Libby Heaney 'Ent-'

A 360-degree immersive installation taking quantum computing as both medium and subject matter, presented by LAS at Schering Stiftung Berlin, 10 February – 1 May 2022

‘This idea that there’s a plural reality beyond the concrete world that we see every day really excited me.’

– Libby Heaney

Libby Heaney, Artist Portrait by © Andrea RossettiLAS Art Foundation

Libby Heaney

Libby Heaney is a British artist and lecturer who holds a PhD in Quantum Information Science from the University of Leeds and an MA in Art and Science from Central Saint Martins in London. She is widely recognised as a pioneer of quantum computing and art, receiving substantial international press for her artwork Ent-, which recently won the Lumen Prize for Immersive Environment. In her post-disciplinary practice, Heaney combines quantum computing and art as topics and tools to create intuitive, visual experiences that help us understand the world of quantum mechanics, as well as quantum computing’s radical potential and pitfalls.

Libby Heaney, Ent-, Installation Impression by © Andrea RossettiLAS Art Foundation

About 'Ent-'

Commissioned by LAS (Light Art Space), Ent- is a solo exhibition and artwork by artist and physicist Libby Heaney. ​​Heaney is the only artist in the world using quantum computing as a functioning artistic medium. Ent- is a quantum interpretation of the central panel of Hieronymus Bosch’s famous triptych The Garden of Earthly Delights (c. 1490–1510). By using quantum code, Heaney manipulated her own watercolour paintings into forming hybrid creatures inspired by Bosch’s medieval monsters, landscapes that seem to shift and breathe, and exploding structures that float and re-form.

Libby Heaney, Ent-, Installation Impression by © Andrea RossettiLAS Art Foundation

Created using IBM’s quantum hardware and Qiskit software and animated with the game engine Unreal Engine, Ent- is an immersive installation taking quantum computing as both medium and subject-matter. Designed as a ‘black box’, the exhibition experience engulfs the audience in a 360° projection that takes them through the layers of Bosch’s painting – sky, buildings and landscapes, and water.

Libby Heaney, Ent-, Installation Impression by © Andrea RossettiLAS Art Foundation

‘Working with quantum physics can subvert the endless categorizations and control of humans and non-humans alike in pursuit of never-ending profits, causing accelerating alienation.’

– Libby Heaney

Libby Heaney, Ent-, Installation Impression by © Andrea RossettiLAS Art Foundation

For the artist, Bosch’s adjacent depictions of heaven and hell provide an analogue for the double-edged potential of quantum computing. This emerging technology is expected to create a leap in the possibilities of computing power, exponentially accelerating surveillance capitalism and disrupting existing encryption methods for privacy and data protection. Just as Bosch’s triptych can be read as both a celebration of and warning against desire, Ent- explores the dangers implicit in our thirst for new technologies.

Libby Heaney, Ent-, Installation Impression by © Andrea RossettiLAS Art Foundation

Heaney also investigates the positive potential of ‘thinking quantum’. One of its most important concepts, quantum superposition, allows particles to exist in multiple states or places at once. Quantum entanglement binds particles together in a particular symbiosis unlike anything in the macroscopic world. For Heaney, thinking, experiencing and acting in terms of these new pluralities has the potential to break down binary thinking and political polarisation, engendering community thought that might solve global problems as severe as the climate crisis or allow for new paradigms when considering critical issues such as gender identity.

Libby Heaney, Ent-, Installation Impression by © Andrea RossettiLAS Art Foundation

Credits: Story

Libby Heaney
Ent-, 2022
Immersive 360° installation
Sound Composition by Nabihah Iqbal
Commissioned by LAS (Light Art Space)

Curated by Amira Gad
Assistant Curator: Sophie Korschildgen
Curatorial Assistant: Nicole Wittmann

LAS
Dr. Bettina Kames, Director
Amira Gad, Head of Programmes
Sophie Korschildgen, Assistant Curator
Nicole Wittmann, Curatorial Assistant
Jan Sauerwald, Head of Production
Harriet Collins, Junior Producer
Felix Thon, Head of Marketing and Communications
Evelyn Nossol, Communications Manager

Artwork Development
Producer and Experience Design: James B. Stringer
Lead Developer: Jira Duguid
Developer: Gabriel Stones
Quantum Computing Development: Libby Heaney
Sound & Voice: Nabihah Iqbal

Schering Stiftung
Dr. Katja Naie, Managing Director
and Programme Director, Science
Christina Landbrecht, Programme Director, Art
Anna Papenburg, Project Manager Art

Acknowledgements 
Dennis Brzek 
Nimrod Vardi

Credits: All media
The story featured may in some cases have been created by an independent third party and may not always represent the views of the institutions, listed below, who have supplied the content.
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