Stigmatization of Saint Francis of Assisi

Dive into the artistic and religious significance of a colonial-era depiction of Saint Francis receiving the stigmata

By Santa Clara Museum

Agustín García Zorro de Useche (attributed)

Stigmatization of Saint Francis of Assisi (Siglo XVII) by Agustín García Zorro de UsecheSanta Clara Museum

Because the Poor Clare order was a female extension of the Franciscans, the Museum is full of works that represent Saint Francis of Assisi and narrate the different scenes of his life.

Through this type of images, it was intended, then, to show the virtues that Saint Francis of Assisi practiced throughout his life: poverty, prayer, fasting, and penance, fundamental values ​​for the Church.

Stigmatization of Saint Francis of Assisi (Siglo XVII) by Agustín García Zorro de UsecheSanta Clara Museum

This work, purchased in 1976 from the church in the Belén neighborhood, in downtown Bogotá, shows Saint Francis of Assisi (1182-1226), the Italian saint who founded the Franciscan order, in one of the most recognized episodes of his life. 

Here, by miraculous means, he receives the stigmata on his hands, feet, and on the right side of his chest, a visible wound due to an opening in the habit. These wounds were imprinted on the poverello as a sign of his devotion. 

Stigmatization of Saint Francis of Assisi (Siglo XVII) by Agustín García Zorro de UsecheSanta Clara Museum

According to numerous writings that recount this event, this miraculous scene occurred in 1224, after Francis and three other religious retired to Mount Alverna to pray. 

In that seclusion, the Italian had a vision of Jesus in the form of a seraph with six wings and his arms extended, emulating his crucifixion. This figure can be seen in the upper right corner of the painting, surrounded by golden light, evidencing its holy character. 

Stigmatization of Saint Francis of Assisi (Siglo XVII) by Agustín García Zorro de UsecheSanta Clara Museum

The saint with his wounds that Christ had at the time of being crucified, is lying on the ground, while his body is supported by a group of angels.

The saint is shown wearing a brown habit, with a cord with three knots at his waist, typical of the Franciscan order he founded.

Stigmatization of Saint Francis of Assisi (Siglo XVII) by Agustín García Zorro de UsecheSanta Clara Museum

At his feet, you can see some of his most recognized attributes, such as the skull, a symbol of the brevity of life and contempt for the material world, and the book, an element that the saint used during his prayer. 

In the background, we see Brother Leo of Assisi (1195-c.1270) with a book in his hands. This Italian priest and confessor of Saint Francis was, according to sources, the only witness of this miraculous event.

The Stigmatization of Saint Francis of Assisi
Agustín García Zorro de Useche (attributed)
Oil on canvas
141 x 132 cm
17th century

Credits: Story

Créditos
MUSEOS COLONIAL Y SANTA CLARA
 
Dirección / Museum Director
María Constanza Toquica Clavijo
 
Curaduría / Curation
Anamaría Torres Rodríguez
María Isabel Téllez Colmenares
 
Administración de colecciones / Collection Management
Paula Ximena Guzmán López
 
Editorial / Editorial
Tanit Barragán Montilla
 
Divulgación y prensa / Communications Jhonatan Chinchilla Pérez

Credits: All media
The story featured may in some cases have been created by an independent third party and may not always represent the views of the institutions, listed below, who have supplied the content.

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