Dastkari Haat Samiti
Dastkari Haat Samiti
Sorting the yarn
Kotpad cottons are woven in the tribal regions of southern Odisha and Chhattisgarh, by the Mirgan community. The relative isolation of the tribal communities kept the craft of textile dyeing and weaving in Kotpad true to its traditional moorings. The natural process of Kotpad weaving is anchored in its tedious and painstaking yarn and dye preparation. These are carried out by women, while men do the weaving.
Kotpad Textiles: Dyeing (2017)Dastkari Haat Samiti
In preparing the yarn to weave a piece of cloth in Kotpad, hanks of yarn have to be sorted and prepared to soak the dye stuff suitably and then stretched on the loom for convenient weaving.
Kotpad: Dyeing (2017)Dastkari Haat Samiti
Kotpad weavers dye their yarn between the winter months of November and March, when the monsoons are over and the sun’s rays are strong but not overwhelming.
Kotpad: Dyeing (2017)Dastkari Haat Samiti
Every part of the work involved in weaving in Indian textiles requires considerable care and effort.
Kotpad: Dyeing (2017)Dastkari Haat Samiti
In many crafts, ‘handwork’ involves the use of the legs, feet or toes as well. Here, the woman weaver sorts the yarn before dyeing.
Kotpad: Dyeing (2017)Dastkari Haat Samiti
Details of how the fine yarn is sorted before dyeing.
Kotpad: Dyeing (2017)Dastkari Haat Samiti
All the stages of yarn and dye preparation are done manually by the women.
Kotpad: Dyeing (2017)Dastkari Haat Samiti
The yarn is first washed in water. It is soaked for a day and then boiled in the dye solution.
Kotpad: Dyeing (2017)Dastkari Haat Samiti
The yarn is soaked and dipped.
Kotpad: Dyeing (2017)Dastkari Haat Samiti
It is then squeezed and taken out of the vessel.
Kotpad Textiles: Dyeing (2017)Dastkari Haat Samiti
After applying the starch on the yarns, the bundle is pressed by the foot to ensure the overall mix of starch.
Kotpad: Dyeing (2017)Dastkari Haat Samiti
Water has to be squeezed out from the yarn carefully so that it is not still damp when being dyed.
Kotpad: Dyeing (2017)Dastkari Haat Samiti
When put out to dry, the yarn has to be sorted again so that they do not dry in a tangled state.
Detail of washed yarn being put out to dry. Made of pure organic cotton, the natural cream colour is retained in much of the final fabric.
Kotpad: Dyeing (2017)Dastkari Haat Samiti
The yarn is then processed in castor oil.
Kotpad: Dyeing (2017)Dastkari Haat Samiti
It is dipped in the castor oil solution.
Kotpad: Dyeing (2017)Dastkari Haat Samiti
Adequate clean water is required to ensure the dyes are absorbed uniformly and with full strength.
Kotpad: Dyeing (2017)Dastkari Haat Samiti
Kotpad can be immediately recognised by its dramatic simplicity and use of unbleached yarn along with the deep range of reds obtained from the roots of the aal plant, or Indian madder.
Kotpad Textiles: Dyeing (2017)Dastkari Haat Samiti
A women artisan ensuring the complete spread of cow dung application on the yarn. This is done to bleach the yarn, and ensure proper dyeing.
Kotpad: Dyeing (2017)Dastkari Haat Samiti
Cow dung is used by many craftspeople across india as a bleaching or anti-bacterial agent, since the dyestuffs are natural.
Kotpad: Dyeing (2017)Dastkari Haat Samiti
Cow dung is used as a bleaching agent which ensures that the dye is absorbed well.
Kotpad: Dyeing (2017)Dastkari Haat Samiti
Any work involving treatment with cow dung is done outside.
The yarn treated with it is also left out in the open to dry.
Kotpad: Dyeing (2017)Dastkari Haat Samiti
The woman from the community hangs the dung-treated yarn on a thick wooden rod to dry.
Kotpad: Dyeing (2017)Dastkari Haat Samiti
Woman holding wood ash to be mixed with the water.
Kotpad: Dyeing (2017)Dastkari Haat Samiti
Wood ash which serves as a sizing agent in dyeing, is mixed with the water with which the yarn is washed.
Kotpad: Dyeing (2017)Dastkari Haat Samiti
Hanks of yarn are washed with ash water after it is dried.
Kotpad: Dyeing (2017)Dastkari Haat Samiti
A woman from the weavers’ community carries dyed yarn to the common water body for the final washing process.
Kotpad: Dyeing (2017)Dastkari Haat Samiti
The treated yarn is being washed in a local pond where children enjoy a swim.
Kotpad: Dyeing (2017)Dastkari Haat Samiti
The yarn has to be swished around in the water until it is clear of all extraneous materials.
Kotpad: Dyeing (2017)Dastkari Haat Samiti
It is clearly a tedious process to clean yarn, as a considerable amount of labour is required.
Dyeing process
The best time for dyeing is in the months November-March. The dye solution is made of a powder of 'aal' along with castor oil and water. The yarn is soaked in this for a day and then boiled in the same solution. The different shades of red, maroon and brown produced depend on the strength of the solution and the age of the 'aal' used.
Kotpad: Dyeing (2017)Dastkari Haat Samiti
Here are some leaves of the aal plant (Morinda citrifolia). The roots of the aal tree are dried, crushed and ground into powder to make the deep red madder red colour.
Kotpad: Dyeing (2017)Dastkari Haat Samiti
The dried ground powder made into a colouring agent.
Kotpad: Dyeing (2017)Dastkari Haat Samiti
The dye solution is made by mixing the aal root powder with castor oil and boiled together in water.
Kotpad: Dyeing (2017)Dastkari Haat Samiti
Once the solution of powder and castor oil is suitably boiled, the dye is ready.
Kotpad: Dyeing (2017)Dastkari Haat Samiti
The dye is well mixed by hand when it cools.
Kotpad: Dyeing (2017)Dastkari Haat Samiti
The yarn is ready to be dipped in the dye solution.
Kotpad: Dyeing (2017)Dastkari Haat Samiti
The dyed yarn is squeezed before being hung out to dry again.
Kotpad: Dyeing (2017)Dastkari Haat Samiti
The yarn will turn red as it dries.
Raw materials
Kotpad is identified with its rich vegetable dyed reds, browns, and blacks with motifs that come from another way of life. Natural materials like roots of the aal tree, harda, iron sulphate and ferrous sulphate ores are used to make and strengthen the dyes. Different shades of red, maroon and brown are produced depending on the strength of the colour solution and the age of the aal root used.
Kotpad: Dyeing (2017)Dastkari Haat Samiti
Roots of the aal tree (Morinda citrifolia) are used for the dye to obtain the deep red madder colour.
Kotpad: Dyeing (2017)Dastkari Haat Samiti
Harda, or Hirala (Terminalia chebula), commonly known as myrobalan, is a dried fruit which is used to dye the fabric in a coffee brown colour.
Kotpad: Dyeing (2017)Dastkari Haat Samiti
Iron sulphate, kumar patthar as it is locally known, is ground and used to dye the yarn black.
Kotpad: Dyeing (2017)Dastkari Haat Samiti
Locally called as hira kashi, this is ferrous sulphate ore used by Kotpad dyers to enhance the strength of the dye.
Kotpad: Dyeing (2017)Dastkari Haat Samiti
The end result is the different shades of red, maroon and brown produced on the yarn.
Kotpad: Products (2017) by Gobardhan PanikaDastkari Haat Samiti
Read more about Kotpad textiles here:
- Environment
- Weaving Process
Text: Jaya Jaitly
Photography: Chirodeep Chaudhuri
Artisans: Gobardhan Panika and the community
Ground Facilitator: Ankit Kumar
Documentary Video: Ankit Kumar
Curation: Aradhana Nagpal