The ancient modernity of the Puebla Talavera pottery

Talavera pottery is a traditional industry that has marked the history of Puebla. Its timeless beauty relates and symbolizes the heritage and spirit of a city in shapes and colors.

With the twentieth century, the century of "avant-garde," the world turned its gaze back to the past. At this time, Edwin Barber began studies on the pottery tradition of maiolica in New Spain in 1911. 

Following Barber's research, interest in the industry that represented Puebla in colonial times rose in Mexico. 

After this came the work of Enrique Cervantes, fundamental to the knowledge and appreciation of the Puebla Talavera pottery.

The guild of white pottery was established in the 16th century and abolished in the 19th century. The inventive vocation lasts in those who have never ceased to call themselves, with pride "potters". 

With the revaluation of the Puebla Talavera pottery in the 20th century the industry gained a rebound in the local and national economy. The neo-colonial style during the 1950s returned to the use of tiles in the city's architecture.

The tourism boom in Mexico also helped keep the Puebla earthenware industry alive. 

Talavera pottery became a souvenir appreciated by visitors. In addition, it required tiles for construction.

During the 1960s American archeology took a special interest in white neo-Hispanic earthenware. 

Maiolica became a chronological "marker" to interpret the historical development of ancient settlements in Hispanic America.

John Goggin's research developed the archaeological typologies of the New World. 

Also, important sequences, such as Kathleen Deagan's, are mainly integrated by Puebla Talavera pottery.

In addition to history, the 20th century rescued the elements of the style of the Puebla Talavera pottery itself. One aspect that still remains is the five traditional colors: blue, green, yellow, orange and black.

The modern designs were mixed with reminiscences of the European earthenware of times past, such as the English or Alcora earthenware. 

However, Mexican maiolicas adopted their own characteristics, defined for reasons of traditional and nationalist styles. 

In addition to enamel and pigments for decoration, processing of the clay is essential. Each piece of Talavera pottery retains a distinctive seal, such as the mold prints that only result from authentic craftsmanship.

Its creation continues with the technical procedures of olden times. As in every era, the significant changes of the Talavera pottery are seen in the design, always in keeping with the prevailing fashion.    

The decor has been influenced by Hispanic, Italian, Oriental and Nationalist influences. At the end of the 20th century, artisans have been influenced by contemporary art. 

Creation is a constant in the pottery guild. Every trend and every emerging custom results in a practical response. 

There is no impossible way; whether desired or imagined, vessels emerge from their hands to serve and delight.

Once the Puebla Talavera pottery was inscribed on the UNESCO World Heritage List, the work of the so-called white potters, who in Spain and Mexico maintain a millennial tradition was further recognized.

Maiolica, white earthenware or Talavera pottery has accompanied Puebla's tables from the very first days of the Angelópolis. Its luminosity and smoothness have framed our culinary arts and culture throughout history.

It will always be easy to glimpse the human genius before a piece of Talavera pottery, its colors and texture transcend the centuries. The charm of Talavera pottery has never been older or more modern than today, at any time.