Saint Anthony of Padua

Did you know that Anthony of Padua was one of the most represented saints of the American colonial iconography? Join us and discover the details of the scene.

Saint Anthony of Padua (Siglo XVII) by Unknown artistSanta Clara Museum

Saint Anthony of Padua (1195-1231), a Portuguese Franciscan of the 12th century, has abundant representations in colonial art of New Granade. So, for example, in the old Church of Santa Clara, there are six artworks dedicated to representing him.

The saint joined the Franciscan order shortly after its foundation, in 1209. Throughout his life he toured various countries of Europe spreading his faith in Christ, and wrote and preached a large number of sermons and treatises on mysticism and asceticism.

His most common representation, present in this image, is the one that alludes to the appearance of the Child Jesus before him. It is said that a friend who hosted him looked through his keyhole and witnessed how the Child appeared to the Franciscan saint.

Anthony of Padua appears kneeling. By attire he wears a simple gray habit with a cord tied to the waist from which three knots run, clothing typical of the Franciscan order, to which he belonged.

In his right hand he carries a bouquet of lilies, one of the attributes with which he is traditionally represented. These flowers relate to the purity and humility that the saint demonstrated throughout his life.

At the foot of Saint Anthony is represented an open book. This probably alludes to his numerous theological writings, which earned him in 1946 the nomination of Doctor of the Church by Pope Pius XII.

In front of the saint, there is a cartouche showing a fragment of the rhymed liturgical office, written in 1233 by Fray Julian of Speyer (?-1250). In this text, the Franciscan honors St. Anthony and recalls some of the most famous miracles attributed to him.

Jesus Child holds the cartouche. The little one remains standing. A red crosswise mantle, a color that alludes to the episodes of the Passion that he will live towards the end of his life, partially covers his body

The iconography of the Portuguese saint was the most widespread in Colonial America, after his images arrived in New Granada by the hand of the Franciscan evangelizers. His devotion was strongly established within the filigrees in the public and private spheres.

Over the centuries, Saint Anthony of Padua also acquired a reputation as a miracle worker. That is, it is considered that his image can perform miracles, including that of helping women with love difficulties. Today, various "popular" practices maintain devotion to the saint.

Saint Anthony of Padua 
Anonymous 
Oil on canvas 
176,5 x 105 cm 
17th century

Credits: Story

Créditos
MUSEOS COLONIAL Y SANTA CLARA

Museum Director
María Constanza Toquica Clavijo

Museology
María Alejandra Malagón Quintero

Curation
Anamaría Torres Rodríguez
María Isabel Téllez Colmenares

Collection Management
Paula Ximena Guzmán López

Editorial
Tanit Barragán Montilla

Communications
Jhonatan Chinchilla Pérez

Credits: All media
The story featured may in some cases have been created by an independent third party and may not always represent the views of the institutions, listed below, who have supplied the content.
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