By Deutsche Grammophon
Deutsche Grammophon
LIFE Photo Collection
Ludwig van Beethoven was an exceptional musician who, like few composers before and after him, explored the limits of his art and repeatedly exceeded them. For a long time posterity perceived him not only as an incomparable genius, but also as a headstrong eccentric who ignored social conventions and resolutely pursued his artistic path.
LIFE Photo Collection
Beethoven's apparent eccentricity however was caused by the real tragedy of his life: already from the age of 28, Beethoven showed symptoms of a hearing loss that has not yet been conclusively clarified and which, over the years, led to complete deafness. This was accompanied not only by the threat to his source of income, but also by his increasing withdrawal from his fellow human beings:
"... for nearly two years past I have avoided all society, because I find it impossible to say to people, I am deaf! In any other profession this might be more tolerable, but in mine such a condition is truly frightful..."
Richard Strauss, Staatskapelle Berlin - Beethoven: Symphony No. 5 (1928) by Staatskapelle Berlin, Richard Strauss and the Shellac ProjectDeutsche Grammophon
Despite times of deep despair, Beethoven continued to find meaning in his work: a large number of his works, including eight of the nine symphonies, were written after the onset of the illness - including the famous Fifth, which was long titled "Fate Symphony" and which, as a musical rebellion, left the audience at its premiere in 1808 shocked by the musical radicalism.
Today, the Fifth, with its motif of fate and triumphant finale, is often interpreted as an expression of Beethoven's strength of will:
"I want to grasp fate by the throat, it should certainly not completely bend me."
Kassandra Wedel dancing to Beethoven: Symphony No. 5 in C Minor, Op. 67: 1. Allegro con brio (2020-03-02) by Kassandra Wedel and Ludwig van BeethovenDeutsche Grammophon
Overcoming obstacles, questioning boundaries: this claim becomes almost tangible in the powerful interpretation of the now iconic first movement by Kassandra Wedel - dancer, choreographer, dance teacher, actress, and herself deaf since a car accident at the age of 3.
"The exciting thing about this project for me is that although Beethoven went deaf during his career, he still continued to make music. I can identify with him because I have experienced a similar fate. I'm still dancing."
Kassandra Wedel for "Play on, play, against all odds" (2020-03-02) by Kassandra Wedel and Ludwig van BeethovenDeutsche Grammophon
For Kassandra Wedel, it is above all the humanity and emotional richness in Beethoven's music that makes it relevant to this day. Scientists are increasingly asking themselves the question whether his music, despite or perhaps because of his illness, has such a groundbreakingly modern appeal - and Kassandra Wedel also talks about "deaf gain", the consideration of deafness not as a loss but as a gain, since it allows things to be perceived that remain hidden to the hearing.
Kassandra Wedel for "Play on, play, against all odds" (2020-03-02) by Kassandra Wedel and Ludwig van BeethovenDeutsche Grammophon
The world champion in hip hop dance translates Beethoven's music into her own language, based primarily on the vibrations of the music. To do this, she takes the basic pulse and lets the rhythm pass over to her body - which also allows the hearing audience to experience the piece in a whole new dimension.
Kassandra Wedel for "Play on, play, against all odds" (2020-03-02) by Florian Gobetz / Deutsche GrammophonDeutsche Grammophon
With her versatile work, Kassandra Wedel conquers ever new "deaf spaces": as an actress from Münchner Kammerspiele to "Tatort", as a freelance dancer in opera productions, as a choreographer for hearing and deaf dancers, as a student of theatre studies and art education - in keeping with Beethoven's spirit, she does not allow herself to be restricted, but pursues her path undeterred.
Nevertheless, even for pioneers like Kassandra Wedel, it is still a rocky road to acceptance and equality with the hearing: In Germany, sign language has only been recognised as an official language since 2002; hearing loss is still often considered a stigma, although around 30% of all adult Germans suffer from hearing impairment.
Kassandra Wedel for "Play on, play, against all odds" (2020-03-02) by Kassandra Wedel and Ludwig van BeethovenDeutsche Grammophon
In order to focus more on the "sense of hearing" and hearing health, the World Health Organisation has declared 3 March as the official International Hearing Day, this year under the motto "Hearing for Life. Don't let hearing loss limit you."
The aim is to raise awareness for the topic, to encourage better health care as well as those affected - in keeping with the spirit of Beethoven. "Play on, play, against all odds!"
You are all set!
Your first Culture Weekly will arrive this week.