By African Leadership Academy
Curated by Towela "Kams" Tembo
My Hijabs & Hoodies portrait series is rooted in love and solidarity as well as an attempt to subvert and reclaim the very gaze that have made these garments and ultimately these communities “threatening.” - Tracey Keza shares.
By zooming into identity politics, culture and conservation, Rwanda-Based Documentary Photographer Tracey Keza uses her work to fight for justice and equity.
Hijabs and Hoodies - 1 (2019) by Tracey KezaAfrican Leadership Academy
In collaboration with Studio Revolt, Tracey Keza is working to bring Hijabs & Hoodies - an on-going portrait series for cities that have a history of racial profiling, hate crimes, and violence targeted towards the POC and Muslim communities.
Hijabs and Hoodies - 8 (2019) by Tracey KezaAfrican Leadership Academy
Tracey believes that art-making is a collaborative process and every portrait participant becomes a critical collaborator offering their stories, opinions, tears, family histories and ultimately their faces to my project.
Hijabs and Hoodies - 6 (2019) by Tracey KezaAfrican Leadership Academy
Her black and white portraits are exhibited as giant murals– enormous faces with an unavoidable sense of visibility and presence. I believe that stripping my work of colour allows me to focus more keenly on each participant’s humanity and dignity.
Hijabs and Hoodies - 2 (2019) by Tracey KezaAfrican Leadership Academy
This way, Keza allows the viewer to encounter the faces and fabrics that draw a range of emotional reactions - depending on who views them. The larger-than life portraits demand the viewer’s gaze and attention.
Hijabs and Hoodies - 9 (2019) by Tracey KezaAfrican Leadership Academy
"My goal is to humanize people impacted by a broken system that continues to disenfranchise and disembody Black and Brown people." - Tracey Keza
Hijabs and Hoodies - 10 (2019) by Tracey KezaAfrican Leadership Academy
"Racial profiling and state sanctioned violence against Black and Brown bodies have always existed in America, but recently these brutalities have been made even more visible through widely shared digital recordings and a political climate" - Tracey Keza
Art By Tracey Keza
Curated By Towela "Kams" Tembo