Codex Madrid I

Discover this treatise on statics and mechanics, written by Leonardo da Vinci.

Leonardo da Vinci (1600) by Leonardo da VinciOriginal Source: Galería de los Uffizi

Among the treasures at the National Library of Spain are two manuscripts, signed by da Vinci, which have been named by specialists as the Madrid Codices I and II.

Codex Madrid I, cover recto (15th-16th Century) by Leonardo da VinciOriginal Source: Biblioteca Nacional de España

A Treatise on Statics and Mechanics

Codex I tackles multiple issues relating to mechanics and statics, although that does not stop the author addressing other subjects tangentially, such as observations on the physical and natural environment.

As indicated here, the Codex "… is written backwards." Leonardo da Vinci was ambidextrous and usually wrote with his left hand, which meant the ink would smudge easily if he were to use the standard writing direction of left to right.

Cathedral of florenceTouring Club Italiano

It is difficult to accurately date this copy as da Vinci's writings demonstrate a work in progress. For this reason, although the manuscript specifies two dates—September 28, 1497 and January 1, 1493—it is difficult to attribute either of the dates mentioned to its creation in its totality.

Codex Madrid I, f.116v (15th-16th Century) by Leonardo da VinciOriginal Source: Biblioteca Nacional de España

How Are the Contents Presented?

The different issues addressed in this manuscript tend to be dealt with in a single rectangular space or sheet, as seen in the image.

Codex Madrid I, f.78r (15th-16th Century) by Leonardo da VinciOriginal Source: Biblioteca Nacional de España

In certain cases, this limitation required da Vinci to move the text into the margins, or even to alter its placement based on the available space on earlier or subsequent pages.

Codex Madrid I, f.58v (15th-16th Century) by Leonardo da VinciOriginal Source: Biblioteca Nacional de España

"If the air moves, crossing the line of fire obliquely or horizontally, the effects of the projectile that follow cannot be described here due to lack of space."

Codex Madrid I, f.67r (15th-16th Century) by Leonardo da VinciOriginal Source: Biblioteca Nacional de España

The majority of the document presents very detailed diagrams of various mechanisms and gadgets, including endless screws, drive chains, textile machines, clock-making machinery, weapons, or locks …

Codex Madrid I, f.92v (15th-16th Century) by Leonardo da VinciOriginal Source: Biblioteca Nacional de España

… that in some cases take up almost the whole page; the pieces are labeled with the letters of the alphabet, and their corresponding explanations can be found in the accompanying text.

Hammer lift

Codex Madrid I, f.10r (15th-16th Century) by Leonardo da VinciOriginal Source: Biblioteca Nacional de España

Da Vinci devoted a great deal of effort and creativity to all the elemental parts of the modern-day bicycle, almost four centuries ahead of its time! In the study on chains, which appears on page 10r, he presented a number of solutions.

Roller chain

Codex Madrid I, f.60v (15th-16th Century) by Leonardo da VinciOriginal Source: Biblioteca Nacional de España

There is also a theoretical section containing denser text, and drawings that cannot be explained in brief notes, on diverse topics such as gravity.

"And it shall be shown that gravity is stronger inasmuch as the object descends on a less oblique line. And the heaviest part of bodies shall regulate their movement. And every body's weight correlates to its line of movement. And the weight lost when moving is added to the object descending on an oblique line."

Codex Madrid I, f.17v (15th-16th Century) by Leonardo da VinciOriginal Source: Biblioteca Nacional de España

Da Vinci's Mind

The text is brimming with personal annotations that reflect the nature of this genius' mind. Below are some quotes from the manuscript:

Codex Madrid I, f.129r (15th-16th Century) by Leonardo da VinciOriginal Source: Biblioteca Nacional de España

"When a rule is confirmed by two distinct points and experiences, that rule shall be designated general."

Codex Madrid I, f.121r (15th-16th Century) by Leonardo da VinciOriginal Source: Biblioteca Nacional de España

"It is a true and known fact that nature cannot be deceived by any human ingenuity."

Codex Madrid I, f.152v (15th-16th Century) by Leonardo da VinciOriginal Source: Biblioteca Nacional de España

"How admirable it is to consider how nature operates in all its roles, and which laws have been used to establish the effects of every cause, and how it is impossible to modify them in the smallest way."

Codex Madrid I, f.0r (15th-16th Century) by Leonardo da VinciOriginal Source: Biblioteca Nacional de España

"He who denies the reason of things publicly declares his ignorance."

Codex Madrid I, f.12r (15th-16th Century) by Leonardo da VinciOriginal Source: Biblioteca Nacional de España

Different Codices, Same Ideas

Codex Madrid I closely corresponds to the Codex Atlanticus, held in the Ambrosian Library (Biblioteca Ambrosiana) in Milan: a series of elements (scales, weights, gears, springs, clock-making machinery, screws, hinges, etc.) are outlined in the Codex Atlanticus, and developed in the Codex Madrid, with highly detailed and high-quality drawings. 

Forster Codex (1490 ca.) by Leonardo da VinciOriginal Source: Victoria & Albert Museum

Links have also been identified with the Codex Forster and the Manuscript H in the Institut de France in Paris. 

Credits: Story

This exhibition has been developed based on the images in the Madrid Codices I and II, available on the webpage of the Hispanic Digital Library (Biblioteca Digital Hispánica) of the National Library of Spain. The texts have been adapted from different publications written by the National Library of Spain.

The two videos were created for the exhibition "The Imagination of Leonardo: The Madrid Codices in the National Library of Spain" (El Imaginario de Leonardo: Códices Madrid de la Biblioteca Nacional de España), which was held in 2012 in the National Library of Spain. Both these videos, among others, are available on the institution's YouTube channel.

Credits: All media
The story featured may in some cases have been created by an independent third party and may not always represent the views of the institutions, listed below, who have supplied the content.
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