By Artichoke Trust
Produced by Artichoke and commissioned by 14-18 NOW: WW1 Centenary Art Commissions. PROCESSIONS' generous supporters thanked at the end of the story.
Aerial view of London's PROCESSIONS (June 10th, 2018)Artichoke Trust
PROCESSIONS
The women who came together on the streets 100 years ago made themselves visible with handmade flags, banners, pins and rosettes. The workshops focused on text and textiles, echoing the practices of the women’s suffrage campaign, and the banners made represent and celebrate the diverse voices of women and girls from different backgrounds.
Bedford Creative Arts (2018-03/2018-06) by Quilla Constance (Jennifer Allen) and Typography by Katie AllenArtichoke Trust
Women of Essex
Artist: Quilla Constance (aka Jennifer Allen). Typography by Katie Allen
Contributors: Bedford Creative Arts
Location: Bedford
Materials: mixed textiles, Indonesian and sub-Sahara African batik, Chinese silk, sequins, wire, beads, safety pins, screen-print, laminated paper
Bedford Creative Arts
Paying homage to the bold designs of the Suffragettes, Bedfordshire’s fluorescent, sequin-emblazoned, sci-fi-punk-carnival creation is a banner for the 21st century.
Bedford Creative Arts
Playfully reflecting 21st century popular culture and the many cultures of the Bedfordshire community with defunct QR codes, B-movie influenced typography and triffid-inspired creatures, the banner also celebrates the diverse fabrics of the world.
Bedford Creative Arts
The banner was designed and made collaboratively through a series of workshops with women from Bedfordshire led by artist Quilla Constance and produced by Bedford Creative Arts. The banner was created to acknowledge the spirit of the early fight for the right to vote and as a reminder of the strength of women today, powering towards a better future for the women of tomorrow.
Kinetika: Gravesend (2018-05) by Ali Pretty and Gravesend: Kirsty Gaunt, Sonnia Montes, Cathy Mayers, Elizabeth Staupmanis, Mneesha BungarArtichoke Trust
Kinetika
Artist: Ali Pretty
Contributors: Silk River artists. With Kinetika
Location: Purfleet
Material: Hand woven, undyed Murshidabad silk
Building on 2017’s Silk River legacy, which connected communities along the lower Thames Estuary, Kinetika, led by lead artist Ali Pretty, continued to work with Silk River artists from five communities – Barking & Dagenham, Dartford, Purfleet, Gravesham and Southend – to create five silk batik banners, one for each community.
The artists drew up a longlist of inspirational local women, past, present and future, either working in their communities or in the public eye across a range of professions. The public were invited to vote on social media to select the women who would be represented on the final banners.
Kinetika - Gravesend
This banner features the following inspirational women selected from a public call for nominations: Georgia Mae Fenton, a 17 year-old who won a gold medal at the 2018 Commonwealth Games. She features in the centre of the banner.
Kinetika - Gravesend
Parm Gill, who developed and coached the successful girls team at the Gravesend Guru Nanak Football Club.
Enid Marx, an English painter and designer who taught at Gravesend School of Art. She was the first woman to be designated as Royal Designer for Industry and was well known for her textile designs for the London Transport Board. Her work has inspired the background patterns and swans.
Kinetika: Thurrock (2018-05) by Ali Pretty and Thurrock: Lesley Robinson, Margaret Hall, Christine Rowles, Emily MoonArtichoke Trust
Kinetika - Thurrock
For this banner, the following inspirational women were selected for their connection to Thurrock:
Fatima Whitbread overcame the difficulties of a turbulent childhood to become a renowned javelin thrower. She was named BBC Sports Personality of the Year in 1987.
Kinetika - Thurrock
Kate Luard was born in Aveley in 1872. She trained as a nurse and served in South Africa during the Boer War and in the First World War. She was awarded a Royal Red Cross and Bar for exceptional service in military nursing.
Kinetika: Southend-on-Sea (2018-05) by Ali Pretty and Southend-on-Sea: Sally Chinea, Hazel Huber, Lisa Meehan, Jacci ToddArtichoke Trust
Kinetika - Southend-on-Sea
This banner features the following inspirational women:
Rosina Sky (1858-1928) was a single mother of three and an active Suffragette, who led the charge for votes for women in Southend. Running her own tobacconist shop, a woman in a man’s world, Rosina had all the responsibilities with none of the rights accorded to men in the same position. In 1911, she defied authority by refusing to adhere to the census, writing across the form, ‘No votes for women. No information from women’.
Kinetika - Southend-on-Sea
Lucy is an international sailing champion. She has won a number of gold medals in international sailing competitions and has proved that nothing is impossible, as Lucy is registered blind. She has been an inspirational sporting figure for many years winning the Rochford District Sports Personality of the Year in 2010. Lucy won two silver and two bronze medals, then going on to achieve her dream of a gold medal. In 2013 she was awarded an MBE in recognition of her achievements both on and off the water.
Kinetika - Southend-on-Sea
Maise Riley is a 16-year-old student at Chase High Academy, where she has been a prefect and head girl, sitting on the school’s student council for many years. She also organises and runs many fundraising events in sports, arts, debating and drama. Maise is an active member of the youth council and is currently the elected Youth Mayor for Southend and the LGBT Chair for Southend.
Kinetika: Dartford (2018-05) by Ali Pretty and Dartford: Ruth Howard and Tanya OutenArtichoke Trust
Kinetika - Dartford
This banner features the following inspirational women:
Mme Osterberg was a pioneering founder for women's physical education at Dartford College and introduced netball to the UK. Images of the game were used alongside her portrait to represent her spirit and her revolutionary approach to the establishment.
Kinetika - Dartford
Cllr Patsy Thurlow holds the Arts Portfolio for Dartford Cabinet and one of her personal achievements over the last 20 years includes her work with young people. This banner includes a portrait of her and a marquee to illustrate the annual Dartford festival and Skate Park, with skate-boarders.
Kinetika - Dartford
The 'What if...? Gallery' in Dartford highlighted the work of Anne Graves and Ruth Howard, who have volunteered for 13 years to present community art workshops.
Kinetika: Barking and Dagenham (2018-05) by Ali Pretty and Barking and Dagenham: Susanna Wallis, Kushnood AhmedArtichoke Trust
Kinetika - Barking and Dagenham
The Dagenham Ford Strikers were local women who made history in 1968 by changing the way women were paid. They encouraged the government to establish the Equal Pay Act, paving the way for others to do the same and championed the emerging Women’s Movement during the late sixties and seventies.
Kinetika - Barking and Dagenham
Mo Obadina was born in Nigeria, lives in Barking & Dagenham and has studied to PhD level whilst working and raising a family as a single mother. She has written a book to encourage others, is a positive role model, gives talks and works to unite communities and engage people in cultural activities. Mo now lectures at the South Bank University.
Kinetika - Barking and Dagenham
Rachel Stubbs is 18 and has just completed her first year at UCA studying Film Production. She started there a year earlier than her peers after achieving high grades in her BTEC, despite having dyslexia and dyspraxia. Rachel is a proactive member of her community and has taken part at various local events and community projects. She would like to follow her degree with a career in film, possibly at the new studios opening in Dagenham.
Tara Arts (2018-05/2018-06) by Madeline Herbert and Tara ArtsArtichoke Trust
Tara Arts
Artist: Madeline Herbert with Claudia Mayer
Contributors: Tara Arts
Location: London
Materials: sari silk, felt, muslin, wool, cotton, beads
Tara Arts
This banner celebrates Shakti, the goddess of power, and illustrates the dynamic creative forces empowering her daughters. Drawing on the rich textile heritage and embroidery techniques of South Asia, the group have used recycled saris and fabrics kindly donated by women local to Tara Arts, in south west London.
Tara Arts
Tara Arts
Tara Arts Pennants (2018-05/2018-06) by Madelane Herbert and Tara ArtsArtichoke Trust
Tara Arts
Penants
The design includes 6 pennants surrounding the central banner, one for each of the iconic Asian women identified by Claudia Mayer in consultation with the participants.
This banner commemorates trail-blazers such as Suffragette Sophia Duleep Singh, activist, Malala Yousafzai, freedom-fighter Sarojini Naidu, trade unionist Jayaben Desai, astronaut Kamala Chawla, and artist Amrita Sher-Gill.
Tara Arts Pennants (2018-05/2018-06) by Madeline HerbertArtichoke Trust
Tara Arts
Penants
These are just some of the Asian women who, through their actions over the 100 years, provide inspiration today.
'Working on this project has made me feel like coming home. I have made new friends and learnt so much about other women.' Lorna, workshop participant
Women in Prison (2018-05) by Lucy Tammam and Women in HMP Foston Hall, The Beth Centre in London, Anawim Women's Centre in BirminghamArtichoke Trust
Women in Prison
Artist: Lucy Tammam
Contributors: women in HMP Foston Hall, The Beth Centre in London, Anawim Women's Centre in Birmingham. With Women in Prison
Location: London
Materials: mixed textiles, beads
Women in Prison
This banner is called FREEDOM and was created by the national charity Women in Prison, working with women who are affected by the criminal justice system. Workshops were held in the women’s prison, HMP Foston Hall, and two women’s centres, Anawim Women’s Centre in Birmingham and the Beth Centre in London.
Women in Prison
The group were inspired by the branding and motifs used by the Suffragettes and created symbols and imagery to represent the fights and struggle of women today who are affected by the criminal justice system. The project was particularly poignant for this group as women in prison are still unable to vote and continue to encounter many barriers to having their voices heard.
South Hill Park Arts Centre (2018-03/2018-06) by Amarjeet K Nandhra, Dawn Thorne and Fiona Hardman and Clare Auburn, Cary-Ann D'Arcy, Caroline McMahon, Kaye Periam, Pat Fuller, Mavis Roles, Jo Hetherington, Sam Jones, Val Strudwick, Ann Welsh, Fran Cooke, Kirsty Howell, Amanda Annetts, Diana Higgins, Kim Prior, Chris Dobson, Angela Scott, and Janet ManningArtichoke Trust
South Hill Park Arts Centre
Artists: Amarjeet K Nandhra and Dawn Thorne
Contributors: South Hill Park Arts Centre
Location: Bracknell
Materials: mixed textiles
South Hill Park Arts Centre
This banner marks the centenary of voting rights for some women, signifying the beginning of an important journey. The group wished to celebrate how far women have come, whilst also marking 2018 as a time for reflection on how much still needs to be achieved.
The group wishes for the demand, ‘Hear our Voice’, to be upheld as a right for us all, not just for the privileged. The banner’s message is that diverse voices of women and girls from all sections of the community, those marginalised and ignored, must also be heard, and that together, we stand stronger.
Crafts Council (2018-05/2018-06) by Angela Maddock and Staff from Guy’s and St Thomas’ Hospital, including: Melissa Cardenas, Claire Dossi, Onyinye Nwulu, Barbara Fuller, Angela Aboagye, Heather Wood, Hendrika Santer BreamArtichoke Trust
Crafts Council
Artist: Angela Maddock
Contributors: staff from Guy’s and St Thomas’ Hospital, including: Melissa Cardenas, Claire Dossi, Onyinye Nwulu, Barbara Fuller, Angela Aboagye, Heather Wood, Hendrika Santer Bream
Location: London
Materials: mixed textiles
Crafts Council
Created by women working at Guy’s and St Thomas’ NHS Foundation Trust with the support of the Crafts Council, this banner celebrates women in healthcare.
Stitched into the River Thames are the names of well-known women in healthcare, including Mary Seacole, Florence Nightingale, Edith Cavell and more contemporary women, such as Dr Kate Granger MBE, whose #hellomynameis campaign has improved communication between staff and patients across the NHS.
The group also acknowledge the Windrush Nurses and Midwives and women directly involved in Guy’s and St Thomas’, like the Chief Nurse, Dame Eileen Sills.
Crafts Council
While they worked, the group shared stories of their work, lives and individual women who inspired them; their names are stitched on the flowers at the bottom of the banner. The word ‘respect’ is included to represent the group’s demand that women in healthcare be recognised and respected.
Cardboard Citizens (2018-05/2018-06) by Natasha CosseyArtichoke Trust
Cardboard Citizens
Artist: Natasha Cossey
Contributors: Cardboard Citizens
Location: London
Materials: cotton, canvas, felt
Cardboard Citizens
Cardboard Citizens is a theatre company and charity, making life-changing theatre with people affected by homelessness. The banner was created by the company’s female members, who have experience of homelessness, alongside artist Natasha Cossey. Inspired by the Suffragettes, the group reflected on their experiences of solidarity, resistance and their heroines from whom they take strength.
Cardboard Citizens
These stories are represented by the images and symbols on the banner. ‘Change HerStory’ pays homage to the strong women who have fought before us and is a provocation to consider what needs to change to improve opportunities for women now, and in the future.
Historic England and London College of Fashion (2018-06) by Jo Orta & Lucy Orta and Women serving sentences in HMP DownviewArtichoke Trust
Historic England and London College of Fashion
Artist: Lucy Orta
Contributors: women serving sentences in HMP Downview. With Historic England and London College of Fashion
Location: London
Materials: linen, cotton, silk
Historic England and London College of Fashion
This banner highlights the history of women’s rights, witnessed and reflected in London’s unique heritage. They worked with the London College of Fashion, artist Lucy Orta and women from the Making for Change programme at HMP Downview. The programme was founded in Holloway prison, one of the most notorious sites associated with the suffrage movement in London.
Historic England and London College of Fashion
This banner engages with this incredible history, reflecting the perspective of the last remaining women connected to HMP Holloway, who are still denied the vote.
Firstsite (2018-06) by Clare Marsh and Firstsite's Young Art Kommunity (YAK)Artichoke Trust
Firstsite
Artist: Clare Marsh
Contributors: Firstsite's Young Art Kommunity (YAK), Colchester
Location: Colchester
Materials: fleece
Firstsite
Working with textile artist Clare Marsh, Firstsite’s Young Art Kommunity (YAK) began with exploring the history of the Suffragettes’ struggle. YAK were particularly moved by the lengths Suffragettes were prepared to go to in their fight against the outrageous inequalities women experienced.
The group discussed the importance of universal suffrage and the current struggles confronting their generation, with a focus on voting age, young women, clothing and the way individuality can be expressed. School uniform was a topic addressed at length, as was the dress code still expected of women within a business environment.
After discussion of possible wording for the banner, the group decided to focus on the expression of individual voices as part of a universal message of solidarity. This was combined with sashes made and worn by individual participants expressing their own personal self-definitions.
Jerwood Gallery / Hastings Contemporary (2018-04/2018-06) by Janey Moffat and Jerwood PROCESSIONS groupArtichoke Trust
Hastings Contemporary
Artist: Janey Moffat
Contributors: Hastings Contemporary PROCESSIONS group
Location: Hastings
Materials: cotton, polycotton, denim, felt, safety pins, studs, chain, wool, yarn
Hastings Contemporary
The Hastings women in the group wished to capture the positive yet gently rebellious spirit that embodies their town, with a nod to its sunny seaside location, history of punks and bohemian eccentrics.
The banner is a call to female change-makers across generations living in Hastings. It asks them to stand up and free their voices in an unafraid bid to evolve equality for women, particularly for those who are oppressed and unable to speak for themselves.
Hastings Contemporary
The seagull is named Muriel after Ms. Matters, the famous hot air ballooning, daredevil Suffragist who lived in Hastings.
Modern Art Oxford (2018-04/2018-06) by Nicola Donovan and Nicola Donovan and a group of local textile artistsArtichoke Trust
Modern Art Oxford
Artist: Nicola Donovan
Contributors: local textile artists. With Modern Art Oxford
Location: Oxford
Materials: cotton, silk, photo transfer, gold leaf, sequin chainmail
Modern Art Oxford
Modern Art Oxford is thrilled to have been involved in PROCESSIONS. They worked with a group of local textiles artists to create a single banner representing women, their rights and their hopes for the future.
Modern Art Oxford
'Our message is that the right to vote is hard won, and that it gives all of us some power, if we use it. If we feel powerless, there is even more reason to use it, because nothing will change unless we do.' Nicola Donovan, lead PROCESSIONS artist at Modern Art Oxford.
Nine Elms Vauxhall Partnership (2018-06) by Ruth Ewan and Contributions by Devon Ingold, Katherine Hallgarten, Katy Holmes, Vanessa Matthews, Erenie Mullens-Burgess, Maritza Tschepp, Jo Tsagka and Amanda Waite. Supported by Jenny Pengilly and Rosie Hermon. Final banner fabricated by Laura LeesArtichoke Trust
Nine Elms Vauxhall Partnership
Artist: Ruth Ewan
Contributors: Nine Elms Vauxhall Partnership
Location: London
Materials: silk, mixed textiles
Nine Elms Vauxhall Partnership
This banner is a tribute to the incredible life and work of Suffragist, social activist and co-founder of the Women’s Freedom League, Charlotte Despard. In the second half of her life Mrs Despard moved to Nine Elms on the south bank of the River Thames in central London, a very deprived area in the late 19th century.
Mrs Despard worked tirelessly to improve conditions for local people by setting up free healthcare services, social clubs and becoming a Poor Law Guardian. She continued to fight for the poor and dispossessed for nearly fifty years, right up until her death in 1939, aged 95.
Clean Break (2018-04/2018-06) by Miriam NabarroArtichoke Trust
Clean Break
Artist: Miriam Nabarro
Contributors: Clean Break
Location: London
Materials: mixed textiles
Clean Break
This banner grew from a series of collaborative workshops centred around votes, voice, women and those who are excluded from voting.
The group did extensive research and discovered a 1918 slogan, ‘Voteless NOT Voiceless, which they decided to reuse. They found a piece of 100-year-old linen and dyed it in the colours of the Suffragette movement. They then borrowed gestures which the group had created in a theatre exercise about power.
Clean Break
As Clean Break works with women with lived experience of the criminal justice system and as prisoners in the UK are denied the vote, the group felt that there was still a lot to shout about.
UK Centre for Carnival Arts (2018-05/2018-06) by Clary Salandy and UK Centre for Carnival ArtsArtichoke Trust
UK Centre for Carnival Arts
Artist: Clary Salandy
Contributors: The UK Centre For Carnival Arts; Luton Association of Mas; attendees to the Luton’s Women Like Me Conference. Individual contributors: Janet, Maragret, Amara, Klaudia, Anastazja, Maurreen, Durrelle, Sylvia, Nazia, Maureen, Sue, Laxmi, Kate, Michelle, Clary, Patricia, Annmarie
Location: Luton
Materials: silk, foam, paint, velcro
UK Centre for Carnival Arts
This banner is an expression of equality and diversity, values which the group want to convey that the people of Luton strive to uphold.
UK Centre for Carnival Arts
Two faces of different colours are equally placed on either side of the word 'Luton'. They are in the colours of the Suffragette movement and decorated with the figures of people, representing Luton’s diversity.
UK Centre for Carnival Arts
The word ‘equality' is underpinned by a crowd of colourful women, who advocate for 'three v's': 'to be valued, to be visionary, and to use their voices for positive change'. Carnival Arts artists and the community worked together to bring this message to life in the banner.
Metal Culture Southend with Heidi Wigmore (2018)Artichoke Trust
Metal Culture
Artist: Heidi Wigmore
Contributors: girls from The Deanes School Thundersley aged from 11 to 14. With Metal Culture
Location: Southend-on-Sea
Materials: vinyl, cotton, wool, net, buttons
Metal Culture
This banner celebrates the girls’ multiple identities and ‘creative selves’. It is an assertive, self-assured response to the pressure they all feel from social media to be ‘perfect’. Together, they created the slogan, which is a positive rallying cry to girls everywhere.
Metal Culture
The aesthetic of the banner is a subversion of the ubiquitous ‘selfie’ and includes fantasy figures composed of expressive ‘knowing’ self-portraits with collaged bodies. These figures express freedom and creativity, flying free against a blue sky backdrop.
The digitally-printed design is finished with metallic holographic vinyl and celebratory handmade pompoms for maximum effect and fun.
Metal Culture: Southend-on-Sea (2018-04/2018-05) by Heidi Wigmore and ‘Essex Girls Liberation Front’ and members of the public aged from 13 to 75Artichoke Trust
Metal Culture
Artist: Heidi Wigmore
Contributors: ‘Essex Girls Liberation Front’ and members of the public aged from 13 to 75. With Metal Culture
Location: Southend-on-Sea
Materials: vinyl, cotton, wool, net, buttons
Metal Culture
This banner celebrates Women of Essex. It includes Suffragettes who had Essex connections, women from the ‘Clever Essex’ project who achieved great things in literature, science, theatre and politics in the wider world, and contemporary women active in the ‘Essex Girls Liberation Front’, who exist to challenge the negative connotations around the ‘Essex Girl’ stereotype.
The quote came from Essex Suffragette, Amy Hicks, at a rally in Colchester in 1908, who said that campaigners for women’s suffrage were ‘neither freaks nor frumps!’.
Metal Culture
The digitally-printed collage aesthetic is appropriated from the iconic Beatles’ Sgt. Pepper’s album cover, while the handmade and embroidered flowers honour the memory of the women who ‘Dared to be Free’.
Turner Contemporary (2018-03/2018-06) by Jessica Voorsanger and Jessica Voorsanger’s Posse of Protesters (including POW! Thanet, East Kent Mencap and UCA Canterbury)Artichoke Trust
Turner Contemporary
Artist: Jessica Voorsanger
Contributors: Jessica Voorsanger’s Posse of Protesters (including POW! Thanet, East Kent Mencap and UCA Canterbury)
Location: Margate
Materials: mixed textiles
Turner Contemporary
The banner was produced beside the sea in Margate, Kent. The four corners feature portraits by artist, Jessica Voorsanger, of inspirational women:
Millicent Fawcett (11 June 1847 – 5 August 1929): British feminist, intellectual, political leader, activist and writer.
Turner Contemporary
Sojourner Truth (c. 1797 – November 26, 1883): African-American abolitionist and women's rights activist.
Turner Contemporary
Princess Sophia Duleep Singh (8 August 1876 – 22 August 1948 ): a prominent Suffragette and accredited physician in the United Kingdom.
Turner Contemporary
Emmeline Pankhurst: the leader of the British Suffragette movement.
These are stitched amongst individual panels created by each woman in the group, who proudly marched in Suffragette costumes, ringing glass bells, for PROCESSIONS.
Norfolk & Norwich Festival (2018-04/2018-06) by Fiona Muller and Norfolk & Norwich Festival Solidarity GroupArtichoke Trust
Norfolk & Norwich Festival
Artist: Fiona Muller
Contributors: Norfolk & Norwich Festival Solidarity Group
Location: Norwich
Materials: cotton, mixed textiles
Norfolk & Norwich Festival
The sheer fabric on the front of this banner is printed with anti-feminist quotes and posters. These have then been slashed through with a cross, representing the act of voting and paying homage to Suffragettes, who slashed paintings to publicise their cause.
Norfolk & Norwich Festival
Underneath is a message of solidarity from the group to women who are unable to vote. Each letter is embroidered with abstract images representing women who can’t vote because of the laws of their native country, or because they are homeless, imprisoned, or refugees.
Southall Black Sisters (2018-03/2018-06) by Houria Niati and Southall Black Sisters (SBS) Support Group clientsArtichoke Trust
Southall Black Sisters
Artist: Houria Niati
Contributors: Southall Black Sisters (SBS) Support Group clients
Location: Southall
Materials: mixed textiles, acrylic paint
Southall Black Sisters
The group created a banner celebrating the centenary of the first women to get the vote. They discussed themes of the Suffragette movement, equating it to the demonstrations and activism of Southall Black Sisters (SBS).
Their banner pays homage to Princess Sophia Duleep Singh (1876-1948), a key figure in the Suffragette movement and a contemporary of Emmeline Pankhurst (1858 – 1928), whose contribution has been mostly forgotten.
Southall Black Sisters
SBS clients included phrases which resonated with them such as ‘Deeds not Words’ and ‘Struggle Not Submission’, to convey their message that some women today still do not have the vote.
PROCESSIONS was produced by Artichoke and commissioned by 14-18 NOW: WW1 Centenary Art Commissions, with support from the National Lottery Heritage Fund, Arts Council England and the Department for DigitalCulture Media and Sport. Based on an original idea by Darrell Vydelingum.
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