibly a lute, a portuguese guitar or a mandolin
Wooden flute
Fifth car of the horse riding parade (1786/1786) by Soares, Antônio FranciscoMusica Brasilis
Magnificent cars
Procession in honor of Prince John's marriage, organized by the Vice-Governor, Passeio Público, Rio de Janeiro, on February 1786 (it was Carnival!)
Fifth car of horse riding parade - 18th century
First mount and volcano car (1786/1786) by Soares, Antônio FranciscoMusica Brasilis
First Mount and Volcano car - 18th century
Second car and Jupiter monte (1786/1786) by Soares, Antônio FranciscoMusica Brasilis
Second car and Jupiter monte - 18th century
Third car and Bacco monte (1786/1786) by Soares, Antônio FranciscoMusica Brasilis
Third car and Bacco monte - 18th century
Fourth car of the moors (1786/1786) by Soares, Antônio FranciscoMusica Brasilis
Fourth car of the moors - 18th century
Sixth car of burlesque horse parades (1786/1786) by Soares, Antônio FranciscoMusica Brasilis
Sixth car of burlesque horse parades - 18th century
Candido Portinari (1903 - 1962)
One of the major Brazilian painters, Portinari portrayed musicians several times
Musician quartet (1942/1942) by Portinari, Candido (1903 - 1962)Musica Brasilis
Band integrated by clarinet, trumpet, guitar or cavaquinho, and a percussion instrument called "cuíca", used to play samba. The clown costume depicts it is carnival
Chorinho (1942/1942) by Portinari, Candido (1903 - 1962)Musica Brasilis
Band integrated by clarinet, trumpet, guitar or cavaquinho, and a percussion instrument called "cuíca", used to play samba
Cuíca, percussion instrument typically found in samba musical groups
Music band (1956/1956) by Portinari, Candido (1903 - 1962)Musica Brasilis
A wind instrument band integrated by a bombardon, a tuba, a clarinet and a piccolo
Tuba
Bombardon on the left
Samba (1956/1956) by Portinari, Candido (1903 - 1962)Musica Brasilis
Portinari portrays the samba ambiance with men, women and children playing. The lady plays the ganzá (percussion instrument) and the man plays the guitar
Musician (1961/1961) by Portinari, Candido (1903 - 1962)Musica Brasilis
Portinari portrays a guitar player and his connection with women
Carnival (1960/1960) by Portinari, Candido (1903 - 1962)Musica Brasilis
Portinari portrays a samba school at carnival
The woman carrying the flag is called a "porta-estandarte". She symbolizes the samba school pride
The horse costume the boy wears is called a "burrinha" or "small donkey", typical of northeastern Brazilian culture during carnvival, especially in the state of Pernambuco
On the right Portinari portrays the presence of the guitar at samba schools on the hands of a typical "sambista", a musician who plays samba, wearing a white outfit, a hat and striped shirt
Clarinet and flute players also integrate the band which plays at samba schools
Musicians (1961/1961) by Portinari, Candido (1903 - 1962)Musica Brasilis
A trio consisted of a clarinet, a trumpet and a guitar player
Instruments
A panoramic view of instruments used in Brazilian music
Wind instruments
Wind instruments are usually formed by a tube (pipe) and the sound is produced by the passage of air inside it. The larger and wider the pipe is, the lower is the sound it produces. They are made of wood or brass.
String instruments
On string instruments the sound is produced from one or more vibrating strings which are attached to the instrument's extremities. The thicker and longer the string is, deeper the sound produced.
Percussion instruments
Percussion instruments are struck (hit), shaken, scraped or rubbed to produce sound.
Keyboard instruments
On keyboard instruments, the sound is produced by the action of keys. On the harpsichord, the keys are similar to levers that act on jacks equipped with plastic tongues. On the piano, the keys trigger hammers that hit the strings, enabling dynamics.
The present exhibition is based on Musica Brasilis contents (www.musicabrasilis.org)
Curator and research: Dr. Rosana Lanzelotte
Assistant: Anna Paes
Acknowledgments: IHGB (Instituto Histórico e Geográfico Brasileiro) and Projeto Portinari
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