Language of the Wall

Graffiti / Street Art

Today, graffiti and street art have moved out of underground culture and are no longer viewed as vandalism, but rather as a global art movement. Since the 1990s, appreciation of graffiti and street art in Turkey has increased significantly, having influenced not only a small artistic circle, but several generations. In the exhibition “Language of the Wall: Graffiti / Street Art”, this art form was presented in a museum setting for the first time.

African and Hispanic minority groups in New York needed to define their place in society and to express their existence at a time when the American Dream was being questioned due to the economic and political changes of the 1970s. Soon, simple signatures attained calligraphic value, style, and color; tags began to appear in larger and more impressive shapes, more often and in more hard-to-reach places. Visible and memorable graffiti received more respect. As graffiti artists, striving to be original, advanced their style, they pushed the limits of calligraphy.

Works in the exhibition were applied directly on the walls of the exhibition space, and were ceased once the exhibition was over. “From the collection of: Pera Museum” statement under images refers to the fact that this digital exhibition was organized by Pera Museum.

Made in America, Cope 2, 2014, From the collection of: Pera Museum
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Cope 2, "Made in America", spray paint and acrylic.  

Cope 2 - Interview, 2014, From the collection of: Pera Museum
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Interview with Cope 2.

As artists create international value through their increasingly diversified works of different style and techniques, the street art movement evolves from being an individual struggle for existence and addresses larger masses by embracing social issues. Expanding its audience through the subculture created through music and dance, graffiti and street art are not just artistic forms of expression, but also manifest a certain way of living.



With its selection of international and local artists, alongside a framework incorporating a historical perspective, the exhibition explored the current dynamics, different styles, and aesthetic notions of the street, addressing the movement alongside other disciplines such as photography and music. Instead of confining the artists within the walls of a museum, the exhibition also allowed them to use the streets of Istanbul, not only to spread their works across a larger space, but also to debate the concepts of “inside” and “outside.”

In this online version, explore hi-res images of the artworks, watch interviews with some of the artists, and follow them as they create their works on the Museum's walls.

Photographs of subways painted by leading graffiti artists, New York, 1970s and 1980s., Henry Chalfant, 2014, From the collection of: Pera Museum
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Henry Chalfant, Photographs of subway trains painted by leading artists, New York, 1970s amd 1980s.

Henry Chalfant - Language of the Wall | Duvarların Dili, From the collection of: Pera Museum
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Interview with Henry Chalfant.

Untitled, KR, 2014, From the collection of: Pera Museum
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KR (Craig Costello), "Untitled", acrylic.

Craig Costello (KR) - Language of the Wall | Duvarların Dili, From the collection of: Pera Museum
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Interview with Craig Costello.

Turbo vs. Monsters, Turbo, 2014, From the collection of: Pera Museum
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Turbo, "Turbo vs. Monsters", spray paint and marker.

Untitled, Futura, 2014, From the collection of: Pera Museum
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Futura, "Untitled", spray paint, acrylic, and neon.

Interview with Futura, 2014, From the collection of: Pera Museum
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Interview with Futura.

Photography by Martha Cooper, Martha Cooper, From the collection of: Pera Museum
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Photography by Martha Cooper, Martha Cooper, From the collection of: Pera Museum
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Photography by Martha Cooper.

The World Made Me Do It, Herakut, 2014, From the collection of: Pera Museum
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Herakut, "The World Made Me Do It", mixed media installation.

Detail from Herakut's "The World Made Me Do It", From the collection of: Pera Museum
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Detail.

Detail from Herakut's "The World Made Me Do It", From the collection of: Pera Museum
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Detail.

Herakut being photographed by Martha Cooper, 2014, From the collection of: Pera Museum
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Herakut being photographed by Martha Cooper in front of their work in Abbasağa Park, Beşiktaş, Istanbul.

Interview with Herakut, 2014, From the collection of: Pera Museum
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Interview with Herakut.

Nina I Love You, C215, 2014, From the collection of: Pera Museum
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C215, "Nina I Love You", stencil and spray paint.

Open Letter to David Smith, Winds of Whirling Dervish, Turkish Opus, Carlos Mare, 2014, From the collection of: Pera Museum
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Carlos Mare, left to right: Open Letter to David Smith, Winds of Whirling Dervish, Turkish Opus.

Interview with Carlos Mare., 2014, From the collection of: Pera Museum
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Interview with Carlos Mare.

Green Industry, Wyne, 2014, From the collection of: Pera Museum
,
Detail from "Green Industry", Wyne, 2014, From the collection of: Pera Museum
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Wyne, "Green Industry", spray paint. Detail. Detail.

Scorpion, Suiko, 2014, From the collection of: Pera Museum
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Suiko, "Scorpion", spray paint.

Kedi Kuyruğu (Cat's Tail), Suiko, 2014, From the collection of: Pera Museum
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Suiko, "Kedi Kuyruğu (Cat's Tail)", Levent Cultural Centre, Istanbul.

Blocked Delivery, Evol, 2014, From the collection of: Pera Museum
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Evol, "Blocked Delivery", stencil and spray paint.

Untitled, JonOne, 2014, From the collection of: Pera Museum
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JonOne, "Untitled", spray paint, marker, and acrylic.

Untitled, JonOne, 2014, From the collection of: Pera Museum
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JonOne, "Untitled", spray paint, marker, and acrylic.

JonOne - Language of the Wall | Duvarların Dili, From the collection of: Pera Museum
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Interview with JonOne.

The Human Cost of Development, Gaia, 2014, From the collection of: Pera Museum
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Gaia, "The Human Cost of Development", spray paint, acrylic.

Detail from "The Human Cost of Development"., Gaia, 2014, From the collection of: Pera Museum
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Another detail from "The Human Cost of Development".

Detail from "The Human Cost of Development", Gaia, 2014, From the collection of: Pera Museum
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Detail from "The Human Cost of Development".

Chameleon's Dream, No More Lies, 2014, From the collection of: Pera Museum
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No More Lies, "Chameleon's Dream", stencil and spray paint.

Detail from "Chameleon's Dream"., No More Lies, 2014, From the collection of: Pera Museum
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Detail.

Free, Logan Hicks, 2014, From the collection of: Pera Museum
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Logan Hicks, "Free", stencil and spray paint.

Smokescreen, Logan Hicks, 2014, From the collection of: Pera Museum
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Logan Hicks, "Smokescreen", stencil and spray paint.

Logan Hicks in front of his work, 2014, From the collection of: Pera Museum
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Logan Hicks in front of his mural in Ihlamurdere Street, Beşiktaş, Istanbul.

Minibus, Tilt, 2014, From the collection of: Pera Museum
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Tilt, "Minibus", spray paint and ink.

Tilt - Language of the Wall | Duvarların Dili, From the collection of: Pera Museum
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Interview with Tilt.

Hashtag, Mist, 2014, From the collection of: Pera Museum
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Mist, "Hashtag", spray paint.

Mist - Language of the Wall | Duvarların Dili, From the collection of: Pera Museum
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Interview with Mist.

In Style We Trust, In Museum We Bomb!, Funk & TabOne, 2014, From the collection of: Pera Museum
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Funk & TabOne, "In Style We Trust, In Museum We Bomb!", spray paint.

Funk & TabOne - Language of the Wall | Duvarların Dili, From the collection of: Pera Museum
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Funk & TabOne time-lapse.

Photography by Hugh Holland, Hugh Holland, From the collection of: Pera Museum
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Photography by Hugh Holland, Hugh Holland, From the collection of: Pera Museum
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Photography by Hugh Holland, Hugh Holland, From the collection of: Pera Museum
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Photography by Hugh Holland.

Catacomb - Plage, Psyckoze, 2014, From the collection of: Pera Museum
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Psyckoze, "Catacomb - Plage", mixed media installation.

Detail from "Catacomb - Plage"., Psyckoze, 2014, From the collection of: Pera Museum
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Detail from "Catacomb - Plage".

Video missing

"Traces", a film about Psyckoze.

Mural by Psyckoze in Abbasağa Park, Beşiktaş, Istanbul., Psyckoze, 2014, From the collection of: Pera Museum
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Mural by Psyckoze in Abbasağa Park, Beşiktaş, Istanbul.

Credits: Story

Curator—Roxane Ayral

Credits: All media
The story featured may in some cases have been created by an independent third party and may not always represent the views of the institutions, listed below, who have supplied the content.
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