Art under the influence of the Protestant Reformation

Art in the Reformation through the collection of the National Museum of Fine Arts - MNBA

As três cruzes (1653) by Rembrandt Harmensz Van Rijn Ou Ryn, ditoMuseu Nacional de Belas Artes

Hino Castelo Forte ou Castelo Forte é o Nosso Deus (Ein feste Burg ist unser Gott)
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Faith, time, society and art

1517!  Martin Luther (Eisleben, 1483 – 1546) and the Protestant Reformation generated changes in society and the arts, producing portraits of defenders of the Reformation, representations of the New Testament and daily life, scientific observation of nature, documentation of landscapes and cartography.

Aesthetic documents in the MNBA help to understand the reforming winds in the arts: paintings and engravings from the Portuguese royal collection, in Rio in 1809, the one purchased from Joaquim Lebreton, in 1819, for didactic purposes, complemented by others incorporated in the 20th century.

Faith, political and territorial disputes

The Reformation translated the Bible into local languages ​​and valued experience and knowledge. He faced armed reactions in the 100-year war in France and the 80-year war for the Independence of the Netherlands. The MNBA collection contains portraits of leaders in favor of the Reform.

Retrato de William I, Príncipe de Orange by Willem Jacobsz. DelffMuseu Nacional de Belas Artes

William I (1533 – 1584)

Known as “the father of the country”, of the Netherlands, he began, in 1568, the 80 Years' War to put an end to Spanish domination in that territory. Of Protestant background, he led the fight for religious freedom for the reformed, marked by the Union of Utrecht in 1580.

Frederico V (1596 - Mainz, Alemanha, 1632), eleitor palatino e rei da Boêmia e Gabriel Bethlen, príncipe da Transilvânia e rei da Hungria (1580 - 1629), batalha em Pressburg (Bratislava), cerca de 1620 by Claes Jansz VisscherMuseu Nacional de Belas Artes

Frederick (Amberg, 1596 – Mainz, 1632), being a member of the German Protestant Union, was offered the crown of Bohemia. Gabriel   (Marosillye, current Ilia, 1580 - ?, 1629) prince of Transylvania and king of Hungary, fought for Protestantism in these States, against the Habsburgs.

Retrato de Maurício de Nassau by Pieter NasonMuseu Nacional de Belas Artes

Portrait of João Maurício de Nassau-Siegen (Dillenburg, Germany, 1604 – Cleves, Germany, 1679), between 1652 and 1679.

Evangelical, in 1636, he accepted to be governor, admiral and captain-general of the colony of the Dutch West India Company (WIC) in the Northeast region of Brazil, staying there from 1637 to 1644, bringing scientists and artists. The painter of this work was from a Lutheran family.

The Reformation finds artists at the height of their activity

Sansão matando o leão, cerca de 1497-1498 by Albrecht DürerMuseu Nacional de Belas Artes

Albrecht Dürer

(Nuremberg, Germany, 1471 - 1528)

Converted to Lutheranism,  in 1520, his graphic work became more austere and restrained: “God grants the ability to learn and [...] do good and beautiful things to an unparalleled man, in his days" [and not before and nor much later] PANOFSKY. Vida y arte de A Durero.1982, p.291.

As três cruzes (1653) by Rembrandt Harmensz Van Rijn Ou Ryn, ditoMuseu Nacional de Belas Artes

Rembrandt Harmensz van Rijn or Ryn

(Leiden, Netherlands,1606 - Amsterdam, Netherlands1669)

Filho de pai integrante da Igreja Reformada dos Países Baixos e de mãe católica, pintou cenas bíblicas, retratando-se em algumas delas. Grande nome do Barroco holandês, na pintura e gravura, sua vida pessoal registrou decisões distantes de alguns preceitos bíblicos.

Portraits, still lifes, genre painting and landscapes

Protestant artists operating in reformed regions, when producing works with religious themes, they began to emphasize scenes from the New Testament and biblical teachings, the foundation of faith rather than veneration.

Jesus Cristo na casa de Simão, o fariseu by Hans Sebald BehamMuseu Nacional de Belas Artes

Hans Sebald Beham

(Nuremberg, Germany, 1500 - Frankfurt, Germany, 1550)

After a tumultuous phase of his religious life, he converted to Protestantism.

Cena palaciana by Hans BrosamerMuseu Nacional de Belas Artes

Hans Brosamer

(Fulda, Germany, 1495 - Erfurt, Germany, 1554)

Like others of his generation, his conversion was not immediate. At the end of his life he participated in creating illustrations for the most recent printing of the German translation of the Bible, by Martin Luther, around 1550.

O filho pródigo gastando a sua fortuna by Hans Sebald BehamMuseu Nacional de Belas Artes

Hans Sebald Beham

(Nuremberg, Germany, 1500 - Frankfurt, Germany, 1550)

Painter, etching, burin and wood engraver. Outstanding disciple of Dürer. He worked on the illustrations of the Bible translated by Martin Luther, in 1533.

Portraits, still lifes, genre painting and landscapes

Retrato de nobre holandesa by Michiel MiereveltMuseu Nacional de Belas Artes

Michiel Janszoon van Mierevelt

(Delft, Netherlands, 1567 - 1641)

Outstanding portrait painter in the Netherlands. He developed his production with a commercial emphasis, something innovative for the period.

Retrato de nobre holandês by Michiel MiereveltMuseu Nacional de Belas Artes

He was the official painter of the court of Orange, in the Netherlands.

O paraíso terrestre (1590/1639) by Roeland Jacobsz SaveryMuseu Nacional de Belas Artes

Roeland Jacobsz Savery

(Courtrai, Netherlands 1576 - Utrecht, Netherlands 1639)

An excellent painter of flowers, animals and landscapes, from a traditional Mennonite Protestant family, whose name refers to Father Menno Simons (Wytmarsum, 1496 – Wüstenfelde, Bad Oldesloe, 1561), converted to the Anabaptist movement and one of its leaders in the Netherlands.

A fiandeira by Gerard TerborchMuseu Nacional de Belas Artes

He distinguished himself by his genre painting, representing everyday scenes, which emerged and developed in the Netherlands. Son of a Catholic family who converted to Protestantism during the 80 Years War, a religious decision taken amid the tensions of that time.

Gerard Ter Borch

(Zwolle, Netherlands, 1617 - Deventer, Netherlands, 1681)

Duas mulheres com criança na janela by Adriaen Van OstadeMuseu Nacional de Belas Artes

Adriaen Van Ostade Haarlem

(Netherlands, 1610 - 1685)

Great name in genre painting from the Netherlands, painter and engraver, from a Protestant family, converted to Catholicism when he married, in 1657, Anna Ingels, a rich Catholic from Amsterdam.

Cisnes e pavões by Melchior HondecoeterMuseu Nacional de Belas Artes

Melchior Hondecoeter

(Utrecht, Netherlands, 1636 - Amsterdam, Netherlands, 1695)

An excellent bird painter and member of a Protestant family of artists from Antwerp, who took refuge in Utrecht due to religious persecution during the Spanish Catholic siege.

Northern Europe in the Brazilian Northeast

Contemporary with the great navigations, the first experience of Protestantism in Brazil was with the Calvinists (from João Calvino, Noyon, 1509 - Geneva, 1564) in Antarctic France - 1555 to 1570, a colony in Guanabara Bay, Rio de Janeiro, and then in the “Dutch” Northeast.

Mocambos (1659) by Frans PostMuseu Nacional de Belas Artes

Frans Post (Haarlem, Netherlands circa 1612 – 1680)

Protestant, he was part of João Maurício de Nassau's artistic entourage to the Brazilian Northeast. His were the first images of our flora, fauna, architecture, society and economic activities. Back in the Netherlands, he continued producing works about Brazil.

Vista da Baía de Todos os Santos by Frans PostMuseu Nacional de Belas Artes

Há cerca de uma década, estudos seus foram descobertos no Noord-Hollands Archief [Arquivo da Holanda Setentrional],em Haarlem, contribuindo para a compreensão do processo documental e artístico de Frans Post.

Vila d'Olinda de Pernambuco by Isaak CommelinMuseu Nacional de Belas Artes

Isaac Commelin, historian

Amsterdam, Netherlands, 1598 - 1676

His work on the life and activities of Prince Frederick Henry of Nassau (Delft, 1584 – The Hague, 1647) was published in Amsterdam in 1651 , and in Utrecht, the following year. Contains engravings with images of the Dutch passage through the Northeast.

Rio ParaíbaMuseu Nacional de Belas Artes

"Rio Paraíba" [Ostium flumines Paraybae] In: Arnoldus Montan

Arnoldus Montanus, another author whose printed work contains images of “Dutch” Brazil. Jacob van Meurs was a highly active Dutch publisher, bookseller and engraver from 1650 to 1680.

Retrato de Maurício de Nassau by Pieter NasonMuseu Nacional de Belas Artes

Portrait of João Maurício de Nassau-Siegen, between 1652 and 1679

In the Northeast of Brazil, Protestants and Jews lived, with the first synagogue in the Americas. Some of them, with the Portuguese recovery, went to New Amsterdam, starting a prominent colony in present-day New York. And the “Dutch” generated knowledge and documentation about the New World!

Strong Castle or Strong Castle is Our God (in German:Ein feste Burg ist unser Gott) is a sacred hymn, sung in Protestant churches, composed by Martin Luther in 1529 . The text is based on Psalm 46, "God is our refuge and fortress…

UniCesumar Philharmonic Orchestra - OFUC
UniCesumar - Universidade Cesumar de Maringá/PR
Conductor: Maestro Davi Oliveira
Location: Teatro Calil Haddad de Maringá/PR, 2015

Credits: Story

Curated
Anaildo Bernardo Baraçal
Márcio Marques dos Santos

Designed especially for Google Arts & Culture, 2024.

References:
BARAÇAL, A.; SANTOS, M. M. The 500 years of Christian reform in the history of Western culture and its museification in Brazil. Revista Trama Interdisciplinar, 13(1), 241–256, 2022. Available at: <https://editorarevistas.mackenzie.br/index.php/tint/article/view/15369>. Accessed on: May 10, 2024.
National Museum of Fine Arts. Albrecht Dúrer: the apogee of the German Renaissance. Rio de Janeiro: Rio de Janeiro City Hall, 1999.
PORTAL Luteranos. Sacred art in the Christian context - Beginning of reflection: Sacred art in the Lutheran context, 8 June. 2007. Available at: WISSE, Jacob. The Reformation. oct. 2002. Available at: https://www.metmuseum.org/toah/hd/refo/hd_refo.htm. Accessed on: May 10, 2024.

Credits: All media
The story featured may in some cases have been created by an independent third party and may not always represent the views of the institutions, listed below, who have supplied the content.

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