StatuetteMuseu Histórico Nacional
The ritxoko dolls represent the Iny, as the Karajá people call themselves. They are ceramic dolls made by women, with traditional designs, that depict the daily life and values of the community and are central to the education of children and the affirmation of cultural identity.
Gender statuetteMuseu Histórico Nacional
In the past, the ritxoko dolls were small, unfired, and depicted the family. More than toys, they taught children what it means to be Karajá. Through play, they reproduce social roles and learn about collective life, with figures of people, generations and scenes from daily life.
StatuetteMuseu Histórico Nacional
Body painting for festivals and rituals is applied to the ritxoko dolls with specific patterns. Stripes, dots, diamonds and bands indicate age, gender, social position and life stages, revealing how the ceramics express the knowledge and ways of life of the community.
Gender statuetteMuseu Histórico Nacional
Contact with visitors on the banks of the Araguaia River in Tocantins has increased the circulation of ritxoko pottery in fairs and commerce. Even so, the potters maintain Karajá references, preserving the meanings of the making, the forms and the graphic designs in the clay.
Statuette (1930-1967) by Karajá indigenous peopleMuseu Histórico Nacional
In 2010, Karajá leaders sent a request to the National Institute of Historical and Artistic Heritage for the recognition of the craft and methods of making ritxoko dolls.
Tap to explore
StatuetteMuseu Histórico Nacional
Two years later, in January 2012, they were registered as Cultural Heritage of Brazil in the Book of Forms of Expression as Ritxoko – Artistic and Cosmological Expression of the Karajá People.
Statuette (1930-1967) by Karajá indigenous peopleMuseu Histórico Nacional
The record recognizes this practice as part of a system of knowledge, values and memory that is still alive. By preserving it, the value of collective knowledge, daily life practices and ways of life that structure the society of the Iny people is reaffirmed.
StattueteMuseu Histórico Nacional
Each ritxoko doll expresses aspects of the Karajá worldview and helps to keep alive the bonds between people, territories and traditions.
Statuette (1930-1967) by Karajá indigenous peopleMuseu Histórico Nacional
Its presence in the collection of the National Historical Museum reaffirms the role of museums as active spaces for listening to, including, and valuing Indigenous voices, promoting connections and confronting historical inequalities.
To learn more
COUTO, Ione Pereira. Bonecas Karajá. In: "Histórias do Brasil: 100 objetos do Museu Histórico Nacional (1922-2022)". Rio de Janeiro: Museu Histórico Nacional, 2022.
"Ritxòkò" (video from the National Institute of Historical and Artistic Heritage) - https://www.youtube.com/watch?v=E7dcWIiyPUQ
Exhibition assembly
Adriana Bandeira Cordeiro
Photos
Jaime Acioli
Acknowledgements
André Amud Botelho
You are all set!
Your first Culture Weekly will arrive this week.