The Arts of the Lotus Sutra

September 6, 2024 to March 16, 2025

By Fo Guang Shan Buddha Museum

A collaboration with the National Palace Museum

This exhibition, structured like a Buddhist scripture,  aims to help visitors appreciate the Lotus Sutra as a foundational text that has inspired over a millennium of artistic and cultural achievements in East Asia. It begins with a "Prologue" that introduces the background of the Lotus Sutra. The "Main Exposition" then highlights its key artistic motifs. Finally, the "Dissemination" showcases the "Universal Gateway" chapter, Guanyin iconography, and the Sutra's historical spread.

Volume 1 of The Lotus Sutra (Yuan dynasty Zhejiang print in Su Shi’s calligraphic style) (Yuan Dynasty) by unknownFo Guang Shan Buddha Museum

Prologue

“Saddharma” means “true Dharma” or “wonderful Dharma”, while “puṇḍarīka” means “lotus”, serving as an epithet for “saddharma”. Therefore, the title signifies “The Scripture of the True Dharma as Pure as the Lotus”.

The Lotus Sūtra (Pŏphwagyŏng) lluminated manuscript written in gold ink, Goryeo period, Korea (Goryeo period) by unknownFo Guang Shan Buddha Museum

Establishment of the Lotus Sutra

Around the 1st century CE, within the Great Assembly School, a particular faction emerged that emphasized the pursuit of enlightenment for the sake of all beings. This faction referred to themselves as the “Mahayana”, meaning “Great Vehicle”. 

Imperial Household printed edition (Ming dynasty) by unknownFo Guang Shan Buddha Museum

What is the Lotus Sutra all about?

In the Elder School, it is believed that only Buddha Shakyamuni could attain the complete enlightenment.  However, in the Lotus Sutra, Buddha Shakyamuni proclaims that everyone can attain the same complete wisdom as the Buddha.

Volume 1 of The Lotus Sūtra (Song dynasty print in Su Shi’s calligraphic style) (Song dynasty) by unknownFo Guang Shan Buddha Museum

Main Theme of the Lotus Sutra

The Lotus Sutra states that individuals were initially led through the expedient means of the “Three Vehicles”, then they are finally led towards the realm of the “One Buddha Vehicle”, symbolizing the convergence of the Three Vehicles into one.

The Lotus Sūtra (Illuminated manuscript written in silver ink) (Song dynasty) by unknownFo Guang Shan Buddha Museum

The Spread of the Lotus Sutra in China

The Lotus Sutra emerged as the most popular choice for recitation, dissemination, and transcription in China. This widespread engagement with the Lotus Sutra contributed significantly to its enduring influence and prominence within Chinese Buddhism.

Volume 4 of The Lotus Sutra (Dunhuang manuscript) (8th century) by unknownFo Guang Shan Buddha Museum

Main Exposition

Consisting of 28 chapters, the Lotus Sutra is woven into a rich tapestry of narrative elements. It features parables such as “Parable of the Blazing House” and “Parable of the Poor Son”, used by Buddha Shakyamuni to expound his teachings and by his disciples in response to him.

The Lotus Sutra (Manuscript written by monk Jifang) (Ming dynasty) by unknownFo Guang Shan Buddha Museum

Seven Parables

Buddha Shakyamuni often uses allegories to explain his teaching, and the Lotus Sutra is notable for its many parables, of which the best-known are the “Seven Parables.”

The Lotus Sutra (Manuscript written by monk Yuanhao) (Yuan dynasty) by unknownFo Guang Shan Buddha Museum

Illustrations of the Lotus Sutra

The earliest iconography from the Lotus Sutra depicts two Buddhas seated side by side. This scene, from Chapter 11, "The Emergence of the Jeweled Stupa," shows Buddha Prabhutaratna (Many Jewels) rising from a jeweled stupa to affirm Buddha Shakyamuni's teachings.  

The Universal Gateway Chapter on Bodhisattva Avalokiteśvara (Ming dynasty) by unknownFo Guang Shan Buddha Museum

Dissemination

The chapter titled "Universal Gateway of Bodhisattva Avalokiteshvara" was especially significant, as it was widely chanted across East Asia, contributing to the propagation of Avalokiteshvara’s veneration throughout the region.

The Great Dharani of Guanyin (Ming dynasty) by unknownFo Guang Shan Buddha Museum

The Iconography of Avalokiteshvara (Guanyin)

The "Universal Gateway of Bodhisattva Avalokiteshvara" spreads Avalokiteshvara (Guanyin) devotion across East Asia, inspiring feminine iconography and depictions from the Song dynasty onward, reflecting the Sutra's enduring impact on Chinese Buddhism.

Volume 1 of The Lotus Sūtra (Song dynasty large-print Zhejiang edition) (Song dynasty) by unknownFo Guang Shan Buddha Museum

Lotus Sutra's relation with Art

The Lotus Sutra not only extols the virtues of copying its text and creating religious art but also inspired a wealth of artistic creations.

Credits: All media
The story featured may in some cases have been created by an independent third party and may not always represent the views of the institutions, listed below, who have supplied the content.

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