By Museo de América
A project of the Museum of the Americas and the Colombian Institute of Anthropology and History (ICANH)
Set of anthropomorphic containers (5th century AD to 7th AD) by Quimbaya Archaeological RegionMuseo de América
This is the third of a four-part series that will introduce you to some of the characteristics of the Quimbaya societies. Explore the different uses of the objects that are part of the Quimbaya ensemble.
Phytomorphic container (5th century AD to 7th AD) by Quimbaya Archaeological RegionMuseo de América
Women and men: chiefs and gender perspective
The representation of female figures among the pieces of funerary objects in these two Quimbaya tombs is very frequent.
Phytomorphic container (5th century AD to 7th AD) by Quimbaya Archaeological RegionMuseo de América
Women appear on objects related to power, such as in this anthropomorphic bottle, which could indicate that the highest-ranking position in the community was not restricted to men.
Female anthropomorphic vessel (poporo) (5th century AD to 7th AD) by Quimbaya Archaeological RegionMuseo de América
The continuity of the lineage
Images allow complex messages to be transmitted, sometimes of a symbolic nature. Especially in traditional societies, an association of women with fertility and the generation of life was built.
Cinerary urn (5th century AD to 7th AD) by Quimbaya Archaeological RegionMuseo de América
Symbols of the chief
In many American cultures, sitting on a bench is linked to knowledge and authority, and is reserved for prominent members of the community such as shamans and chiefs.
3D anthropomorphic container (3rd century BC to the 5th AD) by Quimbaya IMuseo de América
Men and women sit on benches of power, such as this male figure or the previous pregnant figure. This suggests that high ranks within this society were held by both genders.
Bone fragments and inorganic remains by Quimbaya Archaeological RegionMuseo de América
The ashes of the ancestor
Inside at least four containers, remains of organic matter were detected. After the analysis of the macroscopic morphology of the recovered fragments, it was determined that they are burnt bone remains.
Bone fragments and inorganic remains by Quimbaya Archaeological RegionMuseo de América
The morphological characteristics of these bones, studied through scanning electron microscopy, show that they are human.
Cinerary urn (5th century AD to 7th AD) by Quimbaya Archaeological RegionMuseo de América
Consumption of entheogens: the ashes of the ancestor
The consumption of the ashes of the ancestors is a ritual of a symbolic nature that was possibly intended to legitimize the line of succession of power within the community.
3D anthropomorphic container (3rd century BC to the 5th AD) by Quimbaya IMuseo de América
These ancestral consumption ceremonies existed in different pre-Columbian cultures and have been maintained to the present day in some societies such as the Yanomami, who inhabit the Orinoco basin.
Lime container or poporo (5th century AD to 7th AD) by Quimbaya Archaeological RegionMuseo de América
Morphology of objects: Pumpkins
This container or poporo is shaped like a pumpkin, which in some Amerindian cultures is associated with the feminine. The representations of pumpkins in the Quimbaya group share with the feminine images a higher percentage of copper and a reddish color.
Quadruped-shaped necklace bead (5th century AD to 7th AD) by Quimbaya Archaeological RegionMuseo de América
Morphology of objects: Amphibians
Some figures are difficult to identify. Sometimes they have been described as fantastic beings, although, in this case, they are amphibians. They are represented with a triangular head, large eyes and incisions on the body to indicate the position of the legs.
Set of necklace beads (5th century AD to 7th AD) by Quimbaya Archaeological RegionMuseo de América
Frogs are considered messengers of the gods or aquatic spirits, so they are usually present in propitiatory rain rituals. They are associated with beliefs related to fertility and the water cycle.
Set of necklace beads (5th century AD to 7th AD) by Quimbaya Archaeological RegionMuseo de América
Morphology of objects: Insects
On the necklaces there are representations of certain animals interpreted as insects, sometimes in the larval state, which symbolize transformation or rebirth. They are shown as hybrid beings presenting anthropomorphic elements and fantastic forms.
Cinerary urn (5th century AD to 7th AD) by Quimbaya Archaeological RegionMuseo de América
Iconographic inconsistencies
Some objects that showed in tombs, such as earmuffs or nose rings, are not the same as those represented in the human figures. These differences may be due to changes in fashion, different chronologies or even representation of people with different ages and ranks.
3D headdress (3rd century BC to the 5th AD) by Quimbaya IMuseo de América
The number of helmets, necklaces and figurative sticks coincides with the possible number of high-ranking people buried in these two tombs, surely six or seven between the two.
Pin with a figurative top (5th century AD to 7th AD) by Quimbaya Archaeological RegionMuseo de América
The ritual death of objects
Sometimes objects are found to have been intentionally modified to render them useless. This is known as “ritual death”. In this collection we find lime sticks with the figurative head crushed or with the stem blunt.
Cinerary urn (5th century AD to 7th AD) by Quimbaya Archaeological RegionMuseo de América
In two of the male anthropomorphic bottles, we can see the cut marks made with a chisel sectioning the elements that they carried in their hands and the mouthpiece of the head. It seems to be the elimination of the attributes of power of one of the chieftains.
Semicircular rattle (5th century AD to 7th AD) by Quimbaya Archaeological RegionMuseo de América
Ceremonial sounds
Sound is another channel of communication with the spiritual world, and it was surely carried out in specific contexts. In the Quimbaya group there are objects that produce different sounds.
3D tubular container (3rd century BC to the 5th AD) by Quimbaya IMuseo de América
Explore the Quimbaya collection in interactive 3D
The pieces of the Treasure have been documented using high-precision photogrammetry to create digital twins that are as accurate as possible. You can explore them at here.
Set of necklace beads (5th century AD to 7th AD) by Quimbaya Archaeological RegionMuseo de América
Learn more about the Quimbaya culture
Curator:
Andrés Gutiérrez Usillos (MAm)
Beatriz Robledo Sanz (MAm)
Fernando Montejo Gaitán (ICANH)
Natalia Sofía Angarita (ICANH)
Photographs:
Museum of America
Joaquín Otero
Tomás Antelo
Gonzalo J. Trancho
Alfonso Hernández Roldán
ICANH (Colombian Institute of Anthropology and History)
Andrés Epifanio Becerra García (ICANH)General Archives of the Nation
Natalia Angarita
Manuel V. Boe – CC
Jacilluch – CC
pxhere.com – CC
Design and layout:
Alfonso Hernández Roldán
Fernando Izquierdo González
Acknowledgements:
Clemencia Plazas Uscátegui
Laura Sánchez (Archive General de la Nación)
Natalia Rodríguez (Archive General de la Nación)
You are all set!
Your first Culture Weekly will arrive this week.