The Gian Giacomo Poldi Pezzoli's collection

The history and masterpieces of the collections of the Poldi Pezzoli Museum

After an initial passion for contemporary art, Gian Giacomo began focusing on art of the past.

Borromeo Helmet (1585 - 1590) by Pompeo della CesaMuseo Poldi Pezzoli

The arms

First, he privileged arms, among which stand out objects of absolute worth, such as the armor by Pompeo della Cesa, perhaps the most important armorer in the world. 

After the passion for arms, the nobleman was attracted by decorative arts of the past and by Renaissance paintings. 

Tabriz (?) (1542 - 1543) by Ghyas el Din JamiMuseo Poldi Pezzoli

The Hunting Carpet

The important carpets and tapestries he acquired are temporarily displayed on the ground floor beside the great ‘Hunting Carpet’ (on loan from the Italian state since 1923). 

On the floor above, three rooms offer a notable group of Lombard Renaissance paintings (Foppa, Bergognone, Luini, Solario). 

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The Golden Room

In the Golden Room, there are the glories of the Tuscan and Venetian Renaissance. 

On the easel the Portrait of a Woman by Pollaiolo, the icon of the museum, followed on the walls by a painting by Piero della Francesca and two panels by Sandro Botticelli. Two other easels hold works by Giovanni Bellini and Andrea Mantegna. 

Portrait of young Woman, Piero del Pollaiolo, Around 1470, From the collection of: Museo Poldi Pezzoli
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The Virgin and Child (The Madonna of the Book), Sandro Botticelli, 1480, From the collection of: Museo Poldi Pezzoli
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The Lamentation over the Dead Christ, Sandro Botticelli, 1499 - 1500, From the collection of: Museo Poldi Pezzoli
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Saint Nicholas of Tolentino, Piero della Francesca, 1454-1469, From the collection of: Museo Poldi Pezzoli
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Coffee pot, from the "Borromeo tea and coffee set" (1736 - 1740)Museo Poldi Pezzoli

Not only paintings...

In the display case of 18th century porcelain, triumphs the great Borromeo Tea and Coffee Service. 

Cabinet (XVII century, 1859 - 1871) by Roman workshop and Giuseppe SpeluzziMuseo Poldi Pezzoli

The Black Room

In the Black Room, one notes the large 17th century cabinet inlaid with semi-precious stones and the 19th century table, in the same technique, a work by the Opificio delle Pietro Dure in Florence.

Goblet (1680 - 1700)Museo Poldi Pezzoli

The Murano Glass Room

The carved pieces of furniture in the bedroom - where, in a competition of technical skill, are mixed cabinets and chairs and the collection of Venetian glass, all from the Renaissance to the 19th century.

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The Jewellery Room

The medieval and Renaissance precious metal pieces, formerly in the Dante Study, today are on show in the new Jewellery Room. Notable are the medieval enamels from Limoges and the collection of rings and pendants.

Among the paintings stand out for their importance the works by the Venetians (Canaletto, Guardi, Tiepolo), of the old masters (Vitale da Bologna, Bernardo Daddi) and by the18th century Lombard artists (Fra Galgario and Ceruti). 

Prà della Valle in Padua, Giovanni Antonio Canal called Il Canaletto, 1741 - 1746, From the collection of: Museo Poldi Pezzoli
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Gondolas on the Lagoon (Grey Lagoon), Francesco Guardi, 1765, From the collection of: Museo Poldi Pezzoli
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The Madonna of Humility, Vitale degl Equi dcalled Vitale da Bologna, Around 1353, From the collection of: Museo Poldi Pezzoli
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Portrait of Giovanni Francesco Albani, Vittore Ghislandi also know as Fra Galgario, 1700 - 1710, From the collection of: Museo Poldi Pezzoli
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Credits: All media
The story featured may in some cases have been created by an independent third party and may not always represent the views of the institutions, listed below, who have supplied the content.

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