The Mbeere Community of Kenya

Farming, basketry, and trading for a living

Front Apron (1940)National Museums of Kenya

Celebrating our shared past, present, and future

Dating back centuries, the stories and traditions of the peoples of Kenya are some of the most fascinating in the world. They have enriched the country through social, economic, political and cultural activities, each with their own unique stories. Today, 44 communities are officially recognized by the government, and are classified into three linguistic groups: the Bantu, the Nilotic and the Cushitic speakers. The National Museums of Kenya holds objects telling the stories of the communities, which represent the country's ethnic diversity and vibrant cultures. Many of the cultural practices are still embraced today, but have been influenced by the changes in society. This exhibit celebrates the country’s rich heritage through the Mbeere community. 

Elderly Mbeere Man by Joy AdamsonNational Museums of Kenya

A look into the history and culture of the Mbeere community

The Mbeere community are part of the Bantu linguistic group and speak Kimbeere language, which is closely associated to Embu and Kikuyu. The Mbeere community reside on the southeastern area of Mount Kenya on the slope towards the Tana River. 

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Migration: making Igamba ng'ombe home

It is said that the Mbeere and Embu communities migrated from a place called Mariguuri (land of bananas), and separated at the river Thuci. The Mbeere settled at Igamba ng'ombe and the Embu moved up the slopes of Mount Kenya to live in rock-caves.

2nd Peak of Kilimanjaro by Juma BarakaNational Museums of Kenya

Ngai at the top of Mount Kenya

The Mbeere believed that God (Ngai) lived on Mount Kenya, and that He created man and earth. The Mbeere offered sacrifices to secure his blessing for rain and livestock.

Arm Band (1963)National Museums of Kenya

Farming, basketry, and trading for a living

Traditionally the Mbeere were gatherers and farmers, and continue to practice the same today. In the past, they relied on barter trade and subsistence farming, which have developed over the centuries with the adoption of modern farming techniques. Traditionally women gathered vegetables and fruits, while men did hunting and herding.

Quiver (1969)National Museums of Kenya

Second largest producers of miraa

Today the Mbeere grow crops such as mangoes, melons, pawpaw, passion fruits, maize, beans, cowpeas, pigeon peas, black peas (njavi), millet, sorghum, etc. They are the second largest producers of miraa, a cash crop also grown by the Ameru.

SlingsNational Museums of Kenya

Ciondo and mikanda

Other traditional economic activities included basket (ciondo) and rope (mikanda) making, and rearing animals such as cows and goats.

fiberNational Museums of Kenya

Weaving baskets for trade

Mugaa tree fiber was used for weaving baskets (ciondos). The thread was cut, boiled in a pot, dried in the sun, rolled into strings and weaved into baskets.

NecklaceNational Museums of Kenya

Legal systems and social structures

The Mbeere were governed by the council of elders (Kiama-Kia-Itura). Within the system (ngome), there was the superior or supreme grade of elders called Kiama-Kia-Ngome.

Charm NecklaceNational Museums of Kenya

Council of elders

The council of elders were responsible for ensuring law and order, decision-making, ritual oath taking, religion, and administration. Warriors of each territorial area had their council of elders (Kiama) for the different territorial unit.

NecklaceNational Museums of Kenya

Initiation and marriage rites

The Mbeere circumcised both boys and girls at puberty. This act was an important rite which marked a transition from childhood to adulthood, characterized by a ceremony and celebration.

Beyond childhood, boys and girls had to acquire status through merit of bravery, endurance, and self-control by enduring the pain associated with the cut (circumcision). After initiation, girls were considered women ready for marriage, and boys considered men ready to become warriors.

In Kenya today, female circumcision is illegal and communities are encouraged to adopt alternative initiation practices.

KnivesNational Museums of Kenya

Traditional circumcision knives

Male and female circumcisers used these circumcision knives. One knife has five loops indicating that the children were brothers and sisters. The knife with four circles was for the girl, as she would have been secluded for four days after the operation; the knife with five circles was for the boy, who would have been secluded for five days.

A four looped knife was used to circumcise the eldest daughter. Six looped knives were used on the second daughter, and seven looped knives for each succeeding daughter. These last knives were considered lucky, and it was believed that a girl circumcised by one would have seven children, including one or two boys.

Mbeere Warrior by Joy AdamsonNational Museums of Kenya

Becoming a warrior

Becoming a warrior also required several stages of endurance. Depicted here is a Mbeere warrior wearing ceremonial attire. He wears ostrich feather headgear to indicate his status, and his body is painted with white ochre.

NecklaceNational Museums of Kenya

Ready for marriage

Men had to be warriors and complete military training before considering marriage. Marriage was considered a highly respected institution that marked the union of man and woman. Traditionally bride-wealth was negotiated and paid in the form of livestock.

Ear PlugNational Museums of Kenya

The power of the medicine man

The Mbeere believed in the existence of the supernatural and relied on diviners, healers and medicine men for protection. Sorcerers (mrogi) were believed to cause mayhem and illness through curses or magical activities, and were generally feared. Occasionally, a prophet (mrathi) would emerge with the power to foretell events. 

Python SkinNational Museums of Kenya

A snake above the door

A python snake was placed above the door of a medicine man's house, indicating his status as someone powerful and dangerous.

The primary apparatus of the medicine men consisted of a series of gourds, animal horns and charms.

Medicinal PowderNational Museums of Kenya

Traditional medicine

The medicine man would use trees (roots, leaves, barks, stem or fruits), herbs, animal products (fur or animal fat) and geological materials (soils and rocks). The herbs were normally boiled, sap extracted, burnt into ash, ground into powder, or chewed in its raw form.

GourdNational Museums of Kenya

A medicine woman's gourd

This decorated gourd contains white powder (Ira) that was used in the past to cure illnesses. The gourd was cut from a plant and the stopper made from a twig by the medicine woman.

Logfire storiesNational Museums of Kenya

Folklore, singing, and dancing

Folklore, singing and dancing played an important role among the Mbeere community. Folktales were mostly told to children while they awaited their evening meal. A variety of musical instruments were used, and dancers used symbolic gestures, masks, costumes, body painting, and props.

DrumNational Museums of Kenya

The Mbeere drum to find love

This long and narrow cylindrical drum was made of wood cut from Mukaau (Melia Volkensii Guire) tree using an axe. The top is covered with goat skin.

The drum was used by young unmarried men when dancing the traditional Mwinziro dance. Apart from entertainment, the dance was also meant to show off a man's ability to play the drum to attract girls. When married, the drum was passed to other unmarried men in pursuit of love.

Mbeere Dancing Attire by Joy AdamsonNational Museums of Kenya

Traditional attire for dancing

A young Mbeere man in dancing attire complete with bows and arrows.

Bead NecklaceNational Museums of Kenya

Celebrating Kenya's communities today

Many of the cultural practices of the Mbeere are still embraced today, but have been influenced by the changes in society. The heritage and culture of the Mbeere community, along the more than 44 communities in Kenya, continues to fascinate and inspire. The National Museums of Kenya invites everyone to celebrate the intangible cultural heritage of all communities which makes up this great nation. 

Credits: Story

Learn more about the National Museums of Kenya by visiting our website.

Exhibit Curators: Philemon Nyamanga, Cultural Heritage Department. pnyamanga@museums.or.ke

Bibliography and Research
1. Fedders A, Salvadori C. Peoples and cultures of Kenya. Nairobi: Transafrica and London: Rex Collings, 1980.
2. Kenya National Bureau of Statistics. 2009. Kenya: 2009 Population and Housing Census Highlights, Nairobi: Kenya National Bureau of Statistics.

Photography and Creative Direction: Gibson Maina and Muturi Kanini. Gibs Photography

Exhibit Layout: Barnabas Ngei, Brian Maina Kamau and Quinter Anduto.

Credits: All media
The story featured may in some cases have been created by an independent third party and may not always represent the views of the institutions, listed below, who have supplied the content.
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