Restoration of Gallerie delle Prigioni

Treviso

Restoration by Gallerie le Prigioni, Treviso, ItalyImago Mundi

Gallerie delle Prigioni

With the Gallerie delle Prigioni, Imago Mundi offers the city of Treviso a new space dedicated to contemporary culture, a platform for experimentation open to all disciplines of art-based research: from visual anthropology to sociology; from philosophy to ethnography. A convergence of skills and knowledge from around the world, connecting Art with geography, history and politics.

The historic Habsburg prison, built in the first half of the nineteenth century as a place of closure and suffering, has been transformed by the discerning conservative restoration of the architect Tobia Scarpa into a vibrant laboratory of new ideas, contaminations, inspirations and provocations.

The Gallerie delle Prigioni are now the home of Imago Mundi, the non-profit and itinerant contemporary art project promoted by Luciano Benetton.

Here it is possible to view all its collections from across the world, collated in themed exhibitions.

This space also offers new exhibitions and narrations in an on-going dialogue with the encyclopaedic collections of Imago Mundi. New investigations and visual discoveries on global creativity take shape through pictorial works, sculptures, videos, installations, photographs, meetings and performances.

A comparison of techniques, styles, cultural contexts, diverse orientations and perspectives, to foster knowledge and integration.

Restoration by Gallerie le Prigioni, Treviso, ItalyImago Mundi

The former prison building has listed status under the Code of Cultural Heritage and Landscape, with reference to both the appearance of the facade and the landscape. Here, the ancient facade.

Restoration by Gallerie le Prigioni, Treviso, ItalyImago Mundi

Restoration by Gallerie le Prigioni, Treviso, ItalyImago Mundi

Prior to the restoration, the building was in a serious state of decay, resulting from years of abandonment and neglect. Clearly evident were the rotting wooden roof structures, the broken roof covering and water infiltration, which began when the building was abandoned and continued thereafter. Moreover, the detachment of plasterwork, stains caused by the corrosion of gratings and other metal elements and cracks in the stonework were present on most of the external facades.

Restoration by Gallerie le Prigioni, Treviso, ItalyImago Mundi

Restoration by Gallerie le Prigioni, Treviso, ItalyImago Mundi

Museum: Gallerie delle Prigioni (2018) by Museum: Gallerie delle PrigioniImago Mundi

Restoration by Gallerie le Prigioni, Treviso, ItalyImago Mundi

The starting point for the conservative restoration project was the need to consolidate and restore all the elements of the building, eliminating those that were improper and unrelated to the original construction.

Museum: Gallerie delle Prigioni (2018) by Museum: Gallerie delle PrigioniImago Mundi

Restoration by Gallerie le Prigioni, Treviso, ItalyImago Mundi

Restoration by Gallerie le Prigioni, Treviso, ItalyImago Mundi

Museum: Gallerie delle Prigioni (2018) by Museum: Gallerie delle PrigioniImago Mundi

Restoration by Gallerie le Prigioni, Treviso, ItalyImago Mundi

In the context of the use of the building as an exhibition space-museum, therefore, the main obstacle was represented by the conformation and the size of the original accesses to the individual cells: the beams over the doors were set very low so as to force the former prisoners to bow down.

Restoration by Gallerie le Prigioni, Treviso, ItalyImago Mundi

Restoration by Gallerie le Prigioni, Treviso, ItalyImago Mundi

Museum: Gallerie delle Prigioni (2018) by Museum: Gallerie delle PrigioniImago Mundi

Restoration by Gallerie le Prigioni, Treviso, ItalyImago Mundi

As far as possible, the aim was to save the existing painting, which has been restored. In particular, in addition to the numerous writings that indicated the cell number or the function of rooms (infirmary, punishment cells, and many others) on the second floor it is now possible to view the depiction of Christ, the upper part of which has been preserved and, on the opposite wall of the same floor, a representation of the Madonna. In the “doctor’s surgery”, also on the second floor, a fresco of the city of Treviso’s coat of arms is clearly visible.

Restoration by Gallerie le Prigioni, Treviso, ItalyImago Mundi

Restoration by Gallerie le Prigioni, Treviso, ItalyImago Mundi

Credits: All media
The story featured may in some cases have been created by an independent third party and may not always represent the views of the institutions, listed below, who have supplied the content.
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