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Becoming a Refugee

A story inspired by the National Holocaust Museum's Dialogue Box Project. Using objects and testimonies, we ask what it means to become a refugee from Nazi persecution.

Dialogue Box, Becoming a Refugee 1 (2026) by National Holocaust Museum, Steve Bradley (photographer)National Holocaust Museum

People from somewhere...

The physical shape of our dialogue box reminds us that refugees are never "people from nowhere". The contents relate to our immersive Journey exhibition, which tells the story of a German-Jewish family, and their son Leo, who becomes a child refugee.

Ellen Rawson family photograph by Ellen Rawson (survivor)National Holocaust Museum

Life before persecution

Before 1933, most Jewish people, like the Herrmann family pictured here, lived happily among their non-Jewish neighbours. Nazi rule changed all that, first in Germany, then across most of the continent.

Father and Son dolls by Sigmar Berenzweig (survivor)National Holocaust Museum

Families torn apart

The Berenzweig family were among those who, unable to flee themselves, sent their son to safety in the UK on the Kindertransport. These child refugees left everything they knew behind. Only a few precious mementos of their old lives fitted into the tiny suitcases.

Dorothy Fleming photograph by Dorothy Fleming (survivor)National Holocaust Museum

Photos as a lifeline

Whenever space allowed, refugees brought photo albums of the families they left behind. Albums in our collection show Jewish families from all walks of life: secular or orthodox, middle or working-class. All hoped to be reunited soon.

Kindertransport travel document (1938-1940) by Peter Gunsberger (survivor)National Holocaust Museum

John Fieldsend speaking about arrival in the UK
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Arriving in the UK

Most child refugees who arrived in the UK travelled on education permits. This provided safety from immediate danger. But many, like the young John Fieldsend, felt bewildered finding themselves alone in a foreign country.

Bernard Grunberg family photograph by Bernard Grunberg (survivor)National Holocaust Museum

Bernard Grunberg speaking about arrival in the UK
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Warm welcomes or cold receptions?

While some child refugees found loving foster families, charity workers in the UK struggled to place teenage boys like Bernard. Here, he talks about a reception that was, physically and emotionally, much colder.

British refugee behaviour instructions (1934) by Rudolf Oppenheimer (survivor)National Holocaust Museum

Conditional acceptance

In this note, the Jewish Refugee Committee reminds newly arrived refugees that their good behaviour will shape how the British would view refugees from Germany.

Berlin bear mascot by Margarete Treharne (survivor)National Holocaust Museum

Finding your place

For many refugees, settling into a new life raised complex questions of identity: German? English? Jewish? Margarete Treharne brought her ‘Berlin Bear’ mascot to the UK on the Kindertransport. Though she built a happy life in Britain, she often remarked that, in her heart, she remained a Berliner.

Star of David pendant by Ilse Buxbaum (survivor)National Holocaust Museum

Staying Jewish?

While a few children were placed with Jewish foster parents, most were raised by Christian families. Refugee Ilse Buxbaum brought this Star of David pendant with her. She treasured it, but would not wear it in public: she was unsure how Jews would be viewed in the UK.

Bernard Grunberg tractor photograph by Bernard Grunberg (survivor)National Holocaust Museum

Orphaned lives and livelihoods

Some child refugees were reunited with their parents or siblings after 1945. But the Holocaust turned most of them into orphans. They had to fend for themselves, and find work to sustain their new lives.

Zdenka Husserl dancing photograph front by Zdenka Husserl (survivor)National Holocaust Museum

Lingfield House

After the Holocaust, about 700 child survivors were brought to England for rehabilitation.  Some were cared for at Lingfield House, sponsored by the Jewish Refugee Committee. Here, the children found a safe, supportive place that strove to preserve their Jewish identity.

Lingfield House tablecloth by Zdenka Husserl (survivor)National Holocaust Museum

A quilt about memory and hope

The children at Lingfield House were invited to make a quilt. Each child contributed one design, depicting a memory of home , or a symbol of the future they hoped to build. The Hora, the traditional Jewish dance visible in the previous image, takes centre stage.

Hedi Argent family photograph (1939) by Hedi Argent (survivor)National Holocaust Museum

Hedi Argent speaking about being a refugee
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"I never knew anything about that"

Refugees were grateful for the help they received in the UK, and integrated well. But looking back, Hedi Argent wonders why her new friends never asked about her previous life and identity. This is also a message to us: history remains silent unless we ask the right questions of it.

Credits: Story

The Journey Exhibition can also be viewed as a virtual StreetView tour.  Learn more from the National Holocaust Museum.



Credits: All media
The story featured may in some cases have been created by an independent third party and may not always represent the views of the institutions, listed below, who have supplied the content.

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