Second Edition 2017

Street artist and painter, but also illustrator and set designer, from her own Rome Alice has managed to bring her pictorial ability (and not only) to the most important cities around the world, which mixes the narration of female vitality, a three-dimensional use of the works and the ability to create installations with the use of unusual materials.

For the second edition of the CVTà Street Fest founded by her, Alice Pasquini is not just the artistic director but she ‘s also the ambassador of the skin of the Molise aerea .

This time her artistic choice is on surfaces like ancient doors, often abandoned and silent houses, preferring shady gates to more predictable plastered and white walls.

Faces of smiling girls, fingers that pluck the strings of a guitar and scenes of everyday life thus return to animate the most inaccessible areas of the village, those on which the wild Nature is returning to take over, slipping between the stones patiently placed one on the other from man over the centuries.

Gola was formed at the artistic high school of Ravenna and at the Academy of Fine Arts in Bologna; he became a street artist very young , at 12yo, and therefore well before his academic studies, through the experiences made with traditional graffiti. When he moved to Barcelona in 2004, the local street art scene strongly influenced his sign and pushed him again to relate to the public space. Over time, His artistic journey leads Gola to visit many countries by creating collective and personal projects and exhibitions in São Paulo in Brazil, Jenin in Palestine, Moscow in Russia, Tokyo in Japan, Almaty in Kazakhstan and recently in Miami in the USA and in Santo Domingo in Dominican Republic.

The visual universe that Gola Hundun creates always Allegorical reinterpretations and takes inspiration from the various cultures that he met and still continues to meet as well while traveling. Parallel to the pictorial work, which is made both on traditional surfaces and on the wall, Gola creates installations in the context of the public space, incorporating natural materials, fabrics, live plants, lights, and live performances.

Taking advantage from the fact that he lives in an area where he is free to intervene on spaces without any restrictions, the small city where he lives has become his studio, a privileged place where he can continue nurturing his artistic work.

In recent years Bosoletti has concentrated its production in Italy, with the realization of various projects that include both works in public spaces and research in his studio. Just after his arrival in Italy, Bosoletti's work began to receive great interest. This gave him the opportunity to gain a prominent place in the context of international urban art and allow him to take part in events throughout Europe and America.

His art proposal leads with the intention of creating and strengthening human relationships, relying on vivid expressions that illuminate the monotony of everyday life.

A playful, poetic and fascinating world: that’s Senna!A great folk tale full of universal signals , drawn from a child's imagination: hearts, birds, musical notes, balloons, in most cases traced in a black and white poetic.

There is no solution of continuity between the lines on in his drawings and the lines on his notebooks and the solid brushstrokes affixed by the street artist on the cities’ walls, marking the Urban context with a vision full of simplicity and strong feelings at the same time. The delicate art of Alex Senna offers an alternative way to the harshness that urban art often takes on.

In 2008 she graduated from the Academy of Fine Arts in Rome . From 2012 to 2015 in the Italian Capital she was Cultist of Matter at the chairs of Paper Technology and Special Graphic Techniques with Riccardo Ajossa and Laura Salvi and in 2017 she was upgraded as a laboratory technician at the Chair of Sculpture of Ciriaco Campus.

In 2014 she held her first solo exhibition titled "SOLOFUGA", Maria Pia Picozza, curated by Giuliana Stella at the Artists Gallery on the Banchi Vecchi street in Rome (related to the owners of historic horseshoe book gallery).

Among the collective art exhibitions are: 2017 Yellow, Tiny Biennale , Temple University, Rome; 2015, BOCS, end of residence exhibition, Cosenza; Formal, RISD, Rhode Island School of Design, Rome; "S o s p e n s i o n e", a project created in collaboration with the artist Francesca Checchi and showed up during the event titled “The woman in art and the artists in museums “ at the Art Forum Würth, Capena, Rm; Portrait, Tiny Biennale, Temple University, Rome. 2014, Deep: white as dawn, black as night, Viterbo Biennale, Vt.

Why lace? Because it contains an universal aesthetic code that can be understood from everybody all over the world: harmony, balance and natural order. Isn't that what we're all looking for? Isn’t this one the porpoise of the street art? Freedom !

By updating the lesson of Warhol, Debord and Rotella, UNO stands out for practicing an art that takes up the lesson of advertising communication but changing its own imprinting.

Main Characteristics of his works are the endless repetition of the same image and the use of sprays and fluorescent paints in combination with poster, collage, decoupage and in general the technique of paper manipulation.

The symbolic face of the famous advertising of a chocolate is made by UNO an icon of the possible revolution of the single human being against mass media .