By Ministry of Economy, Trade and Industry
Written by Shosei Oda, drawn by Tōfūjin" Otogi Shōchan no Bōken" [The Adventures of Shō-chan] vol.1--The Asahi Shimbun Company
Written by Shosei Oda, drawn by Tōfūjin" Otogi Shōchan no Bōken" [The Adventures of Shō-chan] vol.1 (1924)Original Source: The Asahi Shimbun Company
"Shō-chan", who was born during the Taisho period
One important element that draws readers to manga is the characters. However, characters do not simply live in manga stories to make them appealing. They sometimes break free of their original stories, being used for various character goods or as company or product mascots. Outside of Japanese manga as well, characters are a driving force behind the development of the world's pop culture—including manga, anime, and video games—into a big business.
When did manga characters first start breaking free of their original stories? In Japan, the answer seems to be around the end of the Taisho period (the mid-1920s) when the circulation of major newspapers exceeded the one-million mark.
Yutaka Asō "Nonkina Tōsan" [Easygoing Dad], April 15, 1924, Hochi Shimbun evening paper (1924)Original Source: The Yomiuri Shimbun
Based on the examples of the mass-market newspapers of Europe and America, Japanese newspapers started running serialized four-frame manga, in which the same characters appeared every day. Characters from popular works of the time—including "Shō-chan", the protagonist of "Shōchan no Bōken" [The Adventures of Shō-chan] (Written by Shosei Oda, drawn by Tofujin), and "Tōsan" (Dad), the protagonist of "Nonkina Tōsan" [Easygoing Dad] (Yutaka Asō)—were used (without permission) in various forms of advertising, and publishing companies published stories that featured the characters and had nothing to do with the newspapers that originally published them.
The first "Shōchan no Bōken" [The Adventures of Shō-chan] written by Shosei Oda, drawn by Tōfūjin, published in the January 25, 1923, Asahi Graph's first issue, Kid’s Page (1923)Original Source: The Asahi Shimbun Company
Shōchan no Bōken was first serialized in the daily graphic newspaper "Asahi Graph" started by the Asahi Shimbun Company. However—because the company lost the ability to issue the magazine due to damage to its plant caused by the Great Kanto Earthquake—the story was subsequently serialized by "Tokyo Asahi Shimbun" (as well as "Osaka Asahi Shimbun" later).
An announcement published in the October 18, 1923, Asahi Shimbun (1923)Original Source: The Asahi Shimbun Company
Connecting the worlds of fantasy and reality
The day before the serialization of the story was resumed by "Tokyo Asahi Shimbun", an announcement concerning this was published in the paper. The announcement stated that Shō-chan, whose adventures were previously in the "Asahi Graph", was “going on a surprising adventure due to the recent major earthquake,” and the character’s adventures were serialized in the newspaper starting the next day. The setting of Shō-chan’s adventures was no longer a fantasy world separate from the real world in which readers lived. Instead, Shō-chan had apparently experienced the Great Kanto Earthquake much like the readers.
Written by Shosei Oda, drawn by Tōfūjin "Shōchan no Bōken" [The Adventures of Shō-chan], October 21, 1923, Asahi Shimbun (1923)Original Source: The Asahi Shimbun Company
Written by Shosei Oda, drawn by Tōfūjin "Shōchan no Bōken" [The Adventures of Shō-chan], January 1, 1924, Asahi Shimbun (1924)Original Source: The Asahi Shimbun Company
A true-to-life character setting
A Notes column appeared next to "Shōchan no Bōken". This column was used to publish reports by journalists concerning aspects of Shō-chan’s daily life that were not mentioned in the stories themselves—such as the fact that he “embarked on an adventure after eating his New Year’s zōni (Japanese soup with rice cake)”—as well as letters from readers addressed to Shō-chan.
This gimmick, coupled with the setting implying that Shō-chan had experienced the Great Kanto Earthquake, gave the character a presence in the world of the readers, freeing the character from the world of manga.
Written by Shosei Oda, drawn by Tōfūjin "Shōchan no Bōken" [The Adventures of Shō-chan], December 13, 1923, Asahi Shimbun (1923)Original Source: The Asahi Shimbun Company
The letters contributed by readers for the Notes column included letters in which readers said they wanted Shō-chan to visit their towns and many questions about the character’s daily life outside of adventuring, but they also included a conversation the character had when he went to the barber, which was essentially an early precursor to what we would call a "derivative" work today.
Various creative works in which “Shō-chan” appearedOriginal Source: Photo by TADA(YUKAI)
The spread of Shō-chan
"Shōchan no Bōken" did not simply end with each set of four daily frames. Instead, the story of each adventure would continue for several or even dozens of parts, and then a new adventure episode would begin. Combined with the setting implying that Shō-chan was living somewhere in the real world, this helped give readers a sense of expectation regarding each of the character’s subsequent adventures and caused them to imagine what they might be like. Other obscure writers also published “Shō-chan” stories through various publishing companies in response to readers’ expectations.
An example of Shō-chan being used for advertising. January 1, 1924, Asahi Shimbun (1924)Original Source: The Asahi Shimbun Company
The rights business related to the use of manga and anime characters outside of their original works was first developed in the USA and then developed in Japan after the war.
An example of Shō-chan being used for advertising. October 4, 1925, Asahi Shimbun (1925)Original Source: The Asahi Shimbun Company
At the time, using only a character for a different story—as opposed to reprinting artwork or text—was not considered copyright infringement. There was not yet any concept of trademark registration for characters. Therefore, the use of Shō-chan for various types of advertising and commercial derivative works did not result in any direct profit for the original author.
Written by Shosei Oda, drawn by Tōfūjin "Otogi Shōchan no Bōken" [The Adventures of Shō-chan] vol.1 (1924)Original Source: The Asahi Shimbun Company
The era of characters
The sophisticated character design of Shō-chan—who went on various adventures with his trusty squirrel—as well as how the character is drawn likely reminds many people of Belgium’s "The Adventures of Tintin" (Hergé). However, the serialization of Shō-chan actually started before The Adventures of Tintin (which was serialized starting in 1929). It could be said that characters that had an independent presence outside of their original stories appeared all at once around the world during the early 20th century.
Text: Hirohito Miyamoto(Meiji University)
Edit: Nanami Kikuchi, Natsuko Fukushima+Yuka Miyazaki(BIJUTSU SHUPPAN-SHA CO., LTD.)
Supervisor: Hirohito Miyamoto(Meiji University)
Production: BIJUTSU SHUPPAN-SHA CO., LTD.
Written in 2020