Mike Kelley. Eternity is a Long Time

Curated by Emi Fontana and Andrea Lissoni

“Mike Kelley: Eternity is a Long Time” (2013) by Mike KelleyPirelli HangarBicocca

Mike Kelley: Eternity is a Long Time

“Mike Kelley: Eternity is a Long Time” is an exhibition which examines the work of the late American artist Mike Kelley (Detroit, 1954 – Los Angeles, 2012) in an open path among installations, videos and sculptures mainly realized from 2000 to 2006: works of great intensity which perfectly represent the complex and visionary universe of one of the most influential figures in contemporary art. 

Light (Time) – Space Modulator (2003) by Mike KelleyPirelli HangarBicocca

Cultural aspects and autobiographical memories are so much a part of Mike Kelley’s art: his relationship with education, his links with modernist architecture, his view of the tradition of painting and of American literature and his approach to the vernacular and to popular culture, youthful initiatory rites and styles of musical subcultures.

“Mike Kelley: Eternity is a Long Time” (2013) by Mike KelleyPirelli HangarBicocca

The
installation “Extracurricular Activity Projective Reconstruction #1 (A Domestic
Scene)” and “Runway for Interactive DJ Event” – which were shown together at
Mike Kelley’s first solo exhibition in Italy, at the Galleria Emi Fontana in
Milan in 2000 – constitute a fundamental turning point in Mike Kelley’s
research and the dawn of what was to be his most prolific creative period. 

“Mike Kelley: Eternity is a Long Time” (2013) by Mike KelleyPirelli HangarBicocca

John Glenn Memorial Detroit River Reclamation Project (Including the Local Culture Pictorial Guide, 1968-1972, Wayne/Westland Eagle) (2001) by Mike KelleyPirelli HangarBicocca

Another key installation is the “John Glenn Memorial Detroit River Reclamation Project (Including the Local Culture Pictorial Guide, 1968-1972, Wayne/Westland Eagle)” of 2001, which takes inspiration from a monument to the astronaut John Glenn, after whom the high school that Mike Kelley attended was named. The fragments of colored ceramic and glass which cover the sculpture were picked up by Kelley himself in the river in Detroit. 

“Mike Kelley: Eternity is a Long Time” (2013) by Mike KelleyPirelli HangarBicocca

John Glenn Memorial Detroit River Reclamation Project (Including the Local Culture Pictorial Guide, 1968-1972, Wayne/Westland Eagle) (2001) by Mike KelleyPirelli HangarBicocca

“Mike Kelley: Eternity is a Long Time” (2013) by Mike KelleyPirelli HangarBicocca

Extracurricular Activity Projective Reconstructions #6, 7 (Woods Group) (2004-2005) by Mike KelleyPirelli HangarBicocca

Rose Hobart II (2013) by Mike KelleyPirelli HangarBicocca

“Mike Kelley: Eternity is a Long Time” (2013) by Mike KelleyPirelli HangarBicocca

Profondeurs Vertes (2006) by Mike KelleyPirelli HangarBicocca

The
project is given an unmistakable touch by Emi Fontana — an Italian curator who
lives in Los Angeles and worked closely with Mike Kelley during the last
fifteen years of his life — and by Andrea Lissoni’s unique experience in
devising unconventional exhibition formats at Pirelli HangarBicocca. 

Credits: Story

Pirelli HangarBicocca and the curators would like to acknowledge the generosity of the Mike Kelley Foundation for the Arts and the numerous lenders who have made the exhibition, “Mike Kelley: Eternity is a Long Time”, possible.

Credits: All media
The story featured may in some cases have been created by an independent third party and may not always represent the views of the institutions, listed below, who have supplied the content.
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