Carlo Scarpa: Timeless Masterpieces

An exhibition curated by Marino Barovier featuring a selection of Murano glass designed by Carlo Scarpa.

Carlo Scarpa Installation shot 2Magazzino Italian Art

On view through March 31, 2025

the exhibition presents a selection of 56 exquisite Murano glassworks from the Olnick Spanu Collection.

Carlo Scarpa Installation shot 1Magazzino Italian Art

Curated by Marino Barovier

the exhibition reconstructs the creative journey of the renowned architect from 1926 to 1947, a period during which he collaborated with the two most prominent Murano glassmakers of the time: M.V.M. Cappellin & Co. and Venini.

The Olnick Spanu Collection comprises 596 Murano works by 43 artists and designers, among them Vittorio Zecchin, Artisti Barovier, Napoleone Martinuzzi, Fulvio Bianconi, Massimo Vignelli, Thomas Stearns, Giorgio Vigna and Yoichi Ohira.

Carlo Scarpa detail 1, From the collection of: Magazzino Italian Art
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Carlo Scarpa detail 2, From the collection of: Magazzino Italian Art
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Carlo Scarpa Installation shot 6Magazzino Italian Art

The Olnick Spanu Collection preserves 156 masterpieces by Scarpa, making it one of the world’s largest collections of his work.

Carlo Scarpa detail 4, From the collection of: Magazzino Italian Art
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Carlo Scarpa detail 3, From the collection of: Magazzino Italian Art
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Carlo Scarpa Installation shot 7Magazzino Italian Art

Among the glassworks created for M.V.M, the exhibition features the Pasta vitrea series, created between 1929 and 1930 and distinguished by their brilliant colors, material consistency, and gold-leaf application.

Carlo Scarpa Installation shot 9Magazzino Italian Art

Among the glassworks created for Venini, notable examples include a vase and cup from the Laccati neri e rossi series from 1940, whose characteristic coloring gives them the appearance of Chinese lacquer.

Carlo Scarpa Installation shot 5Magazzino Italian Art

“In the furnace, Scarpa observes everything, he is curious and thirsty for knowledge, eager to manipulate the material, change its appearance, colors, and forms,” Barovier writes.

“His journey takes place discreetly alongside the glass masters who have the experience, who know the tricks of an ancient craft rooted in tradition passed down from master to master. But he himself becomes a master."

Carlo Scarpa, 'A fasce,' 1942.Magazzino Italian Art

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