GROOVE Magazin Berlin
Flyer Soziotope / Mike Riemel
Rote Fabrik – Lethargy (2000)GROOVE Magazin Berlin
Flyer Soziotope has showcased flyers since 1998, exploring and collecting this form of urban art and media. Collections belonging to hundreds of collectors have been turned into increasing numbers of new exhibitions and installations. The 2005 book of the same name is still considered the standard work on the topic. The medium was first appreciated for what it was on the 10th anniversary of the Love Parade and Popkomm, an international music trade show.
Flyer Soziotope - the exhibition (2009)GROOVE Magazin Berlin
Tresor (1994)GROOVE Magazin Berlin
Tresor – Berlin, 1994
Tresor (1994)GROOVE Magazin Berlin
Tresor – Berlin, 1994
WMF / Under Control (1999)GROOVE Magazin Berlin
WMF / Under Control – Berlin, 1999
Ostgut (2001)GROOVE Magazin Berlin
Ostgut – Berlin, 2001
Ostgut (2001)GROOVE Magazin Berlin
Ostgut – Berlin, 2001
Ostgut (2001)GROOVE Magazin Berlin
Ostgut – Berlin, 2001
Ostgut (2001)GROOVE Magazin Berlin
Ostgut – Berlin, 2001
WMF / Labland (2003)GROOVE Magazin Berlin
WMF / Labland – Berlin, 2003
Maria am Ostbahnhof (2004)GROOVE Magazin Berlin
Maria am Ostbahnhof – Berlin, 2004
Maria am Ostbahnhof (2004)GROOVE Magazin Berlin
The last print revolution has been fully displaced and superseded by digital networks like Myspace and Facebook since the 2000s. If the spread of the home computer including graphics programs marked the birth of the flyer among the general public, the Internet, as well as the miniaturization of the home computer into the smartphone, also marked its end as a widespread phenomenon.
Berghain / Substance (2010)GROOVE Magazin Berlin
Especially in cities like Berlin after the fall of the Berlin Wall, flyer culture propagated by the masses of potential venues was essential for getting ahead of the competition for the best audience.
Omen (1998)GROOVE Magazin Berlin
Omen – Frankfurt Main, 1998
Ultraschall (1999)GROOVE Magazin Berlin
Ultraschall – München, 1999
Ultraschall (1999)GROOVE Magazin Berlin
Ultraschall – München, 1999
Ultraschall (1999)GROOVE Magazin Berlin
Ultraschall – München, 1999
Ultraschall (1999)GROOVE Magazin Berlin
Ultraschall – München, 1999
Stammheim (1998)GROOVE Magazin Berlin
Stammheim – Kassel, 1998
Stammheim (1998)GROOVE Magazin Berlin
Stammheim – Kassel, 1998
Elektrobunker (1998)GROOVE Magazin Berlin
Elektrobunker – Köln, 1998
Rote Flora / Fuse (2002)GROOVE Magazin Berlin
Old buildings were temporarily or fully repurposed before gentrification. Now it's difficult to find venues or even keep well-regarded locations altogether. Digitalization and scarcity are reducing the wide variety of print forms available. Regulations, rising costs, and pressure from the competition have led to commercialization and professionalization.
Loft Club (1999)GROOVE Magazin Berlin
Improvisation is taking place behind the scenes. At the same time, globalization is creating new club culture regions. Ibiza is now missing out to Croatia in terms of winning over summer clubbers. Georgia and Bucharest are alternatives to Berlin and Barcelona. Cheap flights have opened up completely new markets.
Loft Club (1999)GROOVE Magazin Berlin
Loft Club – Lausanne, 1999
Rote Fabrik – Lethargy (2000)GROOVE Magazin Berlin
Rote Fabrik – Lethargy – Zürich, 2001
Rote Fabrik – Lethargy (2000)GROOVE Magazin Berlin
Rote Fabrik – Lethargy – Zürich, 2001
Rote Fabrik – Lethargy (2000)GROOVE Magazin Berlin
Rote Fabrik – Lethargy – Zürich, 2001
Rote Fabrik – Lethargy (2000)GROOVE Magazin Berlin
Rote Fabrik – Lethargy – Zürich, 2001
LO.LI.TA – Gigolo (2001)GROOVE Magazin Berlin
LO.LI.TA – Gigolo – Barcelona, 2001
REX Club (1997)GROOVE Magazin Berlin
REX Club – Paris, 1997
REX Club (1997)GROOVE Magazin Berlin
REX Club – Paris, 1997
Ministry of Sound – Move (1999)GROOVE Magazin Berlin
Ministry of Sound – Move – London, 1999
Ministry of Sound – Move (1999)GROOVE Magazin Berlin
Ministry of Sound – Move – London, 1999
The End – Rephresh (2000)GROOVE Magazin Berlin
The End – Rephresh – London, 2000
The End – Rephresh (2000)GROOVE Magazin Berlin
The End – Rephresh – London, 2000
Hacienda – Baby Ford (1994)GROOVE Magazin Berlin
Hacienda – Baby Ford – Manchester, 1994
Melkweg – Sabotage – Amsterdam (2000)GROOVE Magazin Berlin
Club culture and festivals have been a relevant tourism factor for many cities. International line-ups are outdoing each other. New generations of graphics designers are earning their stripes with innovative flyer designs.
Melkweg – Sabotage – Amsterdam (2000)GROOVE Magazin Berlin
The material has a unique zeitgeist. Special paper and colors, perforation, embossing, and formatting but also distribution methods help well-managed clubs stand out from the crowd. The heartfelt idea of harmonizing form and function but also achieving a visual style that matches the music and its tone are the quality criteria for urban propaganda.
J.J.GROOVE Magazin Berlin
J.J. – Peking
Liquid Room – Loopa (2000)GROOVE Magazin Berlin
Liquid Room – Loopa – Tokyo, 2001
Liquid Room – Loopa (2000)GROOVE Magazin Berlin
Liquid Room – Loopa – Tokyo, 2001
Installationsansicht aus dem C/O Berlin: No Photos on the Dancefloor (2019)GROOVE Magazin Berlin
When it comes to setting the expected atmosphere for an event, they'll still fulfill their purpose. The big surviving clubs will certainly continue to produce them after the pandemic.
Parador Analogo (2000)GROOVE Magazin Berlin
Will there still be flyers in the future? Whatever happens, these direct handouts are the most personal way to invite people. They remain difficult to control, and as a result, they help not-quite-legal events keep unwanted guests at bay.
Installationsansicht aus dem C/O Berlin: No Photos on the Dancefloor (2019)GROOVE Magazin Berlin
And the small, illegal, new, and improvised project locations will definitely do so as well. For mainstream and up-and-coming clubs, posting the event on Resident Advisor, Facebook, and Instagram is likely enough. For the rest, the treasure hunt continues.
Installationsansicht aus dem C/O Berlin: No Photos on the Dancefloor (2019)GROOVE Magazin Berlin
C/O Berlin: No Photos on the Dance Floor!, 2019
Collection Flyer Soziotope / Mike Riemel
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