Leonardo: Machines and Instruments

From the machines handed down from antiquity and already used by Archimedes up to the most recent acquisitions of medieval technique.

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The construction site for Florence’s cathedral

Leonardo’s first encounter with technology and machinery occurred at the construction site for Florence’s cathedral. Between 1469 and 1471, Verrocchio’s entire workshop crew was involved in the project of completing the lantern for the cupola on Santa Maria del Fiore, with the charge of constructing and positioning an enormous copper sphere at a height of over a hundred meters off the ground.

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Filippo Brunelleschi

The enterprise was a true test bed for numerous pupils, including Leonardo, who had the opportunity to observe and become acquainted with many machines for lifting heavy objects, such as the crane designed by Filippo Brunelleschi.

Height- adjustable scaffolding and craneNational Museum of Science and Technology Leonardo Da Vinci

Trattato dell’architettura

Leonardo studied other construction site machinery from Tuscan tradition in the 1490s, when he came into possession of a copy of Francesco di Giorgio Martini’s Trattato dell’architettura. An example of this can be seen in the studies for the column-raising machine which resume the analogous machines drawn by Giorgio for moving and raising the obelisks at Rome. The construction site machinery Leonardo drew often refers to excavation of canals, from cranes capable of executing rapid transfers of materials over several levels to the large excavating machines.

WINCH FOR LIFTING HEAVY WEIGHTSNational Museum of Science and Technology Leonardo Da Vinci

Winch for lifting heavy weights
This particular winch drawn by Leonardo transforms the alternating motion communicated to the lever into the continuous circular motion of the shaft. Leonardo drew this winch between 1478 and 1480, shortly before transferring to Milan, probably on the basis of observation of an existing machine.

Argano sollevapesiNational Museum of Science and Technology Leonardo Da Vinci

It represents a synthesis of the knowledge in the mechanical and engineering fields that Leonardo had acquired at construction sites in Florence.

REVOLVING CRANENational Museum of Science and Technology Leonardo Da Vinci

Rotatable crane
On the two sides of the same folio, Leonardo drew two cranes for lifting and moving heavy weights, probably observed at construction sites in Florence or Milan. Each crane has the same structure and is supported on a circular platform capable of rotating by means of wheels, or perhaps ball bearings, to allow rapid transfers of material.

Gru girevole doppiaNational Museum of Science and Technology Leonardo Da Vinci

Double-arm crane
The function of the double-arm crane is clarified by the inscription for emptying moats, possibly referring to the moats at the Castle of Milan.

Trivella a doppio movimento by Siriati AlessandroNational Museum of Science and Technology Leonardo Da Vinci

Double-movement drill
This drill could be used for excavating deep into the earth. It is formed of an endless screw anchored to a wooden structure with four feet. The screw is actuated by two bars: one allows it to turn as it descends and penetrates into the ground, and the other raises it while holding it steady so as to carry away the earth.

Gru per scavare canali, particolareNational Museum of Science and Technology Leonardo Da Vinci

Crane for excavating canals
The crane has two arms and can rotate on a shaft. The extremity of one of the arms rests on the upper ground level, assisted by a wheel. The principal shaft is reinforced by a supporting framework. Two pulleys move the system of cords, at the extremity of which are a wooden base and a crate that opens from the bottom (method for emptying the earth). The counterweight for lifting the crate is provided by an ox and two men.

Screw for raising waterNational Museum of Science and Technology Leonardo Da Vinci

Screw for raising water

Anonimous from Francesco di Giorgio Martini (Siena 1439-1501)
Treatise on Military and Civil Architecture - early 17th cen. Parchment manuscript

Hydraulic pumpsNational Museum of Science and Technology Leonardo Da Vinci

Hydraulic pumps

Anonimous from Francesco di Giorgio Martini (Siena 1439-1501)
Treatise on Military and Civil Architecture - early 17th cen. Parchment manuscript

Macchina (argano) innalza-colonneNational Museum of Science and Technology Leonardo Da Vinci

Column-raising machine
The model represents an automatic winch equipped with a system for raising columns, composed of two endless screws, along which a cart is inserted, moving on two bolts. Working from the basis of systems already drawn by Francesco di Giorgio Martini and other engineers, Leonardo drew this mobile winch for transporting and raising columns and obelisks.

TRENCH-DIGGING MACHINENational Museum of Science and Technology Leonardo Da Vinci

Trench digger
This trench digger for canals or moats is formed of an arm that rocks on a pivot: at one extremity is the hoe, at the other, a half-moon balance wheel to which a weight is connected by a cord. The excavating device, the balance wheel, and the weight are all mounted on the same structure. The hoe moves owing to the action of the heavy balance wheel, which lowers making it rise, while the attached recipient fills, allowing the hoe to descend with great force, thus digging the trench.

HYDRAULIC SAWNational Museum of Science and Technology Leonardo Da Vinci

Hydraulic saw
Leonardo’s drawing dates from his first years in Florence and refers to the study of a type of automatic saw used in that period, which was also described by Francesco di Giorgio Martini.
The saw was actuated by hydraulic energy, which is transformed through a complex system of gears and mechanical elements to produce the vertical movement of the saw at the same time as the synchronized advancement of the cart on which the tree trunk to be cut is placed.

Macchina intaglia-lime by Zammattio CarloNational Museum of Science and Technology Leonardo Da Vinci

Machine for cutting files
The machine is constituted of a base on which a cart runs, connected to an endless screw, which is connected in turn via gears and pinion to a transmission shaft. At one of the extremities of the shaft, a wheel with four teeth engages a pivot, which in turn is connected to a hammer. There is also a sprocket connected to the transmission shaft. A weight connected to the sprocket falls by gravity to unwrap a cord from the sprocket, causing the transmission shaft to turn. The rotation of the shaft actuates the wheel with four teeth, lifting the hammer and causing it to fall, like a cam wheel. The hammer thus cuts the file. The shaft simultaneously moves the pinion and the toothed wheel connected to the endless screw, moving the cart on which the file is positioned in a manner synchronized with the hammer’s movement.

Inclinometro a pendolo by Soldatini Alberto Mario, Somenzi VittorioNational Museum of Science and Technology Leonardo Da Vinci

Inclinometer
This measuring instrument is for controlling position of flight with respect to a horizontal plane. During the same years, Leonardo drew other studies relating to “instrumental” flight. It is constituted of a wooden base surmounted by a glass bell, inside of which a small pendulum is hanging. When the little ball inside the glass ball hangs at the very center of the instrument, it shows that the horizontal position has been reached, indispensable for certain flight conditions. The bell ensured that the little ball would not be disturbed by gusts of wind.

Carro automotore by Canestrini GiorgioNational Museum of Science and Technology Leonardo Da Vinci

Automotive carriage
The model is constituted of a carriage structure with three wheels plus a fourth wheel mounted on a long bar acting as rudder. Mechanisms previously studied by Leonardo are put to use in the carriage, such as leaf springs, springs, and toothed wheels. The carriage is actuated by a manual loading system for the leaf springs, which transmit, via a complicated system of gears, their stored power into the moving wheels, causing it to advance. In the drawing, a veritable worksheet, not all the elements are described with the same level of refinement, which has given rise to various problems of interpretation. Long considered to have been an ancestor to the automobile, this carriage probably refers to a study for a machine to be used in the theater, a sector Leonardo was involved with first in Florence and later in Milan.

Wind carriageNational Museum of Science and Technology Leonardo Da Vinci

Wind carriage

The model reproduces a cart driven by a pair of paddle wheels, which are in turn driven by the wind. It is based on a woodcut in the tenth book of De Re Militari by the humanist Roberto Valturio, a book owned by Leonardo in the vernacular version published in 1483.

Credits: Story

Exhibition by
Museo Nazionale della Scienza e della Tecnologia
Leonardo da Vinci

Via San Vittore 21
Milano

www.museoscienza.org

Credits: All media
The story featured may in some cases have been created by an independent third party and may not always represent the views of the institutions, listed below, who have supplied the content.
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