Saint Aloysius Gonzaga

Do you know why an image of the Jesuit Saint Aloysius Gonzaga is in an old Clarian temple? Join us and discover it with us.

By Santa Clara Museum

Anonymous artwork

Saint Luis Gonzaga by AnonymousSanta Clara Museum

Saint Aloysius Gonzaga (1568-1591) joined the Society of Jesus at an early age. He was one of the three young Jesuit saints, along with Stanislaus of Kostka and John Berchmans. 

Aloysius Gonzaga was born in Castiglione delle Stivieri, in the region of Lombardy, present-day Italy. He renounced his princely origins in the Gonzaga household and, disobeying his father, who wanted him to pursue a military career, decided to devote himself to religious life.

Before being ordained, he transferred his family rights and duties to his brother Rudolf and made his way to Rome. His time in the Society was brief, as he died while caring for those affected by the plague.

In this portrait, we see the saint dressed in Jesuit attire: black cassock and cape. A halo of light, a sign of his holiness, surrounds his head. 

There are many attributes that are usually associated with Aloysius Gonzaga: the crucifix, the disciplines, the skull or even the prince's crown. However, none of them are shown in this image. 

In this portrait, only one iconographic attribute is identified: a bouquet of lilies that the saint holds in his right hand. This symbolizes the purity and humility with which the saint lived in the last years of his life. 

In the upper part of the painting, on either side of the saint’s head, there is an inscription in red painting that clarifies the identity of the person represented: "S. LUIS GONSSAGA." 

This portrait is located on the western wall of the former Santa Clara church and is part of a group of portraits of Jesuit saints who had no relationship with the Franciscan saint or the spirituality of that order. 

The painting of Saint Aloysius Gonzaga, along with those of Saint Stanislaus Kostka, Saint Francis Xavier and Saint Ignatius of Loyola, entered the ancient Clarian temple because of the close relationship that existed between the Clarissines nuns and the Jesuit order. 

Jesuit priests were not only patrons of church chaplaincies, confessors, and directors of conscience of religious sisters. They were also indebted to the convent. Therefore, this dynamic may have facilitated the entry of their iconography into the ancient temple. 

Saint Aloysius Gonzaga
Anonymous artwork
Oil on canvas
37 x 54 cm
17th century 

Credits: Story

Créditos
MUSEOS COLONIAL Y SANTA CLARA

Museum Director
María Constanza Toquica Clavijo

Museology
María Alejandra Malagón Quintero

Curation
Anamaría Torres Rodríguez
María Isabel Téllez Colmenares

Collection Management
Paula Ximena Guzmán López

Editorial
Tanit Barragán Montilla

Communications
Jhonatan Chinchilla Pérez

Credits: All media
The story featured may in some cases have been created by an independent third party and may not always represent the views of the institutions, listed below, who have supplied the content.
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