Art of the Archive: Monochromatic Portraiture

An introduction to the Mapungubwe Archive and University of Pretoria Museum Archive: A selection of early photographs and works on paper

By University of Pretoria Museums

Curated by Sian Tiley-Nel, Michelle de la Harpe and Helma Steenkamp

Portrait of John Hlope (1934) by Neville JonesOriginal Source: University of Pretoria Museums

A brief Introduction

Few university museums are fortunate to have two archival repositories dedicated to their collections. At the University of Pretoria, there is the newly founded UP Museum Archive and the Mapungubwe Archive, both repositories containing diverse primary material to serve as research resources.

Portrait of BaVenda Chief Tshirundu (1934) by Neville JonesOriginal Source: University of Pretoria Museums

The Mapungubwe Archive - 1932

The Mapungubwe Archive is a repository that collects, organises, and preserves in perpetuity the records of the University of Pretoria related to the subject of Mapungubwe, and to make the archive associated with the Mapungubwe archaeological collection available for research.

Man braying animal skin (1934) by Neville JonesOriginal Source: University of Pretoria Museums

Preserving Lost Traditions

The photograph, taken in 1934, depicts an elder (unknown by name) braying or preparing an animal skin, highlighting the vital role of animal resources in the local community. The image offers a unique window into traditional practices and everyday life at the Venda Chief Mphephu's homestead.

Chief Mbulaheni Mphephu (1934) by Neville JonesOriginal Source: University of Pretoria Museums

An Archive of Past, Present and Emerging

The Mapungubwe Archive encompasses a diverse range of materials, including photographs, documents, maps, and publications, offering a comprehensive view of the region's history, its landscape and communities both past and present.

Venda woman at a grinding stone in Chief Tshirundu's homestead (1934) by Neville JonesOriginal Source: University of Pretoria Museums

Silenced photographs in an Archive

The Mapungubwe Archive provides researchers with a unique opportunity to explore the region's history, culture, and environment through a diverse collection of primary sources. Early photographs remain uncaptioned, and many portraits  depict the silences of history.

Chief wife of Chief Tshirundu (1934) by Neville JonesOriginal Source: University of Pretoria Museums

The Archive: Both Place and Space

While the archive provides the raw material for writing history, the archive can also be contested and questioned in detail owing to its many gaps. More acute questions can be formulated about why the archives are holding invaluable contents but have also neglected certain histories.

BaVenda woman and child (1934) by Neville JonesOriginal Source: University of Pretoria Museums

Deconstructing an Archive

Today the archive as a concept must be questioned, constructed and deconstructed, and the archival primary material does not just deal with the historical past, but has the ability to shed light on our understanding of the present and potential future.

Young Venda woman, Neville Jones, 1934, Original Source: University of Pretoria Museums
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Young Venda woman from Tshirundu, Neville Jones, 1934, Original Source: University of Pretoria Museums
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Stark yet evocative images. These historical photographs were taken in 1934 by Neville Jones who immortalises two young, unnamed) Venda women, adorned with traditional beads and skin scarification to mark ritual youth coming into adulthood. Their portraits were taken during the first Mapungubwe research expedition in 1934 and offer a fleeting glimpse into community customs.

Archival portrait of a young Sotho girl (1934) by Neville JonesOriginal Source: University of Pretoria Museums

The Unnamed in Archives

Taken during the 1934 Mapungubwe expedition, this photograph by Neville Jones reveals the enduring legacy of photographic archives. The image showcases an unnamed Sotho girl. The photograph's archival significance is a poignant reminder of the many gaps to be filled in the life of an archive.

Lemba man from Tshirundu (1934) by Neville JonesOriginal Source: University of Pretoria Museums

Making Archives and Using History

The Mapungubwe Archive is a wealth of untapped historical sources that could illuminate the origins of some controversies of the colonial past of Mapungubwe and how they mirror present heritage debates. Archives are not about using history, but rather how history is used.

Portrait of a BaLemba man from the Belingwe Reserve (1934) by Neville JonesOriginal Source: University of Pretoria Museums

Reforming the Archive

The Mapungubwe Archive reveals not only the past, but also reflects the present. Its contents highlight issues of control, power, and neglect that have shaped past histories and people's untold oral histories, prompting us to consider how these forces continue to operate and have meaning today. 

Leander Starr Jameson (1893) by Anton van WouwOriginal Source: University of Pretoria Museums

The University of Pretoria Museum Archive - 1922

The University of Pretoria Museum Archive spans over a 110-year history. The collections date back to 1922, before it was opened in 1968 as a university museum. The archive is a repository for the history of collections, the history of museums, the artworks and artist histories.

Hermann Gubler (1895) by Anton van WouwOriginal Source: University of Pretoria Museums

Contents of the Archive

The University of Pretoria Museum Archive safeguards valuable main collections, including the Van Gybland-Oosterhoff collection, the Edoardo Villa archive and the works of Anton van Wouw, ensuring their preservation for future generations.

King Khama III Etching, Anton van Wouw, 1925, Original Source: University of Pretoria Museums
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Chief Malaboch, Anton van Wouw, 1894, Original Source: University of Pretoria Museums
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Cornelia Reitz drawing by Anton van Wouw, Anton van Wouw, 1937, Original Source: University of Pretoria Museums
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Cornelia Reitz photograph, Mossner & Heilig, 1937, Original Source: University of Pretoria Museums
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Ewald Auguste Esselen (1894) by Anton van WouwOriginal Source: University of Pretoria Museums

Ewald Auguste Esselen: A Legacy Captured

This drawing by Anton van Wouw depicts Ewald Auguste Esselen, a prominent figure in the Zuid-Afrikaansche Republiek. Created in 1894, it commemorates Esselen's appointment as State Attorney, highlighting his significant legal role in South African history.

Koos de la Rey (1914) by Anton van WouwOriginal Source: University of Pretoria Museums

Van Wouw's Legacy: Sketching a Leader

This archival photograph taken by M Schoonraad in 1981 captures a portrait of General Koos de la Rey, a prominent figure in the Second Boer War. The sketch by the South African Anton van Wouw, captures De la Rey's eyes, and his strong leadership and legacy in South African history.

Herman Coster (1901) by Anton van WouwOriginal Source: University of Pretoria Museums

Anton van Wouw's Portrait of Coster

This drawing by the renowned South African sculptor Anton van Wouw, captures the likeness of Herman Coster, a significant figure in the Zuid-Afrikaansche Republiek. The portrait was completed in 1902 and intended for a memorial in the Palace of Justice in Pretoria.

Van Wouw portrait (1898) by Unattributed photographerOriginal Source: University of Pretoria Museums

Van Wouw's Artistic Journey: A Dutch Legacy in South Africa

This portrait captures Anton van Wouw, a renowned Dutch-born sculptor who made significant contributions to South African art. The photograph, taken in 1898, showcases van Wouw's distinguished presence and artistic talent.

Frans Oerder painting of Anton Van Wouw (1896) by Anton van WouwOriginal Source: University of Pretoria Museums

Frans Oerder's Artistic Tribute

Frans Oerder, a Dutch-born artist known for his landscapes, still lifes, and portraits, painted this portrait of Anton van Wouw, a prominent South African sculptor. The painting immortalises van Wouw's artistic and sculptural contributions to the country.

Van Wouw and his self portrait, Unattributed photographer, 1925, Original Source: University of Pretoria Museums
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Anton Van Wouw self portrait in pencil, Anton van Wouw, 1934, Original Source: University of Pretoria Museums
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In this 1925 archive photo, the renowned South African sculptor Anton van Wouw is seen standing next to his own bronze self-portrait. This image highlights the artistry of Van Wouw, and his enduring influence on founding South African sculpture.

General HT Lukin (1930) by Anton van WouwOriginal Source: University of Pretoria Museums

General H T Lukin: A Sculpted Legacy

This plaster work, by Anton van Wouw, portrays General H T Lukin, a prominent figure in South African history. The work showcases Lukin's distinguished presence and military leadership. Van Wouw's artistry captures Lukin's legacy and contributions.

Edoardo Villa portrait I, Unattributed photographer, 1938, Original Source: University of Pretoria Museums
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Edoardo Villa Portrait II, Unattributed photographer, 1955, Original Source: University of Pretoria Museums
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Edoardo Villa (1915-2011)

JC Marion (1894) by Anton van WouwOriginal Source: University of Pretoria Museums

J C Marion: Mining Pioneer

This drawing, created in 1894, depicts J C Marion, a key figure in the Witwatersrand gold rush. As manager of the Ingersoll-Sergeant Drill Company, Marion played a pivotal role in the development of mining in Johannesburg.

Beelaerts van Blokland (1891) by Anton van WouwOriginal Source: University of Pretoria Museums

Van Wouw's portrait of G B van Blokland

Anton van Wouw's masterful sketch depicts Gerard Beelaerts van Blokland, a pivotal figure in the South African Republic. Serving as a European envoy and Speaker of the House, van Blokland's contributions are captured in this striking portrait.

Zulu Woman II (1990) by Sello Lucas MalemaneOriginal Source: University of Pretoria Museums

The Archival Lens: Portraits and History

Museum archives offer a window into the past, showcasing individual stories and broader historical contexts of art collections. The portraits within these archives, though frozen in time, carry a depth that invites reflection on the lives and identities they represent and the meanings they carry into the present.

Credits: Story

With thanks to the University of Pretoria Art Collection, Mapungubwe Archive and UP Museum Archive

Credits: All media
The story featured may in some cases have been created by an independent third party and may not always represent the views of the institutions, listed below, who have supplied the content.

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