Portrait of the Countess of Chinchon (Around 1800) by Goya Goya y LucientesUffizi Gallery
'It was part of a series of portraits commissioned to Goya, the most important Spanish painter of the 18th century, by Don Luis de Borbon, the father of the sitter as well as the artist's patron.'
The Marquesa de Pontejos (c. 1786) by Francisco GoyaNational Gallery of Art, Washington DC
'While the painting's pale tones reflect the last stages of the rococo in Spanish art, the overall silvery gray--green tonality is equally reminiscent of the earlier Spanish master, Velázquez, whose paintings Goya had studied and copied.'
Interieur de Prison (1793/1794) by Goya, Francisco Jose deThe Bowes Museum
'The Boweses purchased this painting together with Goya's portrait of Juan Antonio Melendéz Valdés and over seventy other Spanish paintings.'
'This magnificent painting by Goya was part of a series of six commissioned by the dukes of Osuna to decorate their estate, "El Capricho", near Madrid.'
Saint Gregory the Great, Pope (1796 - 1799) by Francisco de GoyaMuseo Nacional del Romanticismo
'/ The strong influence of Murillo pervades the picture, which means that Goya probably painted it while staying in Seville in 1798.'
Allegory of Love, Cupid and Psyche [?] (1798 - 1805) by Francisco de GoyaMuseu Nacional d'Art de Catalunya - MNAC, Barcelona
'Similarities have been pointed out between the model of female personifying Psyche and the one that posed for Goya's 'Majas', and with María Gabriela Palafox y Portocarrero, Marquesa de Lazán, painted by Goya in 1804.'
It's a Pity You Don't Have Something Else to Do! (about 1808–1814) by Francisco José de Goya y Lucientes (Francisco de Goya)The J. Paul Getty Museum
'Goya's caption, the drawing's title, tells the whole story: He admonishes her for playing at being a peasant, a practice then fashionable among the upper classes.'
Self-Portrait with Dr. Arrieta (1820) by Francisco de GoyaMinneapolis Institute of Art
'As court painter to both Charles III and Charles IV of Spain, Goya achieved considerable fame as a portraitist.'
The Forge (Around 1815-1820) by Francisco de Goya y LucientesThe Frick Collection
'Goya's Forge, painted about 1815-20, with its pervasive darkness, vigorous brushstrokes, and proletarian subjectmatter, introduces a note of harsh realism into the generally calm and restful pictures in The Frick Collection.'
Otras Leyes por il Pueblo (1816/1823) by Francisco José de GoyaReading Public Museum
'Goya's fantastic imagery is often infused with satirical irony.'
Bullfight, Suerte de Varas (1824) by Francisco José de Goya y Lucientes (Francisco de Goya)The J. Paul Getty Museum
'Francisco José de Goya y Lucientes painted this work late in his career when he had begun experimenting with different techniques.'
They are Dying (about 1825–1828) by Francisco José de Goya y Lucientes (Francisco de Goya)The J. Paul Getty Museum
'This drawing comes from "Album G," one of the two albums Francisco José de Goya y Lucientes compiled when he was living in Bordeaux at the end of his life.'
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