Memory in your Hands: The Ceñidor Reinvented

In Santa María Tlacatecpac, Crescencio Tlilayatzi Xochitemol honors his parents' legacy by innovating: he was the first to apply the jaspeado technique to the traditional sash (ceñidor)

Placa del Taller Tlilayatzi (2025-10-04) by Mario Vázquez SosaMinistry of Culture of the Government of Mexico

Cresencio Tlilayatzi describe el origen y significado de su nombre
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A last name that tells stories

Crescencio Tlilayatzi Xochitemol's name carries history, a living legacy from his ancestors: Tlilayatzi means black blanket in Nahuatl, and Xochitemol, sought-after flowers.

Iglesia cercana al Taller Tlilayatzi (2025-10-04) by Mario Vázquez SosaMinistry of Culture of the Government of Mexico

Santa María Tlacatecpac, cradle of weavers

In Santa María Tlacatecpac, a neighborhood in Contla de Juan Cuamatzi, Tlaxcala, weaving has been a family livelihood for generations. Don Aurelio Tlilayatzi and Doña Francisca Xochitemol taught Crescencio the basics: weaving ceñidores.

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Santa María Tlacatecpac, a neighborhood in Contla de Juan Cuamatzi, Tlaxcala, where Crescencio was born. Community with a generations-old textile tradition, historically known for weaving ceñidores and sarapes.

Hilos de color azul estirados en el Taller Tlilayatzi (2025-10-04) by Mario Vázquez SosaMinistry of Culture of the Government of Mexico

Identity in clothing form

The ceñidor (a traditional sash) was used for everything: from hard work in the fields and carrying heavy loads to December 12 ceremonies. It was a pillar of daily life, woven on a loom.

Ceñidor: A traditional woven sash or band used to tie clothing, carry things in the fields, or for ceremonies. It is one of the oldest textile expressions of Tlaxcala.

Retrato de Gloria Xochitemol Peña, portando ropa tradicional (2025-10-04) by Mario Vázquez SosaMinistry of Culture of the Government of Mexico

Masters of weaving

Don Aurelio and Doña Francisca taught Crescencio Tlilayatzi Xochitemol the basics: weaving, arranging threads, inserting threads, and checking. "The rest is your creativity," they told him. They gave him roots so he could fly.

Retrato del artesano Cresencio Tlilayatzi portando una pieza hecha por él mismo (2025-10-04) by Mario Vázquez SosaMinistry of Culture of the Government of Mexico

Overcoming adversity

But it wasn't always easy, Cresencio recalls. "People stopped buying ceñidores." The world changed and traditional sashes lost their market share. Crescencio Tlilayatzi Xochitemol faced a decision: either abandon the profession or radically transform it.

El artesano Cresencio Tlilayatzi amarra hilos de colores en el jardín del Taller Tlilayatzi (2025-10-04) by Mario Vázquez SosaMinistry of Culture of the Government of Mexico

A vision

"Why not expand the ceñidor, give it a jaspeado design?" Crescencio thought. That's where the idea began: to transform the sash into a rebozo, a huipil, a quechquemitl. Same tying technique, new size, new horizon.

El artesano Cresencio Tlilayatzi estira hilos en el Taller Tlilayatzi (2025-10-04) by Mario Vázquez SosaMinistry of Culture of the Government of Mexico

Changing technique

Crescencio moved away from creating the ceñidor on a backstrap loom to using the jaspeado technique on a pedal loom. He took the geometric patterns of the traditional ceñidor and reinterpreted them on a larger scale, thereby creating an unprecedented fusion.

El artesano Cresencio Tlilayatzi estira hilos en el Taller Tlilayatzi (2025-10-04) by Mario Vázquez SosaMinistry of Culture of the Government of Mexico

Retrato de Gloria Xochitemol Peña, madre del artesano Cresencio Tlilayatzi (2025-10-04) by Mario Vázquez SosaMinistry of Culture of the Government of Mexico

A mother's love

Gloria Xichipelma, Crescencio's mother, never said "you can't do it." She always said, "do it." She is the driving force, the experience of years past, the great support that underpins her son's innovation.

Retrato del artesano Cresencio Tlilayatzi junto a su telar con una de sus piezas puestas (2025-10-04) by Mario Vázquez SosaMinistry of Culture of the Government of Mexico

A new tradition

Crescencio Tlilayatzi Xochitemol was the pioneer who introduced this technique to Contla de Juan Cuamatzi. He took the basic ceñidor technique and scaled it up, creating a unique design school for rebozos, huipiles, and dresses.

Retrato del artesano Cresencio Tlilayatzi junto a sus hilos en el Taller Tlilayatzi (2025-10-04) by Mario Vázquez SosaMinistry of Culture of the Government of Mexico

A legacy under transformation

"Everything is traditional, but without any repetition," Crescencio explains. His jaspeado patterns are born from the techniques of the ceñidor that his parents taught him, but each tie is unique, no design can be repeated. His philosophy is clear: honor without copying, transform without breaking anything.

Retrato de las manos del artesano Cresencio Tlilayatzi (2025-10-04) by Mario Vázquez SosaMinistry of Culture of the Government of Mexico

Woven memory, today

For Crescencio Tlilayatzi Xochitemol and his family, weaving is living memory in their hands. Each ceñidor technique that Don Aurelio and Doña Francisca wove lives on, transformed into the modern jaspeado look.

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