All I want: The Theatre of the Body

Discover the selection of works that integrate this thematic section of the exhibition “All I want – Portuguese women artists from 1900 to 2020” followed by the curators' text.

By Calouste Gulbenkian Foundation

Curators: Helena de Freitas and Bruno Marchand

Study for Saint Anthony (Self-Portrait) (not dated) by Aurélia de SousaOriginal Source: Collection José Caiado de Souza

Section 13 – The Theatre of the Body

This section brings together three artists who, at various moments in their careers, have taken the body as the centre of powerful, transformative narratives, including a provocative play on gender identities between the figure of a priest that Paula Rego represents dressed as a woman, and Aurélia da Sousa's self-portrait as Saint Anthony.

Study for Saint Anthony (Self-Portrait) (not dated) by Aurélia de SousaOriginal Source: Collection José Caiado de Souza

Study for Saint Anthony (Self-Portrait), not dated
Photograph
16,5 x 13,5 cm
Collection José Caiado de Souza

Saint Anthony (Self-Portrait) (c. 1902) by Aurélia de SousaOriginal Source: Museu da Cidade / Casa Marta Ortigão Sampaio

Saint Anthony (Self-Portrait), c. 1902
Oil on canvas
189 x 99 cm
Museu da Cidade / Casa Marta Ortigão Sampaio, inv. CMMOS 1978.31.0117

Mother (1997) by Paula RegoCalouste Gulbenkian Foundation

Mother, 1997
Pastel on paper mounted on aluminium
195 x 145 x 6 cm
Fundação Calouste Gulbenkian – Centro de Arte Moderna, inv. 98P605

Vanitas (2006) by Paula RegoCalouste Gulbenkian Foundation

Vanitas, a triptych by Paula Rego, presents an image of absolute power, with the woman in the central panel rising as a triumphant figure over the ephemeral and death. 

Vanitas (2006) by Paula RegoCalouste Gulbenkian Foundation

Vanitas, 2006
Pastel on paper mounted on aluminium
110 x 130 cm; 130 x 120 cm; 110 x 130 cm
Fundação Calouste Gulbenkian – Centro de Arte Moderna, inv. 06P1372

Untitled (1986) by MenezOriginal Source: Collection Fundação Luso-Americana para o Desenvolvimento, on loan to Fundação de Serralves – Museu de Arte Contemporânea, Porto

Menez, on the other hand, explores the space of intimacy and solitude through the creation of oneiric and melancholic environments, where the work space, signalled by the painter's presence, becomes vital.

Untitled (1986) by MenezOriginal Source: Collection Fundação Luso-Americana para o Desenvolvimento, on loan to Fundação de Serralves – Museu de Arte Contemporânea, Porto

Untitled, 1986
Acrylic paint on canvas
155 x 190 cm
Collection Fundação Luso-Americana para o Desenvolvimento, on loan to Fundação de Serralves – Museu de Arte Contemporânea, Porto, inv. #0146

Untitled (1986) by MenezOriginal Source: Collection Manuel de Brito

Untitled, 1986
Acrylic paint on canvas
81 x 100 cm
Collection Manuel de Brito

Untitled (1988) by MenezOriginal Source: Collection Fundo de Pintura do Ministério das Finanças

Untitled, 1988
Acrylic paint on canvas
135 x 164 cm
Collection Fundo de Pintura do Ministério das Finanças, inv. 007975 SGMF

Untitled (1987) by MenezOriginal Source: Collection Elmano Lerma de Sousa Costa

Untitled, 1987
Acrylic paint on canvas
135,5 x 164 cm
Collection Elmano Lerma de Sousa Costa

Border Patrol: Self-Portrait with Lila, reflection and Ana (2004) by Paula RegoOriginal Source: Private Collection

The same territory of vitality and freedom where, in a fusional game of mirrors between herself and her model, Paula Rego at last represents herself.

Border Patrol: Self-Portrait with Lila, reflection and Ana (2004) by Paula RegoOriginal Source: Private Collection

Border Patrol: Self-Portrait with Lila, reflection and Ana, 2004
Pastel on paper mounted on aluminium
100 x 80 cm
Collection Paulo Teixeira Augusto

The Princess and the Pea (1978) by Paula RegoOriginal Source: Collection Manuel de Brito

The Princess and the Pea, 1978
Fabric, wool, plastic, metal and kapok
78 x 45 x 23 cm
Collection Manuel de Brito

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Cover of the exhibition catalogueCalouste Gulbenkian Foundation

This exhibition brings together about two hundred works by forty female Portuguese artists. Its primary objective is to assist in rectifying the systematic erasure that works by these artists – like so of their sisters elsewhere in the world – have suffered since time immemorial.

You are in section 13 of 14.
Continue the visit to the exhibition by accessing the following section:

All I want: Listen to Me
Credits: Story

The exhibition All I want: Portuguese women artists from 1900 to 2020, in its first moment at the Calouste Gulbenkian Museum, is part of the cultural program that takes place in parallel to the Portuguese Presidency of the Council of the European Union 2021.

Exhibition organized by the Portuguese Ministry of Culture, Directorate-General for Cultural Heritage (DGPC) and the Calouste Gulbenkian Foundation, in co-production with the Center of Contemporary Creation Olivier Debré, Tours, and with the collaboration of the Plano Nacional das Artes (Portugal).

Curatorship and text:
Helena de Freitas and Bruno Marchand


Get to know in detail the universe of artists presented in this section through a text by Lígia Afonso / Plano Nacional das Artes:
Paula Rego
Aurélia de Sousa
Menez

Credits: All media
The story featured may in some cases have been created by an independent third party and may not always represent the views of the institutions, listed below, who have supplied the content.
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All I Want
Over 240 artworks by more than 40 women: Explore the new exhibition celebrating Portuguese women artists from 1900 to 2020
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