By Kyoto Women's University, Lifestyle Design Laboratory
Kyoto Women's University
About gofun
Many types of pigments were once brought to Japan from China, and the pigment known as gofun in Japan originally denoted white-lead pigment. However, due to the humid environment of Japan, white lead would turn black, thus making it difficult for this pigment to remain white. Over the centuries, oyster shells gradually replaced white lead as the raw material for making white pigment. Today, gofun continues to be used as white pigment in traditional art and craft.
The history of gofun
It is believed that white pigment made from oyster shells became known as gofun from the end of the Heian period (12th century).
Oyster shells
Ostrea denselamellosa (Densely lamellated oyster) is a species of oyster whose shells are used to create gofun. The shells are first given 10 to 15 years of natural drying against the elements, a process that breaks down organic substances contained in the shells and allows foreign objects such as stone or fish scales attached to the shells to be easily removed. Gofun made from oyster shells is an excellent pigment that is resistant to flaking and soft enough to be easily applied with a brush and guarantees long-lasting whiteness.
Soft white
In comparison with white pigments made using metal powders, gofun is characteristically softer with a warmer hue. It is blended with glue before being applied as white pigment on paintings, as well as hina dolls, Hakata dolls and Fushimi dolls.
Painting with gofun
First, gofun powder is placed inside a mortar and crushed with a pestle.
Making the gofun powder into white pigment for Nihonga painting, gofun (2021-03-05) by Wataru KawashimaKyoto Women's University, Lifestyle Design Laboratory
The powder is finely ground.
The ground powder is blended with glue, gofun. (2021-03-05) by Wataru KawashimaKyoto Women's University, Lifestyle Design Laboratory
The ground powder is blended with glue.
Kneading of the mixture of gofun and glue, gofun. (2021-03-05) by Wataru KawashimaKyoto Women's University, Lifestyle Design Laboratory
The mixture is kneaded with a finger on a dish until it becomes a ball.
Pound the kneaded gofun ball on the dish, gofun. (2021-03-05) by Wataru KawashimaKyoto Women's University, Lifestyle Design Laboratory
The kneaded gofun ball is then pounded on the dish.
The gofun dough is pressed into a thin layer on the dish, gofun (2021-03-05) by Wataru KawashimaKyoto Women's University, Lifestyle Design Laboratory
The gofun dough is pressed into a thin layer on the dish.
Using water and dissolving with fingers to make a white pigment, gofun. (2021-03-05) by Wataru KawashimaKyoto Women's University, Lifestyle Design Laboratory
A small amount of water is added and the gofun is dissolved into liquid form using a finger. Now the gofun poweder is ready to be used as pigment for painting.
Take the melted white paint with a brush, gofun. (2021-03-05) by Wataru KawashimaKyoto Women's University, Lifestyle Design Laboratory
A brush is used for painting.
White plum blossoms are painted using gofun pigment, gofun. (2021-03-05) by Wataru KawashimaKyoto Women's University, Lifestyle Design Laboratory
White plum blossoms are painted using gofun pigment.
Draw a white plum on the gold fan surface, gofun. (2021-03-05) by Wataru KawashimaKyoto Women's University, Lifestyle Design Laboratory
"White plum blossoms" painted with gofun. (2021-03-05) by Wataru KawashimaKyoto Women's University, Lifestyle Design Laboratory
The painting is complete once it is dry.
Making gofun
The process of gofun-making involves first placing air-dried shells into a machine called kaikuruma, where they are thrown against each other to remove foreign objects attached to the surface of the shells.
Hammer milling
Shells with foreign objects removed go through a selection process where quality shells are chosen and first crushed into pieces measuring about 2-3 mm using a hammermill.
Stamp milling
The small shell pieces are further crushed to a finer form.
Stamp milling, gofun. (2020) by Nakagawa gofun and GwasendoKyoto Women's University, Lifestyle Design Laboratory
Stone mortar
The shell powder is ground to an even finer form as desired.
Elutriation
The ground gofun powder is poured into a tub filled with water. Using the water’s buoyancy, larger particles sink to the bottom, while fine particles float at the top, allowing the separation of fine particles.
After removing impurities, the fine gofun is spread evenly over a board made from Japanese cedar and allowed to dry naturally over a period of about 10 days. Once dry, the powder is removed by tapping on the back of the board. This completes the making of gorun powder, a process that takes about 2 months from the initial kaikuruma shell cleaning.
The finished gofun is packaged as pigment and for other uses, ready to be shipped and sold.
Gofun products. (2020) by © Nakagawa gofun and GwasendoKyoto Women's University, Lifestyle Design Laboratory
Information provided by:
Nakagawa Gofun
Gwasendo
Wataru Kawashima
Text written by:
Chiaki Matsubara, Kyoto Women's University
Chika Okada, Kyoto Women's University
Photo by:
Syuzo Yamamoto, Gwasendo
Nakagawa Gofun
Dr Maezaki Shinya, Kyoto Women's University
English translation by:
Eddy Y.L. Chang
Project Director:
Dr. Maezaki Shinya, Associate Professor, Kyoto Women's University
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