Can You Match the Artist to their Artwork?

Take another art history test and see if you can match these artist portraits to their famous works

By Google Arts & Culture

Heads of Six of Hogarth's Servants (c.1750-5) by William HogarthTate Britain

Self-portraiture is an important artistic discipline. Offering valuable insights into an artist’s mindset and vision, self-portraits can be key to understanding a painter’s wider portfolio. So, can you put your artistic eye to the test to work out which of these self-portraitists created these famous works? 

The Painter and his Pug (1745-01-01) by William HogarthTate Britain

1) The Storyteller

Our first artist is one of the most famous English painters of all time, William Hogarth. Titled The Painter and his Pug, this self-portrait was made in the mid 1730s. Recent X rays have revealed that the artist initially painted himself with a coat and wig before updating his outfit to this less formal cap and robe. 

Detailed and realistic, the portrait of  Hogarth himself is shown on an oval canvas propped up on a pile of books, while the pug sits outside of the frame, loyal even to his master's image. Hogarth was well-known for his storytelling abilities in satirical cartoons. 

Which of the following paintings is also by Hogarth?

Can you tell which of these narrative pieces is by the same hand?

The Convalescent (A Portrait of the Artist's Wife), Ford Madox Brown, 1872, From the collection of: The Metropolitan Museum of Art
David Garrick as Richard III, William Hogarth, About 1745, From the collection of: Walker Art Gallery, Liverpool
Tableau of Indian Faces Tableau of Indian Faces, John Lewis Krimmel|Pavel Petrovich Svinin, 1811–ca. 1813, From the collection of: The Metropolitan Museum of Art
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David Garrick as Richard III (About 1745) by William HogarthWalker Art Gallery, Liverpool

David Garrick as Richard III

Hogarth painted David Garrick as Richard III in 1745. The subject is seen in a fairly dramatic pose, with one arm outstretched and a shocked, anxious look on his face. The detail in the scene is typical of Hogarth’s precise work and gives the painting a modern feel that defies its 270-years.

Self-Portrait with Dr. Arrieta (1820) by Francisco de GoyaMinneapolis Institute of Art

2) The Court Painter

This unusual self-portrait is by Spanish painter Francisco Goya. Made in 1820, it was his final self before his death in 1828. The painting shows Goya being nursed back to health by his friend Dr. Arrieta, who received the painting from Goya as a thank you for saving his life. 

The beautiful light that falls on the central subjects is typical of Goya’s work, as are the soft brushstrokes and ‘romantic’ feel. 

Does this give you any clues as to which one of the following works was also created by Goya?

Which of these portraits is an authentic Goya?

Bartolomé Sureda y Miserol, Francisco Goya, c. 1803/1804, From the collection of: National Gallery of Art, Washington DC
Tavern Scene with Two Men and a Girl, Diego Rodríguez de Silva y Velázquez, ca. 1618–1619, From the collection of: Museum of Fine Arts, Budapest
"The Kitchen Maid", Rembrandt Harmensz. van Rijn, 1651, From the collection of: Nationalmuseum Sweden
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Bartolomé Sureda y Miserol (c. 1803/1804) by Francisco GoyaNational Gallery of Art, Washington DC

Bartolomé Sureda y Miserol

Though not as dramatic as his self-portrait, this well-known work is a good example of Goya’s style. The subject, Bartolomé Sureda y Miserol, was the manager of a number of artistic enterprises for the Spanish Royal family. He was a big fan of Goya’s and, after he retired, dedicated his life to painting.

Self-portrait as the Allegory of Painting (La Pittura) (1638-1639) by Artemisia GentileschiRoyal Collection Trust, UK

3) The Pioneer

Artemisia Gentileschi was one of the very few female artists working in the 17th century. A professional at the age of 15, she was influenced by Caravaggio before developing a more Baroque style later in her career. A lot of Gentileschi’s works feature myths, legends and allegories, and this self-portrait is no different. 

Can you tell which of the below paintings is also by this Italian pioneer?

Which of these baroque paintings is also by Artemisia Gentileschi?

Mistress and Maid, Johannes Vermeer, ca. 1666−67, From the collection of: The Frick Collection
Mary Magdalene in Ecstasy, Artemisia Gentileschi, about 1620 - 25, From the collection of: The National Gallery, London
Cupid as Victor, Caravaggio, around 1601, From the collection of: Gemäldegalerie, Staatliche Museen zu Berlin
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Mary Magdalene in Ecstasy (about 1620 - 25) by Artemisia GentileschiThe National Gallery, London

Mary Magdalene in Ecstasy

Painted between 1620 and 1625, Mary Magdalene in Ecstasy depicts one of Christ’s most famous followers. Bathed in light, Mary Magdalene is leaning backwards with her eyes closed. This intimate, peaceful, and powerful work is among Gentileschi’s most important.

Esther before Ahasuerus by Artemisia GentileschiThe Metropolitan Museum of Art

Learn more about Artemisia Gentileschi here.

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The story featured may in some cases have been created by an independent third party and may not always represent the views of the institutions, listed below, who have supplied the content.
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