By affections

Contemporary and modern artists that have in common a relation to affective memories and emotional states.

By Museum of Modern Art Aloisio Magalhães

From the series "Salt air collection", Brígida Baltar, 2003, From the collection of: Museum of Modern Art Aloisio Magalhães
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From the contemporary selection for this poetic frame, we highlight two photographs of the series Salt air collection by the artist born in Rio de Janeiro Brígida Baltar.

From the series "Salt air collection", Brígida Baltar, 2001, From the collection of: Museum of Modern Art Aloisio Magalhães
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For the curator and UFPE professor Maria do Carmo Nino (2015), Salt Air collection “emphasizes more the phenomenology than the aesthetics in proposing, through photography, the implied affective and subjective feeling of gathering something imponderable, such as salt air or dew”.

No title, from the series "Bestiário íntimo" (2006) by Efrain AlmeidaMuseum of Modern Art Aloisio Magalhães

In Bestiário Íntimo, Efraim Almeida evokes the delicacy and fragility of the early childhood when observing baby birds in their nests.

No title, from the series "Bestiário íntimo" (2006) by Efrain AlmeidaMuseum of Modern Art Aloisio Magalhães

No title, from the series "Bestiário íntimo" (2006) by Efrain AlmeidaMuseum of Modern Art Aloisio Magalhães

Because of a policy initiated in 2001 by Moacir dos Anjos to increase contemporary artworks in the museum, these works were included in MAMAM collection.

No title, from the series "Bestiário íntimo" (2006) by Efrain AlmeidaMuseum of Modern Art Aloisio Magalhães

No title, from the series "Bestiário íntimo" (2006) by Efrain AlmeidaMuseum of Modern Art Aloisio Magalhães

No title, from the series "Bestiário íntimo" (2006) by Efrain AlmeidaMuseum of Modern Art Aloisio Magalhães

No title, from the series "Bestiário íntimo" (2006) by Efrain AlmeidaMuseum of Modern Art Aloisio Magalhães

No title, from the series "Bestiário íntimo" (2006) by Efrain AlmeidaMuseum of Modern Art Aloisio Magalhães

No title, from the series "Bestiário íntimo" (2006) by Efrain AlmeidaMuseum of Modern Art Aloisio Magalhães

No title, from the series "Bestiário íntimo" (2006) by Efrain AlmeidaMuseum of Modern Art Aloisio Magalhães

"La rotonde" (1927) by Joaquim do Rego MonteiroMuseum of Modern Art Aloisio Magalhães

On the modernist side, we highlight the works by do Rêgo Monteiro siblings: Fedora, Joaquim and Vicente.

"South America (1927) by Joaquim do Rego MonteiroMuseum of Modern Art Aloisio Magalhães

"Hillside house", Joaquim do Rego Monteiro, 1923, From the collection of: Museum of Modern Art Aloisio Magalhães
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"Rue Gros Atelier", Joaquim do Rego Monteiro, 1923, From the collection of: Museum of Modern Art Aloisio Magalhães
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"Panamá flower" (1925) by Fédora do Rego MonteiroMuseum of Modern Art Aloisio Magalhães

"The Life", Vicente do Rego Monteiro, 1962, From the collection of: Museum of Modern Art Aloisio Magalhães
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"The candle", Vicente do Rego Monteiro, 1962, From the collection of: Museum of Modern Art Aloisio Magalhães
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"Archer" (1925) by Vicente do Rego MonteiroMuseum of Modern Art Aloisio Magalhães

Vicente do Rêgo Monteiro has 22 of his works as part of the collection: 11 paintings (presented here) and 11 caligramas.

"Harlequin and mandolin", Vicente do Rego Monteiro, 1928, From the collection of: Museum of Modern Art Aloisio Magalhães
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"The hug", Vicente do Rego Monteiro, 1929, From the collection of: Museum of Modern Art Aloisio Magalhães
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In his paintings, the affective relations are strongly connected to the artist's cultural memory.

"Still life with guitar", Vicente do Rego Monteiro, 1928, From the collection of: Museum of Modern Art Aloisio Magalhães
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"Diana", Vicente do Rego Monteiro, 1929, From the collection of: Museum of Modern Art Aloisio Magalhães
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"Saint John Baptist modern decapitation", Vicente do Rego Monteiro, 1929, From the collection of: Museum of Modern Art Aloisio Magalhães
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"Saint Anthony talking to the fishes" (1970) by Vicente do Rego MonteiroMuseum of Modern Art Aloisio Magalhães

"The big bottle", Vicente do Rego Monteiro, 1962, From the collection of: Museum of Modern Art Aloisio Magalhães
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"Wheat", Tarsila do Amaral, No date, From the collection of: Museum of Modern Art Aloisio Magalhães
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The artist Tarsila do Amaral closes this affectionate frame of MAMAM's collection with her works in metal engraving, portraying in consonance with her Pau-Brazil phase a rural Brazil, with its nature and villages.

"Shrubbery", Tarsila do Amaral, No date, From the collection of: Museum of Modern Art Aloisio Magalhães
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"Navy" (No date) by Tarsila do AmaralMuseum of Modern Art Aloisio Magalhães

"Praise to nature", Tarsila do Amaral, No date, From the collection of: Museum of Modern Art Aloisio Magalhães
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"Praise to nature", Tarsila do Amaral, No date, From the collection of: Museum of Modern Art Aloisio Magalhães
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"Monkey", Tarsila do Amaral, No date, From the collection of: Museum of Modern Art Aloisio Magalhães
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"Tree", Tarsila do Amaral, No date, From the collection of: Museum of Modern Art Aloisio Magalhães
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"Ox" (No date) by Tarsila do AmaralMuseum of Modern Art Aloisio Magalhães

"Streets and houses", Tarsila do Amaral, No date, From the collection of: Museum of Modern Art Aloisio Magalhães
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The story featured may in some cases have been created by an independent third party and may not always represent the views of the institutions, listed below, who have supplied the content.
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