The Meaning of the Altar

Smithsonian Latino Virtual Museum Day of the Dead/ Día de los Muertos

By Smithsonian's National Museum of the American Latino

Meaning of the Day of the Dead Ofrenda

Day of the Dead Animated Short AltarSmithsonian's National Museum of the American Latino

La Ofrenda

The welcoming back of the spirits is observed in households with the creation of ofrendas. The quality and degree of ornamentation of the ofrendas depend on regional traditions, family and individual wealth, recent deaths, or the year’s harvest. On the ofrenda, the main objects are symbolic of life’s elements: water, wind, fire, and earth. Water is served in a clay pitcher or glass to quench the spirit’s thirst from their long journey. Fire is signified by the candles that are lit. Wind is signified by papel picado (tissue paper cut-outs). The earth element is represented by food, usually pan de muerto (bread of the dead).  Other offerings include mole, fruit, chocolate, atole, toys, calaveritas de azúcar, and copal incense. 

¡Chequea Esto! Animated Short Series: Day of the Dead, LVM, 2014, From the collection of: Smithsonian's National Museum of the American Latino
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Learn about the tradition and cultural practice for honoring our ancestors through the animated
stories from a rumbustious teenager named Florentina and her wise Abuelita.

All Saints Day, from the Day of the Dead Animation Short (2014/2014) by LVMSmithsonian's National Museum of the American Latino

Although the arrival of the Spanish drastically changed the lives of the indigenous people, their beliefs did not disappear. Instead, Spanish clergymen likened the indigenous gods to Catholic saints.

Marigolds, from the Day of the Dead Animation Short-2 (2014/2014) by LVMSmithsonian's National Museum of the American Latino

This is the flower that is symbolic of death for the Aztec culture in pre-Colombian Mexico. This is the ‘flor de muerto’ and it is used to decorate ofrendas.

Water, from the Day of the Dead Animation Short (2014/2014) by LVMSmithsonian's National Museum of the American Latino

Water is placed in the ofrenda to quench the thirst of the sprits. It also symbolizes the element of life.

Fruit, from the Day of the Dead Animation Short-2 (2014/2014) by LVMSmithsonian's National Museum of the American Latino

Besides the pan de muerto, altares usually contain typical food items such as rice, mole, pumpkin, as well as the fruits of the season, especially oranges and apples for their natural perfume.

Sugar Skulls, from the Day of the Dead Animation Short (2014/2014) by LVMSmithsonian's National Museum of the American Latino

Sugar skulls are decorated with sugar flowers, designs and have, sometimes, the name of the loved one written on the forehead. They represent death and the sweetness of life.

Copal Incense, from the Day of the Dead Animation Short (2014/2014) by LVMSmithsonian's National Museum of the American Latino

Copalli incense comes from the copal tree. It symbolizes the transformation from the physical, the tree, to the supernatural, the perfumed smoke. The rising smoke takes the prayers to the heavens and the gods.

Candles, from the Day of the Dead Animation Short (2014/2014) by LVMSmithsonian's National Museum of the American Latino

Candles guide and light the path of the spirits to their ofrendas. Candles can come in different sizes depending in the altar is for a child or an adult.

Bread, from the Day of the Dead Animation Short-2 (2014/2014) by LVMSmithsonian's National Museum of the American Latino

Pan the muerto is especially made to place on the ofrendas and graves. It’s sweet bread flavored with anis and orange peel. It’s baked in a round shape like a skull. It symbolizes the main state of human life.

Pictures, from the Day of the Dead Animation Short (2014/2014) by LVMSmithsonian's National Museum of the American Latino

A framed photo of the deceased to whom the altar is dedicated, usually positioned in a prime spot on the altar.

Papel Picado, from the Day of the Dead Animation Short (2014/2014) by LVMSmithsonian's National Museum of the American Latino

Papel picado are tissue paper banners with cut out designs of animated skeleton figures. They decorate ofrendas, homes, streets and buildings. They symbolize the wind, one of the elements of life.

Catrinas and Day of the Dead (2012/2012) by LVMSmithsonian's National Museum of the American Latino

Oral Histories

The Hollywood Forever Oral History Series features the stories of different families explaining the meaning of the elements displayed on their altars. 

Day of Dead Oral History Series I, LVM, 2012, From the collection of: Smithsonian's National Museum of the American Latino
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"Para los Niños Charter Elementary School" Altar Dedication, LVM, 2012, From the collection of: Smithsonian's National Museum of the American Latino
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Mando Gonzales Altar Dedication, LVM, 2012, From the collection of: Smithsonian's National Museum of the American Latino
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Revolutionary Women Speak, LVM, 2012, From the collection of: Smithsonian's National Museum of the American Latino
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"La catrina" Mexican Folk Art Store-1, LVM, 2012, From the collection of: Smithsonian's National Museum of the American Latino
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Altar for Puerto Rican Loved One, LVM, 2012, From the collection of: Smithsonian's National Museum of the American Latino
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Personal items, like a favorite book or clothing from the honoree are also part of the Day of the Dead tradition. Without being mandatory, these elements make the ofrenda even more personal.

Altar Installation by Sandra Cisneros (2014/2014) by LVMSmithsonian's National Museum of the American Latino

A Room of her Own: An Altar for my Mother

“I don’t believe in heaven or hell, I believe you live on in your kids.” –Elvira Cordero Cisneros, mother of Sandra Cisneros.

Live Mobile Broadcast Series with Sandra Cisneros Day 1, LVM, 2014, From the collection of: Smithsonian's National Museum of the American Latino
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Day of the Dead Festival
Live Mobile Broadcast Series with Sandra Cisneros
Day 1

Live Mobile Broadcast Series with Sandra Cisneros Day 2, LVM, 2014, From the collection of: Smithsonian's National Museum of the American Latino
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Day of the Dead Festival
Live Mobile Broadcast Series with Sandra Cisneros
Day 2

Live Mobile Broadcast Series with Sandra Cisneros Day 3, Part I, LVM, 2014, From the collection of: Smithsonian's National Museum of the American Latino
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Day of the Dead Festival
Live Mobile Broadcast Series with Sandra Cisneros
Day 3, Part 1

Live Mobile Broadcast Series with Sandra Cisneros Day 3, Part II, LVM, 2014, From the collection of: Smithsonian's National Museum of the American Latino
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Day of the Dead Festival
Live Mobile Broadcast Series with Sandra Cisneros
Day 3, Part 2

Altar Installation by Amalia Mesa-Bains (1984) by LVMSmithsonian's National Museum of the American Latino

Other Altar Dedications

Ofrenda for Dolores del Rio: This altar by Amalia Mesa-Bains (1984, revised 1991), was on view in the exhibition “Our America: The Latino Presence in American Art” at the Smithsonian American Art Museum. Mesa-Bains created this work to honor Dolores del Rio, the Mexican actress who dazzled audiences in the United States and Mexico from the 1920s until her death in 1983.    

Family Altar Dedication (2012/2012) by LVMSmithsonian's National Museum of the American Latino

Ofrenda Night (2012/2012) by LVMSmithsonian's National Museum of the American Latino

Skulls and Marigolds (2012/2012) by LVMSmithsonian's National Museum of the American Latino

Traditional Mexican Skeleton (2012/2012) by LVMSmithsonian's National Museum of the American Latino

Skeleton Couple Altar (2012/2012) by LVMSmithsonian's National Museum of the American Latino

The use of many colors is very important in every altar –after all– Day of the Dead is always a reason to celebrate the souls and spirits.

Altar at St. Stephens Church (2014/2014) by LVMSmithsonian's National Museum of the American Latino

Newlywed Skeleton Altar (2012/2012) by LVMSmithsonian's National Museum of the American Latino

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The story featured may in some cases have been created by an independent third party and may not always represent the views of the institutions, listed below, who have supplied the content.
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