Celebrating 15!

Between Canvas and Paints

The city of Limeira's Art Salons from 1973 to 2018

Bento Manoel de Barros, first Baron of Campinas (1868/1869) by Aurélio Civatti (attributed)Museu "Major José Levy Sobrinho"

Limeira Museum: A Living Collection

The Limeira Museum, founded in 1964, is a mosaic of Brazilian art and the interior of São Paulo state. Its collection of over 2,000 works spans from the 19th century to the present day.

Our Lady of Sorrows Parish Church (1927) by Angelo PerilloMuseu "Major José Levy Sobrinho"

The collection was consolidated starting in 1974 with the creation of the Art Museum. Works were incorporated through donations and purchases, but primarily through the acquisition prizes from the art salons.

The Cats (1955) by Emiliano Augusto Cavalcanti de Albuquerque MeloMuseu "Major José Levy Sobrinho"

The Casa de Cultura de Limeira (1949), founded by João de Souza Ferraz, promoted Modernist debate. This was proven in 1956 when it acquired "Os gatos" (1955) by Di Cavalcanti. The painting, a local landmark of modern art acceptance, was later donated to the Limeira Art Museum.

The Brazilian Lumberjack (1879) by José Ferraz de Almeida JúniorOriginal Source: Wikimedia Commons

Art Salons in Brazil: Stage and Legitimacy

Since the 19th century, art salons in Brazil have been essential for the debate and dissemination of visual arts. They were the main artistic event, creating a market and legitimizing new artists. 

After the fervor of the 1922 Modern Art Week and the creation of institutions like the Pinacoteca de São Paulo, there was a movement of cultural decentralization. Art salons spread to the state's countryside, allowing cities such as Limeira, Campinas, and Piracicaba to have their own spaces for production and criticism. These regional events were essential showcases, capable of building and redefining artistic identities outside the major centers.

Catalogue of the 1st Limeira Contemporary Art Salon (1973-09)Museu "Major José Levy Sobrinho"

Limeira: SLAC and SBAL, Two Perspectives

The period between 1973 and 2017 in Limeira was marked by the existence of two distinct art salons: the Limeira Salon of Contemporary Art (SLAC) and the Limeira Fine Arts Salon (SBAL). Although coexisting, they represented different artistic visions.

Opening of the 1st Limeira Contemporary Art Salon (SLAC) (1973-09-01)Museu "Major José Levy Sobrinho"

SLAC: The Innovative Start (1973-1980)

The SLAC debuted in September 1973, conceived to include the city in the art circuit. The inaugural exhibition, held at the Italian-Brazilian Cultural Institute, was a public success. Despite its focus on the "contemporary," the first edition included various aesthetics.

Opening of the 1st Limeira Contemporary Art Salon (SLAC) (1973-09-01)Museu "Major José Levy Sobrinho"

Opening of the 1st Limeira Contemporary Art Salon (SLAC), 1973-09-01, From the collection of: Museu "Major José Levy Sobrinho"
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Moment III, Paulo de Tarso Cheida Sans, 1973, From the collection of: Museu "Major José Levy Sobrinho"
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Nu number 1, Stival Forti, 1973, From the collection of: Museu "Major José Levy Sobrinho"
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Zé Ambrósio, Jair Sarti, 1973, From the collection of: Museu "Major José Levy Sobrinho"
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Boat under repair, Cesar Oscar Aimone Pellegrino, 1973, From the collection of: Museu "Major José Levy Sobrinho"
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Visitor at the 12th Limeira Contemporary Art Salon (1985-10-19) by Jornal de LimeiraMuseu "Major José Levy Sobrinho"

SLAC: National Success (1981-1991)

After a brief hiatus, SLAC resumed in 1983, marking a period of major success. The 1984 edition saw a record 850 works and established the event as a national platform for diverse artists and expressions, showcasing adaptability in using venues like the former Banespa building.

Portrait of Ruy Barbosa, Oswaldo Favoretto, 1989, From the collection of: Museu "Major José Levy Sobrinho"
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Remembering Velázquez, Marcos Mauricio Autran Moraes Pinto, 1987, From the collection of: Museu "Major José Levy Sobrinho"
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The Double, Orlando M. Freitas, 1989, From the collection of: Museu "Major José Levy Sobrinho"
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Gypsy, Lamberto Fadel, 1989, From the collection of: Museu "Major José Levy Sobrinho"
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Muleteers, Caio Carvalho, 1989, From the collection of: Museu "Major José Levy Sobrinho"
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Drawing A, Carlos Alberto Spagnolo Sthal, 1989/1990, From the collection of: Museu "Major José Levy Sobrinho"
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Untitled (1989) by Ana Julia M. DietzshMuseu "Major José Levy Sobrinho"

Catalog of the 1st Limeira Fine Arts Salon (1992-07) by Marciel OehlmeyerMuseu "Major José Levy Sobrinho"

The Arrival of SBAL (1992-2000)

Created in 1992, the Salão de Belas Artes de Limeira (SBAL) enriched the cultural calendar by focusing on academic tradition, figurative art, and classical techniques, allowing SLAC to remain centered on contemporary artistic production.

Visitors at the 1st Limeira Fine Arts Exhibition (1992-09-12) by Jornal de LimeiraMuseu "Major José Levy Sobrinho"

Catalogue of the XXVI Limeira Contemporary Art Salon (2018-11-01)Museu "Major José Levy Sobrinho"

Decline and "End" (2001-2018)

From its later years until 2018, SLAC faced interruptions and changes, concluding with its 26th edition. Its counterpart, SBAL, also had an irregular path, holding only seven editions between 1992 and 2016 before ending its activities.

The Three Marys (2005) by Gilio MialichiMuseu "Major José Levy Sobrinho"

Orange Picker (1990) by Antonio Lázaro AndriolliMuseu "Major José Levy Sobrinho"

The Legacy of the Salons

SLAC and SBAL left a vital legacy for Limeira’s art scene. For over four decades, they fostered artistic production and recognition, enriching the Historical and Pedagogical Museum’s collection. Their history is key to the city’s cultural memory and Brazilian art.



So I looked better, so I heard better, so I spoke better., Junior Suci, 2015, From the collection of: Museu "Major José Levy Sobrinho"
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So I looked better, so I heard better, so I spoke better., Junior Suci, 2015, From the collection of: Museu "Major José Levy Sobrinho"
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So I looked better, so I heard better, so I spoke better., Junior Suci, 2015, From the collection of: Museu "Major José Levy Sobrinho"
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So I looked better, so I heard better, so I spoke better., Junior Suci, 2015, From the collection of: Museu "Major José Levy Sobrinho"
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So I looked better, so I heard better, so I spoke better., Junior Suci, 2015, From the collection of: Museu "Major José Levy Sobrinho"
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So I looked better, so I heard better, so I spoke better., Junior Suci, 2015, From the collection of: Museu "Major José Levy Sobrinho"
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Credits: Story

General Coordination
Adriana Pessatte Azzolino
Maxwell Ferreira de Campos

Curatorship and Texts
João Paulo Berto

Photography

Nelson Shiraga

Source Preparation
Letícia França Machado Oliveira Lopes
Rosângela Maria de Souza
Renata Antunes

This exhibition is part of the project “Between Paints and Canvases: Limeira Art Salons”, proposed by Maxwell Ferreira de Campos and conceived by Adriana Pessatte Azzolino. It is sponsored by resources from the Aldir Blanc National Policy for Cultural Promotion – Law No. 14.399/2022, through Public Call Notice No. 03/2024 of the Municipal Department of Culture of the City of Limeira.

Credits: All media
The story featured may in some cases have been created by an independent third party and may not always represent the views of the institutions, listed below, who have supplied the content.

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